Despite the painstaking work of Pound scholars, the mythos of The Cantos has yet to be properly understood — primarily because until now its occult sources have not been examined sufficiently. Drawing upon archival as well as recently published material, this study traces Pound’s intimate engagement with specific occultists (W.B. Yeats, Allen Upward, Alfred Orage, and G.R.S. Mead) and their ideas. The author argues that speculative occultism was a major factor in the evolution of Pound’s extraordinary aesthetic and religious sensibility, much noticed in Pound criticism. The discussion falls into two sections. The first section details Pound’s interest in particular occult movements. It describes the tradition of Hellenistic occultism from Eleusis to the present, and establishes that Pound’s contact with the occult began at least as early as his undergraduate years and that he came to London already primed on the occult. Many of his London acquaintances were unquestionably occultists. The second section outlines a tripartite schema for The Cantos (katabasis/dromena/epopteia) which, in turn, is applied to the poem. It is argued here that The Cantos is structured on the model of a initiation rather than a journey, and that the poem does not so much describe an initiation rite as enact one for the reader. In exploring and attempting to understand Pounds’ occultism and its implications to his [Pounds’] oeuvre, Tryphonopoulos sheds new light upon one of the great works of modern Western literature.

Examines medical traditions of China, Burma, Thailand, Indochina, the Malay Peninsula, the Indonesian Archipelago, the Philippines, Korea, and Japan, and including the effectiveness of these healing practices and their many influences in the West.

The Lord's Plan of Salvation is deeply interwoven with symbolic representations. This is especially so with respect to Christ and His atonement, baptism, and the temple. In this book, Allen H. Barber lists over 300 symbols, explains their meanings and tells how the Lord uses them to teach His plan of salvation through the scriptures, the prophets, and in the temples.

In 142 CE, the divine Lord Lao descended to Mount Cranecall (Sichuan province) to establish a new covenant with humanity through a man named Zhang Ling, the first Celestial Master. Facing an impending apocalypse caused by centuries of sin, Zhang and his descendants forged a communal faith centering on a universal priesthood, strict codes of conduct, and healing through the confession of sins; this faith was based upon a new, bureaucratic relationship with incorruptible supernatural administrators. By the fourth century, Celestial Master Daoism had spread to all parts of China, and has since played a key role in China’s religious and intellectual history. Celestial Masters is the first book in any Western language devoted solely to the founding of the world religion Daoism. It traces the movement from the mid-second century CE through the sixth century, examining all surviving primary documents in both secular and canonical sources to offer a comprehensive account of the development of this poorly understood religion. It also provides a detailed analysis of ritual life within the movement, covering the roles of common believer or Daoist citizen, novice, and priest or libationer.

Before its modern incarnation of predictive horoscopy, Astrology was in centuries past integrated with science, magic, mysticism and philosophy. In this groundbreaking anthology, ten of today's most influential esoteric astrologers write concerning Astrology's hidden occult aspects, from herbalism to witchcraft, to philosophy and practical sorcery. Contributing authors include Demetra George, Austin Coppock, John Michael Greer, Jason Miller, Freedom Cole, Benjamin Dykes, Daniel Schulke, Al Cummins, Lee Lehman, Eric Purdue, and Mallorie Vaudoise.

This volume presents recent work on Babylonian celestialdivination and on the Greek inheritors of the Babyloniantradition.In the ancient world, the collection and study of celestial phenomena and the intepretation of their prophetic significance, especially as applied to kings and nations, were closely related sciences carried out by the same scholars. Both ancient sources and modern research agree that astronomy and celestial divination arose in Babylon. Only in the late nineteenth century, however, did scholars begin to identify and decipher the original Babylonian sources, and the process of understanding those sources has been long and difficult. This volume presents recent work on Babylonian celestial divination and on the Greek inheritors of the Babylonian tradition. Both philological and mathematical work are included. The essays shed new light on all of the known textual sources, including the omen series Enuma Anu Enlil, which contains omens from as far back as the early second or even third millennium, and the earliest personal horoscopes, from about 400 B.C., as well as the Astronomical Diaries, ephemerides, and other observational and mathematical texts. One essay concerns astronomical papyri that confirm the extensive transmission of Babylonian methods into Greek; a study of Ptolemy's lunar theory suggests that Ptolemy relied more on his own observations than previously thought; and an analysis of Theon's commentary on Ptolemy's Handy Tables shows that Theon explicated their meaning both conscientiously and competently.ContributorsAsger Aaboe, Alan C. Bowen, Lis Brack-Bernsen, John P. Britton, Bernard R. Goldstein, Gerd Graßhoff, Hermann Hunger, Alexander Jones, Erica Reiner, F. Rochberg, N. M. Swerdlow, Anne Tihon, C. B. F. Walker

Celestial Bodies is the International Booker-winning and internationally bestselling novel from Jokha Alharthi. Set in the village of al-Awafi in Oman, we encounter three sisters: Mayya, who marries Abdallah after a heartbreak; Asma, who marries from a sense of duty; and Khawla who rejects all offers while waiting for her beloved, who has emigrated to Canada. These three women and their families witness Oman evolve from a traditional, slave-owning society slowly redefining itself after the colonial era, to the crossroads of its complex present. Elegantly structured and taut, Celestial Bodies is a coiled spring of a novel, telling of Oman’s coming-of-age through the prism of one family’s losses and loves. PRAISE FOR CELESTIAL BODIES "An innovative reimagining of the family saga . . . Celestial Bodies is itself a treasure house: an intricately calibrated chaos of familial orbits and conjunctions, of the gravitational pull of secrets” NEW YORK TIMES BOOK REVIEW "The great pleasure of reading Celestial Bodies is witnessing a novel argue, through the achieved perfection of its form, for a kind of inquiry that only the novel can really conduct. The ability to move freely through time, the privileged access to the wounded privacies of many characters, the striking diversity of human beings across a relatively narrow canvas, the shock waves as one generation heaves, like tectonic plates, against another, the secrets and lapses and repressions, at once intimate and historical, the power, indeed, of an investigation that is always political and always intimate―here is the novel being supremely itself, proving itself up to the job by changing not its terms of employment but the shape of the task." THE NEW YORKER "Breathtaking. The tale is replete with history, poetry, and philosophy, but also slavery, broken marriages, passion, and not-so-secret lovers." THE ATLAN

In this volume all extant celestial maps and globes made before 1500 are described and analysed. It also discusses the astronomical sources involved in making these artefacts in antiquity, the Middle Ages, the Islamic world and the European Renaissance before 1500.

Opening the oversized pages of Celestial Gallery is akin to entering a grand museum. This impressive, high-quality production features White Tara, Green Tara, the Medicine Buddha, and many other celestials, while lending new meaning to the terms full-size and full-color. Four color printing with spot varnish throughout.

Explore the eighteenth-century Indian astronomical observatories called the Jantar Mantars, massive, stunning structures built to observe and understand the heavens Between 1724 and 1730, Maharaja Sawai Jai Singh II of Jaipur constructed five astronomical observatories, called Jantar Mantars, in northern India. The four remaining observatories are an extraordinary fusion of architecture and science, combining elements of astronomy, astrology, and geometry into forms of remarkable beauty. The observatories’ large scale and striking geometric forms have captivated the attention of architects, artists, scientists, and historians worldwide, yet their purpose and use remain largely unknown to the public. In this book, Barry Perlus’s visually driven exploration brings readers to the Jantar Mantars and creates an immersive experience. Panoramas plunge the viewer into a breathtaking 360-degree space, while pages of explanatory illustrations describe the observatories and the workings of their many instruments. The book provides the experience of visiting the sites, the historical context of the Jantar Mantars, and an understanding of their scientific and architectural innovations.