The Christian Recorder was first published in 1852 in Philadelphia. Although it was the official newspaper of the African Methodist Episcopal (AME) Church, it was much more than a religious weekly. In many ways, the Recorder became the voice of black America in the Reconstruction and the post-Reconstruction eras. From the pages of the Recorder, the positions of the AME Church and black leaders on civil rights, voting rights, politics, education, the African emigration movement, family, and women are analyzed in this unique work.

Black Print Unbound explores the development of the Christian Recorder during and just after the American Civil War. As a study of the African Methodist Episcopal Church newspaper and so of a periodical with national reach among free African Americans, Black Print Unbound is at once a massive recovery effort of a publication by African Americans for African Americans, a consideration of the nexus of African Americanist inquiry and print culture studies, and an intervention in the study of literatures of the Civil War, faith communities, and periodicals.

Explores the emergence of African Methodism within the black Atlantic and how it struggled to sustain its liberationist identity.

Race Patriotism: Protest and Print Culture in the A.M.E. Church examines important nineteenth-century social issues through the lens of the AME Church and its publications. This book explores the ways in which leaders and laity constructed historical narratives around varied locations to sway public opinion of the day. Drawing on the official church newspaper, the Christian Recorder, and other denominational and rare major primary sources, Bailey goes beyond previously published works that focus solely on the founding era of the tradition or the eastern seaboard or post-bellum South to produce a work than breaks new historiographical ground by spanning the entirety of the nineteenth century and exploring new geographical terrain such as the American West. Through careful analysis of AME print culture, Bailey demonstrates that far from focusing solely on the “politics of uplift” and seeking to instill bourgeois social values in black society as other studies have suggested, black authors, intellectuals, and editors used institutional histories and other writings for activist purposes and reframed protest in new ways in the postbellum period. Adding significantly to the literature on the history of the book and reading in the nineteenth century, Bailey examines AME print culture as a key to understanding African American social reform recovering the voices of black religious leaders and writers to provide a more comprehensive and nuanced portrayal of the central debates and issues facing African Americans in the nineteenth century such as migration westward, selecting the appropriate referent for the race, Social Darwinism, and the viability of emigration to Africa. Scholars and students of religious studies, African American studies, American studies, history, and journalism will welcome this pioneering new study. Julius H. Bailey is the author of Around the Family Altar: Domesticity in the African Methodist Episcopal Church, 1865–1900. He is an associate professor in the Religious Studies Department at the University of Redlands in Redlands, California.

"Angell and Pinn have selected a set of lively and significant examples of social protest literature from A.M.E. Church periodicals and demonstrated that these newspapers and journals represent a critically important location in which African Americans debated vital questions of the day."--Judith Weisenfeld, Barnard College Although the African Methodist Episcopal (A.M.E.) Church has long been acknowledged as a crucial institution in African American life during the nineteenth and twentieth centuries, relatively little attention has been given to the ways in which the church's publications influenced social awareness and protest among its members and others, both in the United States and abroad. Filling that gap, this volume brings together a rich sampling of A.M.E. literature addressing a variety of social issues and controversies. As the editors observe, the formation of independent black churches in the early nineteenth century was not just a religious act but a political one with ramifications extending into every area of life. The A.M.E. Church, as a leader among those new denominations, made the educational, moral, political, and social needs of black Americans a constant concern. Through its newspapers and magazines--including the A.M.E. Church Review and the Christian Recorder--the church produced a steady flow of news articles, editorials, and scholarly essays that articulated its positions, nurtured intellectual debate, and contributed to the ongoing struggle for racial equality. Drawing together writings from the Civil War era to the eve of World War II, this book is organized thematically. Each chapter presents a selection of A.M.E. sources on a particular topic: civil rights, education, black theology, African missions and emigrationism, women's identities, and socialism and the social gospel. Among the writers represented are such notable figures as W. E. B. Du Bois, Henry McNeal Turner, Ida B. Wells, Amanda Berry Smith, and Benjamin Tucker Tanner. An invaluable new resource for researchers and students, this book demonstrates both the variety and vitality of A.M.E. social and political thought. The Editors: Stephen W. Angell is associate professor of religion at Florida A&M University and author of Henry McNeal Turner and African-American Religion in the South. Anthony B. Pinn is associate professor of religious studies at Macalester College. He is the author of Why Lord? Suffering and Evil in Black Theology and Varieties of African American Religious Experience and editor of Making the Gospel Plain: The Writings of Bishop Reverdy C. Ransom.

In a series of columns published in the African American newspaper "The Christian Recorder, " the young, charismatic preacher Henry McNeal Turner described his experience of the Civil War, first from the perspective of a civilian observer in Washington, D.C., and later, as one of the Union army's first black chaplains. In the halls of Congress, Turner witnessed the debates surrounding emancipation and black enlistment. As army chaplain, Turner dodged "grape" and cannon, comforted the sick and wounded, and settled disputes between white southerners and their former slaves. He was dismayed by the destruction left by Sherman's army in the Carolinas, but buoyed by the bravery displayed by black soldiers in battle. After the war ended, he helped establish churches and schools for the freedmen, who previously had been prohibited from attending either. Throughout his columns, Turner evinces his firm belief in the absolute equality of blacks with whites, and insists on civil rights for all black citizens. In vivid, detailed prose, laced with a combination of trenchant commentary and self-deprecating humor, Turner established himself as more than an observer: he became a distinctive and authoritative voice for the black community, and a leader in the African Methodist Episcopal church. After Reconstruction failed, Turner became disillusioned with the American dream and became a vocal advocate of black emigration to Africa, prefiguring black nationalists such as Marcus Garvey and Malcolm X. Here, however, we see Turner's youthful exuberance and optimism, and his open-eyed wonder at the momentous changes taking place in American society. Well-known in his day, Turner has been relegated to the fringes of African American history, in large part because neither his views nor the forms in which he expressed them were recognized by either the black or white elite. With an introduction by Jean Lee Cole and a foreword by Aaron Sheehan-Dean, "Freedom's Witness: The Civil War Correspondence of Henry McNeal Turner "restores this important figure to the historical and literary record.

Black Print Unbound explores the development of the Christian Recorder during and just after the American Civil War. As a study of the African Methodist Episcopal Church newspaper and so of a periodical with national reach among free African Americans, Black Print Unbound is at once a massive recovery effort of a publication by African Americans for African Americans, a consideration of the nexus of African Americanist inquiry and print culture studies, and an intervention in the study of literatures of the Civil War, faith communities, and periodicals.

Published in 1817, The Doctrines and Discipline of the African Methodist Episcopal Church was the first definitive guide to the history, beliefs, teachings, and practices of the African Methodist Episcopal Church. Beginning with a brief history, the book moves into a presentation of the "Articles of Religion," including the Trinity, the Word of God, Resurrection, the Holy Spirit, scripture, original sin and free will, justification, works, the church, purgatory, the sacraments, baptism, the Lord's Supper, marriage, church ceremonies, and government. Immediately following the articles is an extended four-part catechism that more fully explicates the meanings and implications of the doctrinal statements. A DOCSOUTH BOOK. This collaboration between UNC Press and the University of North Carolina at Chapel Hill Library brings classic works from the digital library of Documenting the American South back into print. DocSouth Books uses the latest digital technologies to make these works available in paperback and e-book formats. Each book contains a short summary and is otherwise unaltered from the original publication. DocSouth Books provide affordable and easily accessible editions to a new generation of scholars, students, and general readers.