Just Draw Fineliner Art presents a collection of more than 85 beautiful blackwork images by contemporary artists from around the world. Dip-in for advice or flick through the pages for inspiration. Each image is accompanied by a short introduction, information on the approaches, techniques and tools used, and useful tips. Learn about stippling and hatching to produce immensely detailed drawings. This is the perfect guide for artists and art lovers alike.

"In this book, the carver values the past, works within the communal framework of Maoritanga and respects the tapu nature of what he does; the artist looks to the present and future, practises as an individual within the studio and is concerned with the essential rather than spiritual nature of the work." --Dust jacket.

Chains carved from a single block of wood, cages whittled with wooden balls rattling inside—all "made with just a pocketknife"—are among our most enduring folk designs. Who makes them and why? what is their history? what do they mean for their makers, for their viewers, for our society? Simon J. Bronner portrays four wood carvers in southern Indiana, men who had been transplanted from the rural landscapes of their youth to industrial towns. After retiring, they took up a skill they remembered from childhood. Bronner discusses how creativity helped these men adjust to change and how viewers' responses to carving reflect their own backgrounds. By recording the narratives of these men's lives, the stories and anecdotes that laced their conversation, Bronner finds new insight into the functions and symbolism of traditional craft. Including anew illustrated afterword in which the author discusses recent developments in the carver's art, this new edition will appeal to carvers, scholars, and anyone interested in traditional woodworking.

Wander into the margins in this loose and epic exploration of the legend of Saint Christopher, the dog-headed warrior. God's' Dog marks a shift in storytelling, in which the end becomes the beginning and the monster carries the king into a new world. "...a striking, beautiful and intriguing piece of work: the kind of story we need more of in the world." Paul Kingsnorth Award winning author of The Wake and Beast

Thomas Painter was born with the wrong name. Though his father was a brilliant painter, Thomas couldn’t be less of one. His talent is woodcarving. Yet because he lives in a place where one’s name dictates his trade, he is forced to be a painter’s apprentice. Destiny intervenes when a tree branch falls from the sky. For the branch, at least in Thomas’s hands, is a magic wand. Thomas renames himself Carver and sets off downriver in search of someone who can teach him to use the wand. Accompanied by Raven (the bemagicked girl who dropped the wand in the first place) and the bondservant Fireboy, Carver ventures into a world filled with wonders, some glorious, some terrible, and some beyond his imagining. Masterful storytelling and appealing, memorable characters mark this journey into a magical, beautifully realized world readers won’t soon forget.

First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.

A 2011 Notable Social Studies Trade Book for Young People 2012-2013 Children's Crown Gallery Nominee 2011 Growing Good Kids—Excellence in Children's Literature Award Dr. Carver knew everything in nature was connected. Sally is a young girl living in rural Alabama in the early 1900s, a time when people were struggling to grow food in soil that had been depleted by years of cotton production. One day, Dr. George Washington Carver shows up to help the grown-ups with their farms and the children with their school garden. He teaches them how to restore the soil and respect the balance of nature. He even prepares a delicious lunch made of plants, including "chicken" made from peanuts. And Sally never forgets the lessons this wise man leaves in her heart and mind. Susan Grigsby's warm story shines new light on a Black scientist who was ahead of his time.

A young Japanese artist leaves his home, family, and traditions to study painting in Paris.

From “one of the great short story writers of our time—of any time” (The Philadelphia Inquirer)—comes the original manuscript of the seminal 1981 collection, What We Talk About When We Talk About Love. Raymond Carver is one of the most celebrated short-story writers in American literature—his style is both instantly recognizable and hugely influential—and the pieces in What We Talk About…, which portray the gritty loves and lives of the American working class, are counted among the foundation stones of the contemporary short story. In this unedited text, we gain insight into the process of a great writer. These expansive stories illuminate the many dimensions of Carver’s style, and are indispensable to our understanding of his legacy. Text established by William L. Stull and Maureen P. Carroll