Everyone’s favorite sci-fi PI is back on the beat in this third Nuclear Bombshell mystery. Includes the prequel novella, The Peach-Blonde Bomber! After a chance encounter at a Kabuki theater, Zach Johnson has reluctantly agreed to lend a hand to Sexy Sprockets, 2060’s most fabulously famous pop-singer. Sexy has received a slew of death threats from an obsessive fan intent on making sure her ascendant career is cut short. In the guise of Sexy’s bodyguard, Zach enters the dizzying world of showbiz to uncover Sexy’s stalker before he can make good on his threats. Together with his sentient super-computer, HARV, and his psionic assistant, Carol, Zach must use all his PI wisdom to ensnare the would-be killer. At the same time, world famous media mogul Rupert Roundtree has positioned Zach as the unwilling star of his next great reality series, entitled Let’s Kill Zach. Zach will need to stay one step ahead of the murderous mogul if he’s going to save the imperiled pop singer. Praise for the Nuclear Bombshell mysteries “A wild and crazy adventure that blends noir detective fiction and far-out future SF to create a tongue-in-cheek, thoroughly enjoyable story.” —SF Site “Surprisingly clever . . . spoofs the genre and everything else in sight.” —Science Fiction Chronicle “Abbott and Costello meet a futuristic crime noir . . . readers will laugh until they cry.” —AllReaders.com “A fun romp through cyberspace and the future Earth . . . I enjoyed this tongue-in-cheek look at the future of private investigation.” —MyShelf.com

Provides an introduction to American pulp fiction during the twentieth century with brief author biographies and lists of their works.

Includes Part 1, Number 1: Books and Pamphlets, Including Serials and Contributions to Periodicals (January - June)

An art form comes of age when it is imitated, then parodied and finally repeated in pastiche. Crime and detective fiction is now so well established in different formats that it lends itself easily to these literary forms. After a brief history of the genre is an analysis of a large number of parody books and short stories, with details of correspondence and interviews the writer has had with masters of the craft, like Georges Simenon and Margaret Millar. The next section covers those books written by teams of six or more crime writers. The pastiche section deals with a number of books and short stories in-depth, crime stories for younger readers, and the exploits of literary detectives and criminals. "Do It Yourself Sleuthing" covers dossiers, games and books of solvable short crime stories. This leads naturally to all forms of parody and pastiche in films, theater, television and radio, including stage and film musicals.

"1001 Midnights is the essential reference -- and reading -- book for all aficionados of mystery, detective, and suspense fiction. It is comprised of 1001 plot summaries, author biographies, and critical evaluations of classic and important crime and espionage novels, as well as short story collections seminal to the genre. It is an indispensible volume of information and criticisim." --