A timely contribution to the current debate.-Richard Schmutz, Ph.D., HistoryWas creation an act of God, or did it occur by natural processes?Can science logically disprove the existence of God?Does the apparent design of living things point to the work of a Creator?Author Frank B. Salisbury, retired professor of biology and ecology and former head of the Plant Science Department at Utah State University, answers these questions in this important book that brings understanding and respect to the ongoing debate regarding the origin of life.In the Case for Divine Design, the author argues that we must find God on our own and not be enticed by scientific evidence to believe or disbelieve. His own belief in God, coupled with decades of study and research that he shares in this book, has led him to appreciate the beauty of an Intelligent Creation.

Divine Design calls us back to God's original intent for men and women. Clearing away the cultural noise and misconceptions, author John MacArthur tackles big issues such as authority in marriage, mothers in the home, and God's view of equality, all while exploring the innate differences between men and women. Throughout, Divine Design provides an indispensable guide for understanding your mate, and shares how embracing your unique design can foster security, blance, and love in a marriage and family.

Recent discoveries in physics, cosmology, and biochemistry have captured the public imagination and made the Design Argument - the theory that God created the world according to a specific plan - the object of renewed scientific and philosophical interest. This accessible but serious introduction to the design problem brings together new perspectives from prominent scientists and philosophers including Paul Davies, Richard Swinburne, Sir Martin Rees, Michael Behe, Elliot Sober and Peter van Inwagen. It probes the relationship between modern science and religious belief, considering their points of conflict and their many points of similarity. Is the real God of creationism the 'master clockmaker' who sets the world's mechanism on a perfectly enduring course, or a miraculous presence who continually intervenes in and alters the world we know? Are science and faith, or evolution and creation, really in conflict at all? Expanding the parameters of a lively and urgent debate, God and Design considers how perennial questions of origin continue to fascinate and disturb us.

With so many authors and an array of genres, you might expect the Bible to be an anthology of disconnected pieces. Yet, the sixty-six books from Genesis to Revelation weave together into a cohesive unit of divine instruction. But, the question remains - Is there more? Is there a comprehensive design in the Bible that surpasses the mere idea of conceptual unity? Stepping back to look more broadly at the arrangement of the sixty-six divinely inspired books of the Bible it is surprising to observe a mosaic image of a person with a head, torso, arms, and legs. The body of Jesus Christ (Incarnation) and the body of biblical truth (Inspiration) representing the two special revelations of God, were apparently constructed in the same manner. Taking the books of the Bible in their received groupings and order, being careful not to manipulate God's providential arrangement, we see a mirror image of the man Jesus Christ. It seems that the Bible presents to us the Person of our Lord, not only in its content, but also in its form. Crafted by God is the unveiling of this discovery and a probing of its implications. Here is a study that truly unlocks the harmonious structure and purposeful design of the Bible - as well as opening new vistas of thought that put all of Scripture into its contextual meaning.

“Nwoka’s debut feels like a dream, or a fable, or something in between . . . Recommended for fans of Nnedi Okorafor’s Remote Control or Nghi Vo’s The Empress of Salt and Fortune.” —Ashley Rayner, Booklist "[God of Mercy] owes a debt to Chinua Achebe’s Things Fall Apart, revising that novel's message for the recent past . . . A well-turned dramatization of spiritual and social culture clashes." —Kirkus Reviews Homegoing meets Black Leopard, Red Wolf, Okezie Nwọka’s debut novel is a powerful reimagining of a history erased. God of Mercy is set in Ichulu, an Igbo village where the people’s worship of their gods is absolute. Their adherence to tradition has allowed them to evade the influences of colonialism and globalization. But the village is reckoning with changes, including a war between gods signaled by Ijeoma, a girl who can fly. As tensions grow between Ichulu and its neighboring colonized villages, Ijeoma is forced into exile. Reckoning with her powers and exposed to the world beyond Ichulu, she is imprisoned by a Christian church under the accusation of being a witch. Suffering through isolation, she comes to understand the truth of merciful love. Reimagining the nature of tradition and cultural heritage and establishing a folklore of the uncolonized, God of Mercy is a novel about wrestling with gods, confronting demons, and understanding one's true purpose.

Consummate painter, draftsman, sculptor, and architect, Michelangelo Buonarroti (1475–1564) was celebrated for his disegno, a term that embraces both drawing and conceptual design, which was considered in the Renaissance to be the foundation of all artistic disciplines. To his contemporary Giorgio Vasari, Michelangelo was “the divine draftsman and designer” whose work embodied the unity of the arts. Beautifully illustrated with more than 350 drawings, paintings, sculptures, and architectural views, this book establishes the centrality of disegno to Michelangelo’s work. Carmen C. Bambach presents a comprehensive and engaging narrative of the artist’s long career in Florence and Rome, beginning with his training under the painter Domenico Ghirlandaio and the sculptor Bertoldo and ending with his seventeen-year appointment as chief architect of Saint Peter’s Basilica at the Vatican. The chapters relate Michelangelo’s compositional drawings, sketches, life studies, and full-scale cartoons to his major commissions—such as the ceiling frescoes and the Last Judgment in the Sistine Chapel, the church of San Lorenzo and its New Sacristy (Medici Chapel) in Florence, and Saint Peter’s—offering fresh insights into his creative process. Also explored are Michelangelo’s influential role as a master and teacher of disegno, his literary and spiritual interests, and the virtuoso drawings he made as gifts for intimate friends, such as the nobleman Tommaso de’ Cavalieri and Vittoria Colonna, the marchesa of Pescara. Complementing Bambach’s text are thematic essays by leading authorities on the art of Michelangelo. Meticulously researched, compellingly argued, and richly illustrated, this book is a major contribution to our understanding of this timeless artist.

"Focusing on Emily Dickinson's poem "Apparently with no surprise," Keane explores the poet's embattled relationship with the deity of her Calvinist tradition, reflecting on literature and religion, faith and skepticism, theology and science in light of continuing confrontations between Darwinism and design, science and literal conceptions of a divine Creator"--Provided by publisher.

The New York Times bestselling author of Darwin’s Doubt presents groundbreaking scientific evidence of the existence of God, based on breakthroughs in physics, cosmology, and biology. Beginning in the late 19th century, many intellectuals began to insist that scientific knowledge conflicts with traditional theistic belief—that science and belief in God are “at war.” Philosopher of science Stephen Meyer challenges this view by examining three scientific discoveries with decidedly theistic implications. Building on the case for the intelligent design of life that he developed in Signature in the Cell and Darwin’s Doubt, Meyer demonstrates how discoveries in cosmology and physics coupled with those in biology help to establish the identity of the designing intelligence behind life and the universe. Meyer argues that theism—with its affirmation of a transcendent, intelligent and active creator—best explains the evidence we have concerning biological and cosmological origins. Previously Meyer refrained from attempting to answer questions about “who” might have designed life. Now he provides an evidence-based answer to perhaps the ultimate mystery of the universe. In so doing, he reveals a stunning conclusion: the data support not just the existence of an intelligent designer of some kind—but the existence of a personal God.

From typographic illustrator Marian Bantjes, I Wonder will make you think in new ways about art, design, beauty, and popular culture. This unique presentation features the elaborately crafted word pictures of Marian Bantjes, the most inventive and creative typographic illustrator of our time. Whether intricately hand-drawn or using computer illustration software, Bantjes's work crosses the boundaries of time, style, and technology. There is, however, another side to Bantjes's visual work: her thoughtful treatises on art, design, beauty, and popular culture that add a deeper dimension to the decorative nature of her best-known work. These reflections cover the cult of Santa, road-side advertising, photography and memory, the alphabet's letterforms, heraldry, and stars. Bantjes's writing style ranges from the playful to the confrontational, but it is always imbued with perspicacity, insight, and a sense of fun. Intended to inspire creatives of any persuasion, this is more than a collection of ideas: Bantjes has meticulously illustrated every page of the book in her inimitable style to create an accessible work of art that is far greater than the sum of its parts. Quirky, poignant, astute, funny--this beautiful book presents a compelling collection of observations on visual culture and design. In Stefan Sagmeister's telling words, Bantjes's work is his "favorite example of beauty facilitating the communication of meaning." This paperback edition is expanded with a new essay from the author.

Discover the astonishing evidence for intelligent design in this New York Times bestselling book by award-winning journalist Lee Strobel. "My road to atheism was paved by science . . . but, ironically, so was my later journey to God," Strobel says. During his academic years, Lee Strobel became convinced that God was obsolete, a belief that colored his journalism career. Science had made the idea of a Creator irrelevant--or so Strobel thought. But today science points in a different direction. A diverse and impressive body of research has increasingly supported the conclusion that the universe was intelligently designed. At the same time, Darwinism has faltered in the face of concrete facts and hard reason. Has science discovered God? At the very least, it's giving faith an immense boost, as new findings emerge about the incredible complexity of our universe. Join Strobel as he reexamines the theories that once led him away from God. Through his compelling and highly readable account, you'll encounter the mind-stretching discoveries from cosmology, cellular biology, DNA research, astronomy, physics, and human consciousness that present compelling evidence in The Case for a Creator. Also available: The Case for a Creator small group video study and study guide, Spanish edition, kids' edition, student edition, and more.