John Truck was to outward appearances just another lowlife spaceship captain. But he was also the last of the Centaurans, or at least half of him was, which meant that he was the only person who could operate the Centauri Device, a sentient bomb which might hold the key to settling a vicious space war. M. John Harrison's classic novel turns the conventions of space opera on their head, and is written with the precision and brilliance for which is famed.

A brilliant on space opera from one of the great stylists of SF

On the barren surface of an asteroid, located deep in the galaxy beneath the unbearable light of the Kefahuchi Tract, lie three objects: an abandoned spacecraft, a pair of bone dice covered with strange symbols, and a human skeleton. What they are and what they mean are the mysteries explored and unwrapped in LIGHT, M. John Harrison's triumphant novel.

Set eighty years in the future, this novel by the best-selling author Michael O'Brien is about an expedition sent from the planet Earth to Alpha Centauri, the star closest to our solar system. The Kosmos, a great ship that the central character Neil de Hoyos describes as a "flying city", is immense in size and capable of more than half light-speed. Hoyos is a Nobel Prize winning physicist who has played a major role in designing the ship. Hoyos has signed on as a passenger because he desires to escape the seemingly benign totalitarian government that controls everything on his home planet. He is a skeptical and quirky misanthropic humanist with old tragedies, loves, and hatreds that are secreted in his memory. The surprises that await him on the voyage-and its destination-will shatter all of his assumptions and point him to a true new horizon. Science fiction and fantasy literature are genres that have become dominant forces in contemporary worldwide culture. Our fascination with the near-angelic powers of new technology, its benefits and dangers, its potential for obsession and catastrophe, raises vital questions that this work explores about human nature and the cosmos, about man's image of himself and where he is going-and why he seeks to go there.

Years after Ed Chianese’s fateful trip into the Kefahuchi Tract, the tract has begun to expand and change in ways we never could have predicted—and, even more terrifying, parts of it have actually begun to fall to Earth, transforming the landscapes they encounter. Not far from Moneytown, in a neighborhood of underground clubs, body-modification chop shops, adolescent contract killers, and sexy streetwalking Monas, you’ll find the Saudade Event Site: a zone of strange geography, twisted physics, and frightening psychic onslaughts—not to mention the black and white cats that come pouring out at irregular intervals. Vic Serotonin is a “travel agent” into and out of Saudade. His latest client is a woman who’s nearly as unpredictable as the site itself—and maybe just as dangerous. She wants a tour just as a troubling new class of biological artifacts are leaving the site—living algorithms that are transforming the world outside in inexplicable and unsettling ways. Shadowed by a metaphysically inclined detective determined to shut his illegal operation down, Vic must make sense of a universe rapidly veering toward a virulent and viral form of chaos…and a humanity almost lost.

In the far future, an Earth-born woman must negotiate with a fearsome mutant race: “On a par with Ursula LeGuin or Arthur C. Clarke” (Chicago Tribune). Two thousand years into the future, runaway pollution has made the earth uninhabitable except in giant biodomes. The society is an anarchy, with disputes mediated through the Machiavellian Committee for the Revolution. Mars, Venus, and the moon support flourishing colonies of various political stripes. On the fringes of the solar system, in the gas planets, a strange, new, violent kind of human has evolved. In this unstable system, the anarchist Paula Mendoza, an agent of the Committee, works to make peace and ultimately protect her people in a catastrophic clash of worlds that destroys the order she knows.

Larry Greenberg's telepathic tendencies had been trained and developed to a critical level. The trouble was that if these psychic interchanges were strong enough, a man could end up not knowing who he really was. But when Larry's mind is taken over by an alien force, he has to fight to retain his sanity - and divert a disaster that threatens all mankind. And when Larry's mind is taken over by a sinister alien force, he has to fight to retain his sanity - and divert a disaster that threatens all mankind...

M. John Harrison is a cartographer of the liminal. His work sits at the boundaries between genres – horror and science fiction, fantasy and travel writing – just as his characters occupy the no man’s land between the spatial and the spiritual. Here, in his first collection of short fiction for over 15 years, we see the master of the New Wave present unsettling visions of contemporary urban Britain, as well as supernatural parodies of the wider, political landscape. From gelatinous aliens taking over the world’s financial capitals, to the middle-aged man escaping the pressures of fatherhood by going missing in his own house… these are weird stories for weird times. ‘M. John Harrison’s slippery, subversive stories mix the eerie and familiar into beguiling, alarming marvels. No one writes quite like him; no one I can think of writes such flawless sentences, or uses them to such disorientating effect.’ – Olivia Laing, author of The Lonely City ‘These stories map a rediscovered fictional hinterland, one tucked behind the glossier edifices of modernity and genre with views down alleyways into pubs and flats where Patrick Hamilton glares balefully at J. G. Ballard.’ – Will Eaves, author of This is Paradise ‘M. John Harrison moves elegantly, passionately, from genre to genre, his prose lucent and wise, his stories published as SF or as fantasy, as horror or as mainstream fiction. In each playing field, he wins awards, and makes it look so easy. His prose is deceptively simple, each word considered and placed where it can sink deepest and do the most damage.’ – Neil Gaiman, author of American Gods ‘With an austere and deeply moving humanism, M. John Harrison proves what only those crippled by respectability still doubt – that science fiction can be literature, of the very greatest kind.’ – China Miéville, author of Perdido Street Station

A growing rebellion beneath the surface of the planet Chiron threatens Sheng-ji Yang's dreams of immortality. Meanwhile, Lady Deirdre Skye's life is in jeopardy as the Planetary Council withholds vital supplies, and orders her to turn over research data on the life force awakening on Chiron's surface. Though an ocean apart, Yang and Skye seek an alliance to overcome the forces arrayed against them.