Our spiritual roots have been kept alive inside stories that have been passed from generation to generation. Today those ancient voices are transformed into words and take form into the soul of al Mexicans... A novel that makes every Mexican spirit proud of who they are, their essence and their past. In a journey through ancient Mexico and the wonders of Tenochtitlan, the characters are faced with the harsh reality of a modern Mexico who constantly discriminates against its indigenous roots.

Our spiritual roots have been kept alive inside stories that have been passed from generation to generation. Today those ancient voices are transformed into words and take form into the soul of al Mexicans... A novel that makes every Mexican spirit proud of who they are, their essence and their past. In a journey through ancient Mexico and the wonders of Tenochtitlan, the characters are faced with the harsh reality of a modern Mexico who constantly discriminates against its indigenous roots.

Huitzilopochtli has returned. Aztec destroyer, god of sun and war. He of the hummingbird. Son of Coatlique, Our Lady of the Serpent Skin. But you can call him H. H. is reborn in the sprawling suburbs of an American metroplex in the late twentieth century, a place where "the future is a cartoon of the future." Life in suburbia is hard for an Aztec god: H. falls in and out of love, works downtown as an oficinista, raises children, and learns to command the awesome power of modern electronic media. Then one indifferent summer's day H. is seriously wounded by the policeÑin a case of mistaken identity, of courseÑand faces death once more. In the City of Smoking Mirrors relates H.'s adventures as he hovers between life and death, revisiting his homeland and ancestors. He issues letters and edictsÑto the faithful, to his dead amigosÑand chronicles his circumnavigation of the Land of the Dead and "what he saw there that made him write this book." In tantalizing verse that walks the edge of dream, Albino Carrillo takes readers on a lyrical exploration of a dark netherworld, a quest for hope in a universe overshadowed by impending doomÑa place where "The demons you'll have to defeat on your inward journey / Are like so many little yellow hornets buzzing about / Window screens in summer, angry but looking / For anything sweet, any way out . . . ." Through the unforgettable persona of Huitzilopochtli, Carrillo shows us the transitory nature of our passions and wounds as he chisels a new headstone for our times.

Children of the Sun is an epic retelling of the Conquest of Mexico from the Aztec point of view, and a breath-taking story of courage and loyalty, treachery and deceit. Peopled with a huge cast of characters from the agonised Emperor himself and his headstrong daughter to the enigmatic conquistador Hernan Cortes, this is a richly imagined recreation of one of history's most extraordinary civilisations and a heart-breaking lament for its fall.

The myths of the Aztec and Maya derive from a shared Mesoamerican cultural tradition. This is very much a living tradition, and many of the motifs and gods mentioned in early sources are still evoked in the lore of contemporary Mexico and Guatemala. Professor Taube discusses the different sources for Aztec and Maya myths. The Aztec empire began less than 200 years before the Spanish conquest, and our knowledge of their mythology derives primarily from native colonial documents and manuscripts commissioned by the Spanish. The Maya mythology is far older, and our knowledge of it comes mainly from native manuscripts of the Classic period, over 600 years before the Spanish conquest. Drawing on these sources as well as nineteenth- and twentieth-century excavations and research, including the interpretation of the codices and the decipherment of Maya hieroglyphic writing, the author discusses, among other things, the Popol Vuh myths of the Maya, the flood myth of Northern Yucatan, and the Aztec creation myths.

From the early cities in the second millennium BC to the Aztec capital of Tenochtitlan on the eve of the Spanish conquest, Ancient Mesoamericans created landscapes full of meaning and power in the center of their urban spaces. The sixteenth century description of Tenochtitlan by Bernal Diaz del Castillo and the archaeological remnants of Teotihuacan attest to the power and centrality of these urban configurations in Ancient Mesoamerican history. In Landscape and Power in Ancient Mesoamerica, Rex Koontz, Kathryn Reese-Taylor, and Annabeth Headrick explore the cultural logic that structured and generated these centers.Through case studies of specific urban spaces and their meanings, the authors examine the general principles by which the Ancient Mesoamericans created meaningful urban space. In a profoundly interdisciplinary exchange involving both archaeologists and art historians, this volume connects the symbolism of those landscapes, the performances that activated this symbolism, and the cultural poetics of these ensembles.

Vol. two is a compilations of five books. Each author describes the cultural background, written sources, and continuing legacy of the major myths, illustrated throughout by archaeological and artistic evidence.

An accessible introduction for students and theatregoers of Chicano theatre, first published in 2000.