The Cellist’s Guide to Scales and Arpeggios is intended for cellists of all ages, experience, and ability levels, including teachers, students, amateurs, and professionals. This book offers a thorough, sequential syllabus of cello scales and arpeggios. The authors start with the most basic one-octave scales and work through a variety of systems, including some of the most complex scales a cellist might ever encounter. There are virtually no other publications that provide a complete and sequential guide for cellists. Along with the printed and electronic versions of the book, this 140-page sourcebook includes a unique assortment of drones to help with intonation. In addition, there are 41 instructional videos accessible through QR codes. These demonstrate various cello techniques, including ways to tune, extensions, shifting, coordination exercises, velocity studies, and much more. It’s almost like having two university-level cello teachers with you in your practice room, showing you how to achieve a beautiful tone and precise intonation through scales and arpeggios.

"This five book series will guide the emerging or experienced cellist or teacher through concise, organized steps to becoming or producing a fine cellist. It is designed to be an on-the-music-stand companion for a daily journey of cello discovery."--P. [4] de la couv.

The first scale book to guide students of all levels in a step-by-step fashion through the most essential scale exercises. Rhythmic and bowing variations of gradually increasing difficulty take the monotony out of daily scale practice, and because each scale and associated scale work is located on facing pages, assigning scales has never been easier. Institutes a new approach to practicing octaves, thirds, and even tenths. Designed to help cellists achieve unparalleled command of even the most advanced techniques.

CelloMind is a two-part pedagogical method book that focuses on intonation and left-hand cello technique. The coauthors of the book are Hans Jørgen Jensen, Professor of cello at the Bienen School of Music at Northwestern University and Minna Rose Chung, Associate Professor of Cello at the Desautels Faculty of Music at the University of Manitoba. Part I: Intonation. The mystery of intonation is revealed by defining and explaining the scientific principles that govern it. To know and understand how to combine the three primary intonation systems has never before been expounded in a methodology publication--and for good reason. Playing with exquisite intonation has mostly been reserved for those who possess a strong intuitive sense; however, CelloMind breaks down this taboo using a systematic approach with a highly attuned manner. The three systems of intonation that string players most commonly use today--equal temperament, just intonation, and Pythagorean tuning--are each explored and explained in great detail. All chapters in the book include many practical samples and listening exercises that bridge the gap between the theory and its application. The chapters on intonation conclude with practical examples from the following repertoire: "Intonation Performance Practice in the Bach Solo Cello Suites" and "Intonation Performance Practice with Piano." Part II: Left-Hand Technique. The left-hand technique chapters in this section complement the study of intonation by providing a solid foundation of skills for essential cello playing. The topics and exercises have been selected to cover a wide range of technical skills that include playing with a light left-hand touch, speed, coordination, balanced vibrato, agility, finger independence, and efficient shifting. Original exercises developed for students over many years have also been incorporated into these chapters, as well as studies from Julius Klengel, Bernhard Cossmann, Louis R. Feuillard, Jean-Louis Duport, Yakov Rosenthal, and Fritz Albert Christian Rudinger.

Louis R. Feuillard (1872–1941) has become known chiefly as the teacher of Paul Tortelier who called him a man with an extraordinary educational instinct. His 'Daily Exercises' take up the most important aspects of the cello technique, such as exercises in neck and thumb positions, double stops and bowing exercises. It is particularly because of the logical structure of the exercises that they have been among the standard works of violoncello study literature since their publication in 1919.

You can teach yourself to play the cello. This comprehensive, authoritative guide covers basics to Bach. Including 116 selections, it explains reading music, playing-by-ear and theory. Play-along CD.

This handbook combines all the most important technical aspects of learning violin positions, from second to seventh, as well as connecting them through position shifting - all in one place: preparatory exercises, fingering exercises, scales (one and two-octave), exercises for all six types of shifts, finger charts.

This book was written to be used as a learning tool for beginners who read music. It presents very easy tunes to learn the basics of bowing and style, and progresses in difficulty with each tune. All of the arrangements are renditions that the author plays and has heard other fiddlers play. Many of the tunes are done in the style of Herman Johnson, a five-time National Fiddle Champion.

Learn the notes and spaces in advanced violin scales and never guess where to shift again!