Cyrus McCormick's invention of the mechanical reaper revolutionized agriculture in the 19th century. In this book, McCormick recounts his experiences developing and promoting the reaper, as well as the challenges he faced from competitors and skeptics. A must-read for anyone interested in the history of farming and technology. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"An important book, rich with history and stories. it brings our most essential industry -- farming -- into new perspective. Reading it made me want to get out a crop". -- Bobbie Ann Mason Copyright © Libri GmbH. All rights reserved.

Profiles Cyrus Hall McCormick, whose hatred of farm work led him to invent a machine which made it much quicker and easier to harvest wheat, and which turned him into a multi-millionaire businessman.

Winner of the Merle Curti Award Winner of the James A. Rawley Prize Winner of the Louis Gottschalk Prize Longlisted for the Cundill Prize “Vincent Brown makes the dead talk. With his deep learning and powerful historical imagination, he calls upon the departed to explain the living. The Reaper’s Garden stretches the historical canvas and forces readers to think afresh. It is a major contribution to the history of Atlantic slavery.”—Ira Berlin From the author of Tacky’s Revolt, a landmark study of life and death in colonial Jamaica at the zenith of the British slave empire. What did people make of death in the world of Atlantic slavery? In The Reaper’s Garden, Vincent Brown asks this question about Jamaica, the staggeringly profitable hub of the British Empire in America—and a human catastrophe. Popularly known as the grave of the Europeans, it was just as deadly for Africans and their descendants. Yet among the survivors, the dead remained both a vital presence and a social force. In this compelling and evocative story of a world in flux, Brown shows that death was as generative as it was destructive. From the eighteenth-century zenith of British colonial slavery to its demise in the 1830s, the Grim Reaper cultivated essential aspects of social life in Jamaica—belonging and status, dreams for the future, and commemorations of the past. Surveying a haunted landscape, Brown unfolds the letters of anxious colonists; listens in on wakes, eulogies, and solemn incantations; peers into crypts and coffins, and finds the very spirit of human struggle in slavery. Masters and enslaved, fortune seekers and spiritual healers, rebels and rulers, all summoned the dead to further their desires and ambitions. In this turbulent transatlantic world, Brown argues, “mortuary politics” played a consequential role in determining the course of history. Insightful and powerfully affecting, The Reaper’s Garden promises to enrich our understanding of the ways that death shaped political life in the world of Atlantic slavery and beyond.

May 1195, and Sir John de Wolfe is faced with a strange series of serial murders, which begins with the suffocation of a Jewish money-lender and proceeds through that of a London harlot, a dissolute priest and a burgess suspected of abusing young boys. The common factor is that an appropriate Biblical text is left at each murder scene, the mode of which reflects the alleged sin of the victim. This means that a literate and Bible-learned killer is involved - which, in an age where only 1% of the population can read or write - can only be a priest. There are at least twenty-five parish churches in Exeter, so the killer could be any one of more than a hundred clerics. Crowner John sets about to discover the identity of the homicidal priest.