Unparalleled in scope and quality and designed for reading aloud and sharing, this splendid anthology brings together some of the most memorable and beloved children's books of our time. Here are classics such as Madeline and Curious George; contemporary bestsellers such as Guess How Much I Love You and The Stinky Cheese Man; Caldecott Medal winners such as Make Way for Ducklings and Where the Wild Things Are; and family favorites such as Goodnight Moon, The Sneetches, Winnie-the-Pooh, and Alexander & The Terrible, No Good Very Bad Day, soon to be a motion picture. The selections range from concept books and wordless books to picture books and short read-aloud stories, and represent the complete array of childhood themes and reading needs: ABCs, number and color books, stories about going to bed and going to school; tales about growing up, siblings, parents, and grandparents; animal stories, fantasies; fables; magical stories; stories about everyday life--and more. This beautiful edition includes a recommended list of books published in the time since this anthology's original compilation, including Caldecott Honors Don't Let the Pigeon Drive the Bus! and Olivia, with descriptive annotations intended to guide parents to these new books and new voices of the 21st century. Also included are an introduction from editor Janet Schulman, capsule biographies of the 62 writers and artists represented in the collection, color-coded running heads indicating age levels, and indexes. As a gift, a keepsake, and a companion in a child's first steps toward a lifelong love of reading, The 20th Century Children's Book Treasury belongs in every family's bookcase.

Interest in the mother-daughter relationship has never been greater, yet there are few books specifically devoted to the relationships between daughters and mothers of color. To fill that gap, this collection of original essays explores the mother-daughter relationship as it appears in the works of African, African American, Asian American, Mexican American, Native American, Indian, and Australian Aboriginal women writers. Prominent among the writers considered here are Toni Morrison, Alice Walker, Maxine Hong Kingston, Cherrie Moraga, Leslie Marmon Silko, and Amy Tan. Elizabeth Brown-Guillory and the other essayists examine the myths and reality surrounding the mother-daughter relationship in these writers' works. They show how women writers of color often portray the mother-daughter dyad as a love/hate relationship, in which the mother painstakingly tries to convey knowledge of how to survive in a racist, sexist, and classist world while the daughter rejects her mother's experiences as invalid in changing social times. This book represents a further opening of the literary canon to twentieth-century women of color. Like the writings it surveys, it celebrates the joys of breaking silence and moving toward reconciliation and growth.

Excerpt: "Presently the evenness of his breathing told her he was asleep. For a long time she lay on her back just as he had left her, mulling over her situation. In those brief minutes everything had supposedly righted itself. She had officially left her girlhood behind forever and become a woman. The days of wearing her hair down her back in a long braid were gone, although she was not yet entitled to wear a married woman's kerchief. Nor did she any longer belong to the group of young housemaids who had been her friends, nor to a group of married women whom she hardly knew. All at once she felt very alone, not knowing what was expected of her. The only thing she knew for sure was that her life had taken a false turn, and she didn't know how to set it right again." ========================= Nineteenth century Swedish peasant life was not always the dance around the Midsummer pole portrayed by the artists of the time. Those same peasants lived daily lives in the shadow of the all-powerful village church, controlled by the countless rules, customs, and traditions that governed every aspect of their existence, leaving no room for individual deviations. When it became known that Augusta Torsdotter's daughter Elsa-Carolina was illegitimate, the course of both of their lives irrevokably changed. As an adult, Elsa-Carolina immigrated to America, turning her back on the past. It wasn't until three-quarters of a century later, at the age of 94, that she returned to Sweden, to come to terms with her girlhood. "The harshness of Swedish peasant life and landscape is beautifully chronicled in Judit Martin's novel. Her knowledge of the culture, customs, work, superstitions, and attitudes of the day opens up that world for those of us seeking to know our Swedish ancestors." -Joan Morrison Granddaughter of Swedish immigrants Charleston, Maine ===================== "Wonderful and evocative! A captivating and enlightening read!" -Mr. Jan Smedh Bookseller The English Bookshop Upsala & Stockholm, Sweden This book is intended for mature audiences.

Set in the wild, romantic, northwest coast of Ireland during the mid-19th century, The Irishman’s Daughter pits Briana, her father, and sister, against a reckless English landlord and a plague that will kill and displace millions of Irish people. Ireland, 1845. To Briana Walsh, no place on earth is more beautiful than Carrowteige, County Mayo, with its sloping fields and rocky cliffs perched above the wild Atlantic. The small farms that surround the centuries-old Lear House are managed by her father, agent to the wealthy, reckless Sir Thomas Blakely. Tenant farmers sell the oats and rye they grow to pay rent to Sir Thomas, surviving on the potatoes that flourish in the remaining scraps of land. But when the potato crop falls prey to a devastating blight, families Briana has known all her life are left with no food, no resources, and no mercy from the English landowner, who seems indifferent to everything except profit. Rory Caulfield, the hard-working young farmer Briana hopes to marry, shares the locals’ despair—and their anger. There’s talk of violent reprisals against the callous gentry and their agents. Briana’s studious older sister, Lucinda, dreams of a future far beyond Mayo. But even as hunger and disease settle over the country, killing and displacing millions, Briana knows she must find a way to guide her family through one of Ireland’s darkest hours—toward hope, love, and a new beginning.

In a bold and brilliantly persuasive series of moves, Lorna Hutson draws upon new historicist and feminist theories to examine closely Renaissance literature and the cultural impact of the humanist project. The Usurer's Daughter: * provides startling new readings of Shakespeare * takes an entirely new approach to classical scholarship * focuses attention on the central importance of the history of the representation of women * illuminates how social relations between men were textualised during the early modern period.

Children living in Great Britain and the United States at the beginning of each century between 1000 and 2000 A.D. describe their lifestyle at the time.

A collection of seventeen stories written by some of the century's best women writers deals with "a single, central, and vital theme, the relationship of mothers to daughters and daughters to mothers."--Front jacket.