The Chantic Bird is the confession of a teenage anarchist, who combines a contempt for contemporary society with a great tenderness and warmth for his younger siblings and for Bee, the girl who looks after them. The first of David Ireland's masterful novels, The Chantic Bird contains the same characteristic indictment of the bovine mindlessness of collective humanity, and the home-owning wage slaves. This edition of The Chantic Bird comes with a new introduction by Geordie Williamson. David Ireland was born in 1927 in south-western Sydney. He lived in many places and worked at many jobs, including greenskeeper, factory hand, and for an extended period in an oil refinery, before he became a full-time writer. His first novel, The Chantic Bird, was published in 1968. In the next decade he published five further novels, three of which won the Miles Franklin Award: The Unknown Industrial Prisoner, The Glass Canoe and A Woman of the Future. David Ireland was made a member of the Order of Australia in 1981. In 1985 he received the Australian Literature Society Gold Medal for his novel Archimedes and the Seagull. 'One of the most remarkable novels - first, fifth or fifteenth - to appear on the scene for many a long day...Compassionate and pitiless, savage and sad, ironic and naive, horrifying and farcical.' Sydney Morning Herald 'Gloriously and savagely comic.' Adelaide Advertiser

" ... Documents the history and development of [Post-colonial literatures in English, together with English and American literature] and includes original research relating to the literatures of some 50 countries and territories. In more than 1,600 entries written by more than 600 internationally recognized scholars, it explores the effect of the colonial and post-colonial experience on literatures in English worldwide.

This book is an original contribution to literary geography and commentaries on the work of David Ireland. It plots the relationship between the spaces and places of 1970s Australian capitalism as it evolves through Ireland’s 1971 Miles Franklin prize-winning novel The Unknown Industrial Prisoner. In particular, the book theorises the relationship between space and place in literature through two highly innovative arguments: a focus on the spatial unconscious as a means to assess and track the spatiality of capitalism in the novel form; and the articulation of a regime of space through the perceived, conceived and lived constitution of space. Drawing together concepts from radical geography and structural Marxist literary theory, it explores the dominance of the regime of abstract space in the Australian context. The text also examines the nature and possibilities of place-based strategies of resistance, and concludes by suggesting opportunities for future research and plotting the ways in which The Unknown Industrial Prisoner continues to speak to contemporary Australia.

Alarmed by the increasingly marginal status of Australian literature in the academy, Williamson has set out to reintroduce us to those key writers whose works we may have forgotten or missed altogether. His focus is on fiction that gives pleasure, and he is ardent in defence of books that for whatever reason sit uneasily in the present moment.

‘I hate and despise business and anything to do with making money.’ ‘Do you think it’s wrong?’ ‘It is the enemy of art.’ Eighteen-year-old Honor Lawrence is out of place at the bank where she works. When she refuses to accept a promotion, despite her obvious poverty, her mentor, Augustus Debrett, doesn’t quite know what to make of it, or of her. Honor is an enigma—and she leaves confusion and uneasiness in her wake. In The Puzzleheaded Girl, made up of four thematically linked novellas, Stead’s unsurpassable skills of observation and social critique are on full display. Christina Stead was born in 1902 in Sydney. Stead’s first books, The Salzburg Tales and Seven Poor Men of Sydney, were published in 1934 to positive reviews in England and the United States. Her fourth work, The Man Who Loved Children, has been hailed as a ‘masterpiece’ by Jonathan Franzen, among others. In total, Stead wrote almost twenty novels and short-story collections. Stead returned to Australia in 1969 after forty years abroad for a fellowship at the Australian National University. She resettled permanently in Australia in 1974 and was the first recipient of the Patrick White Award that year. Christina Stead died in Sydney in 1983, aged eighty. She is widely considered to be one of the most influential Australian authors of the twentieth century. ‘Christina Stead’s talent is vital and powerful; her work has that original streak of genius so evident in the best Australian writing.’ Sunday Times ‘Stead effortlessly captures the feel of the era she is describing, with spare and beautiful prose.’ BookMooch ‘I loved the Text Classic reissue of Christina Stead’s The PuzzleHeaded Girl, a kind of female version of Bartleby the Scrivener. Stead’s gifts are so ample, her grasp of obsession extraordinary.’ Delia Falconer, Best Books of 2016, Australian ‘These are perfectly pitched stories of flight.’ Australian Financial Review ‘At shorter length, Stead reveals more clearly her gifts in tone and voice and building a scene, while her theme here puts these fictions among the Ur-texts of feminism.’ Kirkus Reviews, starred review

Tin River is a townlet of terminal attractiveness. Tin River is a state of mind. Researching in the archives Belle discovers the long-dead Gaden Lockyer, a colonial pioneer in Jericho Flats, and soon becomes obsessed. Belle’s quest for Lockyer is her way of coming to terms with the past—her mother, ‘a drummer in her own all-women’s group’; her absent American father; and her ineffectual husband, Seb. In Reaching Tin River, Thea Astley’s satire is at its sharpest and most entertaining. Thea Astley was born in Brisbane in 1925. Her first novel, Girl with a Monkey, was published in 1958 and her third, The Well Dressed Explorer (1962), won the Miles Franklin Literary Award. Many notable books followed, among them the groundbreaking A Kindness Cup (1974), which addressed frontier massacres of Indigenous Australians, and It’s Raining in Mango (1987). Her last novel was Drylands (1999), her fourth Miles Franklin winner. Her fiction is distinguished by vivid imagery and metaphor; a complex, ironic style; and a desire to highlight oppression and social injustice. One of the most distinctive and influential Australian novelists of the twentieth century, Astley died in 2004. ‘How lucidly Ms. Astley evokes for us Australia's rough pioneer history and Belle's love for it...You will like this journey, I promise, and when it is over you will wish it weren't, and you will feel cross and want from Ms. Astley much, much more.’ New York Times ‘Dazzling imagery on every page...Beautifully written.’ Publishers Weekly ‘Intelligent, fresh, and new.’ Kirkus Reviews