A biologist and an anthropologist use evolutionary biology to explain the causes and inform the prevention of rape. In this controversial book, Randy Thornhill and Craig Palmer use evolutionary biology to explain the causes of rape and to recommend new approaches to its prevention. According to Thornhill and Palmer, evolved adaptation of some sort gives rise to rape; the main evolutionary question is whether rape is an adaptation itself or a by-product of other adaptations. Regardless of the answer, Thornhill and Palmer note, rape circumvents a central feature of women's reproductive strategy: mate choice. This is a primary reason why rape is devastating to its victims, especially young women. Thornhill and Palmer address, and claim to demolish scientifically, many myths about rape bred by social science theory over the past twenty-five years. The popular contention that rapists are not motivated by sexual desire is, they argue, scientifically inaccurate. Although they argue that rape is biological, Thornhill and Palmer do not view it as inevitable. Their recommendations for rape prevention include teaching young males not to rape, punishing rape more severely, and studying the effectiveness of "chemical castration." They also recommend that young women consider the biological causes of rape when making decisions about dress, appearance, and social activities. Rape could cease to exist, they argue, only in a society knowledgeable about its evolutionary causes. The book includes a useful summary of evolutionary theory and a comparison of evolutionary biology's and social science's explanations of human behavior. The authors argue for the greater explanatory power and practical usefulness of evolutionary biology. The book is sure to stir up discussion both on the specific topic of rape and on the larger issues of how we understand and influence human behavior.

First published in 1987, Rape on Trial investigates the impact of the Sexual Offences (Amendment) Act, 1976 and considers the treatment of rape victims by the courts in United Kingdom. Extracts from trials are used extensively, and the author examines in particular: how the anonymity provisions have worked out in practice; how far the victim’s previous sexual history is brought up in court; how far she is held to be responsible for her victimisation; ways in which the validity of her complaint is questioned in court; and defence strategies to present her as a legitimate victim. Also included are a critical discussion of the controversial question of sentencing for rape, and new proposals for legislative and procedural change. Extremely pertinent to current times, this book will be of interest to students of law, criminology, sociology as well as to any concerned citizen.

"The first meaning of 'the state of Ireland' is that it's a place where stories are still told, deliciously and by masters of the art, of whom Benedict Kiely is one, perhaps the foremost."--Guy Davenport, New York Times Book Review This treasure chest of a book contains the complete short stories and novellas by Benedict Kiely's, one of the great storytellers of our time and any nation. This edition contains a new introduction by the author, as well as his afterword to the acclaimed novella, Proxopera.

The finest and most disturbing novel yet from the author of "The Dumb House" and The Mercy Boys. Twenty-five years ago a rapist stalked the streets of Cambridge attacking young women and subjecting them to violent assaults. These events form the background to this extraordinary novel in which circumstances force a young male photographer to examine his relations with women, and with other men. Over one dramatic summer, he becomes involved in a series of sexual intrigues as he journeys towards self-definition. What emerges from an atmosphere of tension and terror is a moving examination of male tenderness, individual autonomy and personal grace.

Twenty five years ago, during the spring and summer of 1975, a rapist stalked the streets of Cambridge, attacking young, single women in their bed-sits and flats and subjecting them to horrifying and increasingly violent assaults. For several months the city endured a climate of fear and suspicion, where the old assumptions about sexual relations and civic decency fell into question, and no male could be taken at face value. These events for the background to The Locust Room, John Burnside's extraordinary new novel, in which a young photographer is forced by circumstances to examine his relations with women, with other men and with his family at home. Over one dramatic summer, he becomes involved in a series of sexual intrigues and acts of subtle violence as he journeys towards tentative self-definition and what he comes to see as honourable isolation. What emerges from this atmosphere of tension and terror is Burnside's finest novel so far; an exquisitely written, beautifully observed fiction - and a moving examination of the possibilities of male tenderness, individual autonomy and personal grace.

The harrowing autobiography of Michael O'Brien (one of the Cardiff Newsagent Three) who was imprisoned for 11 years for a murder he didn't commit. Michael received the largest payout ever by the police to anyone who has been wrongly convicted.

First published in 1985. This conference on Perspectives on Memory Research was held at the University of Uppsala, June 20-24, 1977. A main purpose of it was to commemorate the birth of the University of Uppsala in 1477. This was also the purpose of more than 40 other conferences and symposia held in Uppsala during the year of 1977.

Originally published in 1979, this book contains papers presented at a conference held in 1977 to celebrate the 500th anniversary of the University of Uppsala. Beyond the commemoration, the main reason for this conference was to get students of memory together to discuss and evaluate the memory research that had already been carried out, was presently underway and to speculate about the type of research in this area that would be carried out in the future. The contributors were specifically asked to concentrate on overall theoretical and metatheoretical questions at the cost of empirical problems. With chapters from many of the leading experts in the field this is an opportunity to enjoy some of their early insights.

Terry Eagleton occupies a unique position in the English-speaking world today. He is not only a productive literary theorist, but also a novelist and playwright. He remains a committed socialist deeply hostile to the zeitgeist. Over the last forty years his public interventions have enlivened an otherwise bland and conformist culture. His pen, as many colleagues in the academy-including Harold Bloom, Gayatri Spivak and Homi Bhabha-have learned, is merciless and unsparing. As a critic Eagleton has not shied away from confronting the high priests of native conformity as highlighted by his coruscating polemic against Martin Amis on the issue of civil liberties and religion. This comprehensive volume of interviews covers both his life and the development of his thought and politics. Lively and insightful, they will appeal not only to those with an interest in Eagleton himself, but to all those interested in the evolution of radical politics, modernism, cultural theory, the history of ideas, sociology, semantic inquiry and the state of Marxist theory.