John Jeremiah Collier was born about 1760 probably in Scotland. He married Sarah Ann Wood about 1861. They lived in North Carolina and had seven children. Information on many of their descendants is included in the material provided in this volume. Family members now live in Alabama, Mississippi, Texas and elsewhere.

Within the tranquil setting of a small New Jersey town in the early 1900s, this novel by a noted Harlem Renaissance author explores tempestuous issues that range from racial identity to adultery, incest, and deception.

Celebrating Chinaberry's twentieth anniversary, the women behind America's beloved children's book catalog share their wisdom about the joys of children's literature and parenting. The Chinaberry catalog was created when Ann Ruethling became troubled by the violence in many old-fashioned nursery stories and the poor grammar or mediocre plots in newer children's books. Handpicking a hundred high-quality titles a year, she has become an indispensable friend to thousands of parents, and Chinaberry has become a gold standard for its industry. Under the Chinaberry Tree celebrates the world of children's books. In warm "one-mother-to-another" prose, Ruethling and her business partner, Patti Pitcher, reflect on the family-first concepts that resonate so strongly with Chinaberry fans and all parents. Exploring the books that have made a difference in their children's lives, the tender experience of reading with children and the moments that make parenting a unique journey, this guide is sure to enrich every family's bookshelf.

In the midst of vast cultural and political shifts in the early twentieth century, politicians and cultural observers variously hailed and decried the rise of the “New Negro.” This phenomenon was most clearly manifest in the United States through the outpouring of Black arts and letters and social commentary known as the Harlem Renaissance. What is less known is how far afield of Harlem that renaissance flourished—how much the New Negro movement was actually just one part of a collective explosion of political protest, cultural expression, and intellectual debate all over the world. In this volume, the Harlem Renaissance “escapes from New York” into its proper global context. These essays recover the broader New Negro experience as social movements, popular cultures, and public behavior spanned the globe from New York to New Orleans, from Paris to the Philippines and beyond. Escape from New York does not so much map the many sites of this early twentieth-century Black internationalism as it draws attention to how New Negroes and their global allies already lived. Resituating the Harlem Renaissance, the book stresses the need for scholarship to catch up with the historical reality of the New Negro experience. This more comprehensive vision serves as a lens through which to better understand capitalist developments, imperial expansions, and the formation of brave new worlds in the early twentieth century. Contributors: Anastasia Curwood, Vanderbilt U; Frank A. Guridy, U of Texas at Austin; Claudrena Harold, U of Virginia; Jeannette Eileen Jones, U of Nebraska–Lincoln; Andrew W. Kahrl, Marquette U; Shannon King, College of Wooster; Charlie Lester; Thabiti Lewis, Washington State U, Vancouver; Treva Lindsey, U of Missouri–Columbia; David Luis-Brown, Claremont Graduate U; Emily Lutenski, Saint Louis U; Mark Anthony Neal, Duke U; Yuichiro Onishi, U of Minnesota, Twin Cities; Theresa Runstedtler, U at Buffalo (SUNY); T. Denean Sharpley-Whiting, Vanderbilt U; Michelle Stephens, Rutgers U, New Brunswick; Jennifer M. Wilks, U of Texas at Austin; Chad Williams, Brandeis U.

Introduction by Joe B. Frantz.

A fresh, multicultural reading of the work of women writers of the Progressive era that places their fiction in the context of their reform journalism and political activism.