Of Nathaniel Hawthorne’s insight into the Puritan’s simultaneous need for fulfillment and self-destruction, D. H. Lawrence wrote, “Nathaniel knew disagreeable things in his inner soul. He was careful to send them out in disguise.” By means of artfully crafted and compelling tales, Hawthorne explored the destinies and concerns of early American settlers and citizens. In several of the stories in this collection, characters who hold themselves apart from their fellow man fall prey to the corroding desires of lust for perfection. Then they unwittingly commit evils—against themselves and others—in the name of pride. Edgar Allan Poe noted of Hawthorne’s writing: “Every word tells, and there is not a word which does not tell.”

Of Nathaniel Hawthorne’s insight into the Puritan’s simultaneous need for fulfillment and self-destruction, D. H. Lawrence wrote, “Nathaniel knew disagreeable things in his inner soul. He was careful to send them out in disguise.” By means of artfully crafted and compelling tales, Hawthorne explored the destinies and concerns of early American settlers and citizens. In several of the stories in this collection, characters who hold themselves apart from their fellow man fall prey to the corroding desires of lust for perfection. Then they unwittingly commit evils—against themselves and others—in the name of pride. Edgar Allan Poe noted of Hawthorne’s writing: “Every word tells, and there is not a word which does not tell.”

"The Celestial Railroad" is short story written as an allegory by American author Nathaniel Hawthorne. In it, Hawthorne parodies the seventeenth-century book The Pilgrim's Progress by John Bunyan, which portrays a Christian's spiritual "journey" through life. In this story, the pilgrim journeys by iron horse rather than by foot, the burden of sin that Bunyan portrays is pulled by the same train...

A rich, illustrated - and entertaining -- history of the iconic Grand Central Terminal, from one of New York City's favorite writers, just in time to celebrate the train station's 100th fabulous anniversary. In the winter of 1913, Grand Central Station was officially opened and immediately became one of the most beautiful and recognizable Manhattan landmarks. In this celebration of the one hundred year old terminal, Sam Roberts of The New York Times looks back at Grand Central's conception, amazing history, and the far-reaching cultural effects of the station that continues to amaze tourists and shuttle busy commuters. Along the way, Roberts will explore how the Manhattan transit hub truly foreshadowed the evolution of suburban expansion in the country, and fostered the nation's westward expansion and growth via the railroad. Featuring quirky anecdotes and behind-the-scenes information, this book will allow readers to peek into the secret and unseen areas of Grand Central -- from the tunnels, to the command center, to the hidden passageways. With stories about everything from the famous movies that have used Grand Central as a location to the celestial ceiling in the main lobby (including its stunning mistake) to the homeless denizens who reside in the building's catacombs, this is a fascinating and, exciting look at a true American institution.

One of the great observers of Australian life, Henry Lawson looms large in our national psyche. Yet at his best Lawson transcends the very bush, the very outback, the very up-country, the very pub or selector's hut he conveys with such brevity and acuity- he make specific places universal. Henry Lawson is too often regarded as a legend rather than a writer to be enjoyed. In this selection Lawson is revealed as an author whose delightful, humorous, wry and moving short stories continue to delight generations of readers. This is the essential Lawson collection - the classic of Australian classics. 'Lawson's sketches are beyond praise.' Joseph Conrad'Lawson gets more feelings, observation and atmosphere into a page than does Hemingway.' Edward Garnett

The short fiction of a writer who helped to shape the course of American literature. With a determined commitment to the history of his native land, Nathaniel Hawthorne revealed, more incisively than any writer of his generation, the nature of a distinctly American consciousness. The pieces collected here deal with essentially American matters: the Puritan past, the Indians, the Revolution. But Hawthorne was highly - often wickedly - unorthodox in his account of life in early America, and his precisely constructed plots quickly engage the reader's imagination. Written in the 1820s, 30s, and 40s, these works are informed by themes that reappear in Hawthorne's longer works: The Scarlet Letter, The House of the Seven Gables and The Blithedale Romance. And, as Michael J. Colacurcio points out in his excellent introduction, they are themes that are now deeply embedded in the American literary tradition.

Explores the destinies and concerns of early American settlers and citizens, and collects tales about such subjects as witches, a lynching, a vision, an attempt to create the perfect woman, and forbidden experiments.

First published in 1846 in the present form, famous English story writer Nathaniel Hawthorne's book 'Mosses from an Old Manse, and Other Stories' is a collection of fictional short stories. The collection includes several previously-published short stories, and was named in honor of The Old Manse where Hawthorne and his wife lived for the first three years of their marriage. The first edition was published in 1846. Hawthorne seems to have been paid $75 for the publication. Many of the tales collected in Mosses from an Old Manse are allegories and, typical of Hawthorne, focus on the negative side of human nature. Hawthorne's friend Herman Melville noted this aspect in his review ""Hawthorne and His Mosses"" ""This black conceit pervades him through and through. You may be witched by his sunlight, -transported by the bright gildings in the skies he builds over you; but there is the blackness of darkness beyond; and even his bright gildings but fringe and play upon the edges of thunder-clouds.""