George Erhart Balluff's 'The China Painter Instruction Book' is a comprehensive guide to the art of china painting, written in a clear and concise style that is accessible to both beginners and experienced artists. The book covers a wide range of techniques, from basic brushstrokes to advanced kiln firing methods, and includes detailed instructions and illustrations to help readers perfect their craft. Balluff's attention to detail and emphasis on precision make this book an indispensable resource for anyone interested in mastering the delicate art of china painting. The book is a testament to Balluff's dedication to preserving and promoting this traditional art form, ensuring that future generations of artists can continue to learn and practice the techniques passed down through the centuries. 'The China Painter Instruction Book' is a must-read for anyone looking to expand their artistic horizons and delve into the world of fine china painting.

Edited by two of mainland China's most distinguished artists, this volume shows readers, step by step, how to duplicate the distinct brush styles of China, Vietnam, Thailand, Korea, and Japan. 300 color illustrations.

Written by a team of eminent international scholars, this book is the first to recount the history of Chinese painting over a span of some 3000 years.

Try your hands at these historically and culturally important methods, and create some beautiful paintings of your own. Chinese painting is an ancient art that has evolved and become refined over many centuries. Artists brush ink and color pigments onto silk or paper using a variety of techniques, with two main approaches: gongbi a traditional and realistic style based on line drawing, and xieyi style, a freehand method that uses fewer strokes to suggest objects in a less literal way. Painting themes generally fall into three categories: figure, landscaping, and bird-and-flower. Chinese brush painting is mainly presented in lines, shades and white space to express the feelings about nature, social phenomena, and the very essence of the universe. The framework for this expression is often traditional: certain subjects carry cultural connotations that are well-known and imbue the painting with a layer of meaning beyond face value of objects shown. The traditional subjects such as mandarin ducks, butterflies, and the 'Four Gentlemen' (plum blossoms, orchids, bamboos, and chrysanthemum) are examples that contain this rich cultural meaning. Readers will learn first about the tools and materials, then painting techniques. Early pages explore the very basic painting methods and subjects—perfect for beginning painters—but continue to build skills for painting plants and animals of increasing complexity. Chinese Brush Painting illustrates several Chinese brush painting techniques with the use of different tools, brushwork and color mixing. With the step-by-step projects, you can first follow the introductory lessons to learn the necessary skills of brushwork, usage of paper, and characteristics of water, ink and colors; then follow the advanced lessons to learn the compositions and more complicated color applications.

“Unsettles contemporary art’s unspoken hierarchies and topples modernist and postmodernist assumptions about originality, authenticity, and authorship.” —caa Reviews In a metropolis in south China lies Dafen, an urban village that houses thousands of workers who paint van Goghs, Da Vincis, Warhols, and other Western masterpieces for the world market, producing an astonishing five million paintings a year. Winnie Wong infiltrated this world, first investigating the work of conceptual artists; then working as a dealer; apprenticing as a painter; surveying wholesalers and retailers in Europe, East Asia and North America; establishing relationships with local leaders; and organizing a conceptual art exhibition for the Shanghai World Expo. The result is Van Gogh on Demand, a fascinating book about a little-known aspect of the global art world—one that sheds surprising light on the workings of art, artists, and individual genius. Wong describes an art world in which migrant workers, propaganda makers, dealers, and international artists make up a global supply chain of art. She examines how Berlin-based conceptual artist Christian Jankowski, who collaborated with Dafen’s painters to reimagine the Dafen Art Museum, unwittingly appropriated the work of a Hong Kong-based photographer Michael Wolf. She recounts how Liu Ding, a Beijing-based conceptual artist, asked Dafen “assembly-line” painters to perform at the Guangzhou Triennial, styling himself into a Dafen boss. Through such cases, Wong shows how Dafen’s painters force us to reexamine our preconceptions about the role of Chinese workers in redefining global art. “[A] fantastically detailed exploration of a topic which touches the heart of many of the issues surrounding China's economic rise.” —South China Morning Post

At last porcelain doll makers, both those who make reproductions and originals, have a detailed face painting manual and visual guide to aid in painting those all important doll facial highlights. Using prize-winning French dolls made by the author, doll makers see precisely recreated French faces with a variety of styles. The incredibly detailed color photographs will be a guide to every brush stroke. 60 gorgeous color and 41 b/w photos.

This classic work, first published in 1971, explores the transition in painting styles from the late Sung period to the art of Yuan dynasty literati. Building on the pioneering work of Oswald Siren and James Cahill, Susan Bush’s investigations of painting done under the Chin dynasty confirmed the dominance of scholar-artists in the north and their gradual development of scholarly painting traditions, and a related study of Northern Sung writings showed that their theory was shaped as much by the views of their social class as by their artistic aims. Bush’s perspective on Sung scholars’ art and theory helps explain the emergence of literati painting as the main artistic tradition in Yuan times. Social history thus served to supplement an understanding of the evolution of artistic styles.

A Beginner's Guide to Chinese Brush Painting teaches this ancient art form in an easy-to-understand way--no prior experience necessary! As one of the oldest continuous artistic traditions in the world, Chinese brush painting has been used for thousands of years to create images that harness the imagination, and capture the inner spirit of a subject--be it an animal, landscape or tree. All you need for this simple, but beautiful, art form is black watercolor paint, white paper, a brush and some creativity! An introduction tells you about the history of brush painting, and also gives tips for holding your brush, achieving different shades and collecting your materials. After that, the book takes you step-by-step through more than 35 hands-on activities--including basic strokes, putting them together to create an object or scene, the importance of leaving open space and even writing some Chinese calligraphy. With the help of this book, artists of all ages can learn to paint: Bamboo stalks, branches and leaf clusters A knotted pine tree and its delicate needles A snail with a spiral shell and little body peeking out from underneath A waterfall gliding down the side of a mountain And much more! You'll find that this activity will help you learn to center your mind and thoughts, and your masterpieces will be inspiring decorations or great gifts for friends and family. Get started learning this "soft martial art!"