Afong Moy is fourteen years old when she’s brought to the United States from Guangzhou Province in 1834. Allegedly the first Chinese woman to set foot on U.S. soil, she has been put on display for the American public as “The Chinese Lady.” For the next half-century, she performs for curious white people, showing them how she eats, what she wears, and the highlight of the event: how she walks with bound feet. As the decades wear on, her celebrated sideshow comes to define and challenge her very sense of identity. Inspired by the true story of Afong Moy’s life, THE CHINESE LADY is a dark, poetic, yet whimsical portrait of America through the eyes of a young Chinese woman.

In 1834, a Chinese woman named Afong Moy arrived in America as both a prized guest and an advertisement for a merchant firm--a promotional curiosity with bound feet and a celebrity used to peddle exotic wares from the East. This first biography of Afong Moy explores how she shaped Americans' impressions of China, while living as a stranger in a foreign land.

In 1834, a Chinese woman named Afong Moy arrived in America as both a prized guest and an advertisement for a merchant firm--a promotional curiosity with bound feet and a celebrity used to peddle exotic wares from the East. This first biography of Afong Moy explores how she shaped Americans' impressions of China, while living as a stranger in a foreign land.

One girl too many . . . When a girl is born to Chu Ju's family, it is quickly determined that the baby must be sent away. After all, the law states that a family may have only two children, and tradition dictates that every family should have a boy. To make room for one, this girl will have to go. Fourteen-year-old Chu Ju knows she cannot allow this to happen to her sister. Understanding that one girl must leave, she sets out in the middle of the night, vowing not to return. With luminescent detail, National Book Award-winning author Gloria Whelan transports readers to China, where law conspires with tradition, tearing a young woman from her family, sending her on a remarkable journey to find a home of her own.

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In "My Lady of the Chinese Courtyard," Elizabeth Cooper offers the reader a translation of two series of letters by Kwei-li, the wife of a high-rank Chinese official. The first series is addressed to her husband whilst he is on a world tour with Prince Chung in the late 19th century. The second series of letters is from 25 years later and are addressed to her mother-in-law. Political intrigue is raging in China and the country is on the verge of a revolution. With these letters, Cooper hoped to "give a faint idea of the life of a Chinese lady," "a woman who had by education and environment exceptional opportunities to learn of the modern world, but who, like every Eastern woman, clings with almost desperate tenacity to the traditions and customs." Elizabeth Cooper, born Eslick (1877-1945) was an America author. Originally born in Homer, Iowa, she spent most of her adult life in Asia, and dedicated much of her work to the depiction of life, especially women’s, in countries such as China, Egypt, Turkey and Japan. Some her work includes: "My Lady of the Chinese Courtyard," "Drusilla With a Million," and "Living up to Billy."