This volume deals with the Christian catacombs of Rome and presents the current state of research and knowledge concerning these extraordinary monuments that provide the most tangible and eloquent testimony of early Christianity. This volume is intended to represent the official publication on the Christian catacombs of Rome, prepared directly by members of the Pontificia Commissione di Archeologia Sacra. Through association with this commission, it has been possible to publish the most recent and up to date graphic and photographic documentation of the excavations and restorations carried out in the last few years in preparation for the Great Jubilee Year of 2000. It should be a useful and valuable didactic tool for visiting the catacombs of Rome, that, as the Holy Father has noted on numerous occasions, represent manditory destinations for all the pilgrims who will come to Rome in the year 2000 from all over the world. - Introduction.

Every story in catacomb art is a tale of deliverance, a tale of the powerlessness of death and the certainty of the resurrection. Looking back through fifteen hundred years of Christian art, it appears the crucifixion of Jesus holds the highest place. We haven’t looked back far enough. Go back to the first three centuries after Jesus walked among us. Walk the dark corridors of those subterranean burial chambers of the persecuted Christians. There we find a much different theology at work: a theology with resurrection hope and power at the center. If catacomb art were all we had of Christian theology and practice from the first three centuries AD—no Scriptures—we would have no choice but to conclude that the first message of the Christian faith was the Easter gospel.

Rome was the largest city in the ancient world. As the capital of the Roman Empire, it was clearly an exceptional city in terms of size, diversity and complexity. While the Colosseum, imperial palaces and Pantheon are among its most famous features, this volume explores Rome primarily as a city in which many thousands of men and women were born, lived and died. The thirty-one chapters by leading historians, classicists and archaeologists discuss issues ranging from the monuments and the games to the food and water supply, from policing and riots to domestic housing, from death and disease to pagan cults and the impact of Christianity. Richly illustrated, the volume introduces groundbreaking new research against the background of current debates and is designed as a readable survey accessible in particular to undergraduates and non-specialists.

The bone gatherers found in the annals and legends of the early Roman Catholic Church were women who collected the bodies of martyred saints to give them a proper burial. They have come down to us as deeply resonant symbols of grief: from the women who anointed Jesus's crucified body in the gospels to the Pietà, we are accustomed to thinking of women as natural mourners, caring for the body in all its fragility and expressing our deepest sorrow. But to think of women bone gatherers merely as mourners of the dead is to limit their capacity to stand for something more significant. In fact, Denzey argues that the bone gatherers are the mythic counterparts of historical women of substance and means-women who, like their pagan sisters, devoted their lives and financial resources to the things that mattered most to them: their families, their marriages, and their religion. We find their sometimes splendid burial chambers in the catacombs of Rome, but until Denzey began her research for The Bone Gatherers, the monuments left to memorialize these women and their contributions to the Church went largely unexamined. The Bone Gatherers introduces us to once-powerful women who had, until recently, been lost to history—from the sorrowing mothers and ghastly brides of pagan Rome to the child martyrs and women sponsors who shaped early Christianity. It was often only in death that ancient women became visible—through the buildings, burial sites, and art constructed in their memory—and Denzey uses this archaeological evidence, along with ancient texts, to resurrect the lives of several fourth-century women. Surprisingly, she finds that representations of aristocratic Roman Christian women show a shift in the value and significance of womanhood over the fourth century: once esteemed as powerful leaders or patrons, women came to be revered (in an increasingly male-dominated church) only as virgins or martyrs—figureheads for sexual purity. These depictions belie a power struggle between the sexes within early Christianity, waged via the Church's creation and manipulation of collective memory and subtly shifting perceptions of women and femaleness in the process of Christianization. The Bone Gatherers is at once a primer on how to "read" ancient art and the story of a struggle that has had long-lasting implications for the role of women in the Church.

of the Pope." --Book Jacket.