This Broadview edition pairs the first Gothic novel with the first Gothic drama, both by Horace Walpole. Published on Christmas Eve, 1764, on Walpole’s private press at Strawberry Hill, his Gothicized country house, The Castle of Otranto became an instant and immediate classic of the Gothic genre as well as the prototype for Gothic fiction for the next two hundred years. Walpole’s brooding and intense drama, The Mysterious Mother, focuses on the protagonist’s angst over an act of incest with his mother, and includes the appearance of Father Benedict, Gothic literature’s first evil monk. Appendices in this edition include selections from Walpole’s letters, contemporary responses, and writings illustrating the aesthetic and intellectual climate of the period. Also included is Sir Walter Scott’s introduction to the 1811 edition of The Castle of Otranto.

The Castle of Otranto is a book by Horace Walpole first published in 1764 and generally regarded as the first gothic novel. In the second edition, Walpole applied the word 'Gothic' to the novel in the subtitle - "A Gothic Story". The novel merged medievalism and terror in a style that has endured ever since. The aesthetics of the book shaped modern-day gothic books, films, art, music and the goth subculture

"This ghost story gave me chill after chill. It will haunt you." -- R.L. Stine, author of Goosebumps "Do you know what it feels like to be forgotten?"On a cold winter night, Iris and her best friend, Daniel, sneak into a clearing in the woods to play in the freshly fallen snow. There, Iris carefully makes a perfect snow angel -- only to find the crumbling gravestone of a young girl, Avery Moore, right beneath her.Immediately, strange things start to happen to Iris: She begins having vivid nightmares. She wakes up to find her bedroom window wide open, letting in the snow. She thinks she sees the shadow of a girl lurking in the woods. And she feels the pull of the abandoned grave, calling her back to the clearing...Obsessed with figuring out what's going on, Iris and Daniel start to research the area for a school project. They discover that Avery's grave is actually part of a neglected and forgotten Black cemetery, dating back to a time when White and Black people were kept separate in life -- and in death. As Iris and Daniel learn more about their town's past, they become determined to restore Avery's grave and finally have proper respect paid to Avery and the others buried there.But they have awakened a jealous and demanding ghost, one that's not satisfied with their plans for getting recognition. One that is searching for a best friend forever -- no matter what the cost.The Forgotten Girl is both a spooky original ghost story and a timely and important storyline about reclaiming an abandoned segregated cemetery."A harrowing yet empowering tale reminding us that the past is connected to the present, that every place and every person has a story, and that those stories deserve to be told." -- Renee Watson, New York Times bestselling author of Piecing Me Together

A gripping crime novel inspired by the "Jack the Stripper" killings in 1960s London. Bad Penny Blues is the latest gripping crime fiction from Cathi Unsworth, London's undisputed queen of noir. Set in late 1950s and early 1960s London, it is loosely based on the West London "Jack the Stripper" killings that rocked the city. The narrative follows police officer Pete Bradley, who investigates the serial killings of a series of prostitutes, and, in a parallel story, Stella, part of the art and fashion worlds of 1960s "Swinging London," who is haunted by visions of the murdered women.

The first book-length study of Horace Walpole’s scandalous The Mysterious Mother, including critical essays, an abridged script, and a facsimile edition Horace Walpole’s five-act tragedy The Mysterious Mother (1768), a sensational tale of incest and intrigue, was initially circulated only among the author’s friends. Walpole never permitted it to be performed during his lifetime except as a private theatrical. He described his play as a “delicious entertainment for the closet” and claimed that he “did not think it would do for the stage.” Yet the essays in this volume trace a history of private readings, amateur theatricals, and even early public performances, demonstrating that the play was read and performed more than Walpole’s protests suggest. Exploring a wide variety of topics—including the play’s crypto-Catholicism, its treatments of incest, guilt, motherhood, orphans, and scientific spectacle, and the complex relations between print and performance—the essays demonstrate the rich relevance of The Mysterious Mother to current critical discussions. The volume includes the proceedings of a mini-conference hosted at Yale University in 2018 on the occasion of a staged reading of the play. Also included are the director’s reflections, an abridged script, a facsimile of Walpole’s own copy of the full-length play, and reproductions of the illustrations he commissioned from Lady Diana Beauclerk.

Gothic literature imagines the return of ghosts from the past. But what about the ghosts of the classical past? Spectres of Antiquity is the first full-length study to describe the relationship between Greek and Roman culture and the Gothic novels, poetry, and drama of the eighteenth and early nineteenth centuries. Rather than simply representing the opposite of classical aesthetics and ideas, the Gothic emerged from an awareness of the lingering power of antiquity. The Gothic reflects a new and darker vision of the ancient world: no longer inspiring modernity through its examples, antiquity has become a ghost, haunting contemporary minds rather than guiding them. Through readings of works by authors including Horace Walpole, Ann Radcliffe, Matthew Lewis, Charles Brockden Brown, and Mary Shelley, Spectres of Antiquity argues that these authors' plots and ideas preserve the remembered traces of Greece and Rome. James Uden provides evidence for many allusions to ancient texts that have never previously been noted in scholarship, and he offers an accessible guide both to the Gothic genre and to the classical world to which it responds. In fascinating and compelling detail, Spectres of Antiquity rewrites the history of the Gothic, demonstrating that the genre was haunted by a far deeper sense of history than has previously been assumed.