Beautifully illustrated in color with many rare and unique photographs, prints, and drawings, "The Cambridge Illustrated History of Prehistoric Art" presents the first balanced and truly worldwide survey of prehistoric art. A fascinating study of an often neglected area, the book is a powerful combination of illustration and analysis. 164 color plates. Copyright © Libri GmbH. All rights reserved.

The first volume in the series Cambridge Studies in Philosophy and the Arts offers a range of responses by distinguished philosophers and art historians to some crucial issues generated by the relationship between the art object and language in art history. Each of the chapters in this volume is a searching response to theoretical and practical questions in terms accessible to readers of all human science disciplines. The editors, one a philosopher and one an art historian, provide an introductory chapter which outlines the themes of the volume and explicates the terms in which they are discussed. The contributors open new avenues of enquiry involving concepts of 'presence', 'projective properties', visual conventions and syntax, and the appropriateness of figurative language in accounting for visual art. The issues they discuss will challenge the boundaries to thought that some contemporary theorising sustains.

The psychology of aesthetics and the arts is dedicated to the study of our experiences of the visual arts, music, literature, film, performances, architecture and design; our experiences of beauty and ugliness; our preferences and dislikes; and our everyday perceptions of things in our world. The Cambridge Handbook of the Psychology of Aesthetics and the Arts is a foundational volume presenting an overview of the key concepts and theories of the discipline where readers can learn about the questions that are being asked and become acquainted with the perspectives and methodologies used to address them. The psychology of aesthetics and the arts is one of the oldest areas of psychology but it is also one of the fastest growing and most exciting areas. This is a comprehensive and authoritative handbook featuring essays from some of the most respected scholars in the field.

Full teacher support to accompany the Cambridge International IGCSE Art and Design Student's book for syllabus 0400. The Teacher's Guide provides a structure for delivering the course, but also gives teachers the flexibility to teach in their own way, in the best way possible for their particular classroom context. Exam Board: Cambridge Assessment International EducationFirst teaching: 2018 First examination: 2020 * Comprehensive coverage for syllabus 0400 for first examination from June 2020* Fully supports the approach of the Student's Book and outlines best practice for teaching Art and Design* Lesson plans, projects and activities that are suitable for a range of international classroom environments* Guidance on how to resource and manage an art and design classroom*Guidance on how to support students in their coursework and practical exam and how to build this into the course* Annotated student case studies with guidance on assessment* Written and developed by experienced Art and Design teachers and practitioners This title is endorsed by Cambridge Assessment International Education.

An interdisciplinary study of explanation and the construction of value regarding works of literature and painting.

Richard Eldridge presents a clear and compact survey of philosophical theories of the nature and significance of art. Drawing on materials from classical and contemporary philosophy as well as from literary theory and art criticism, he explores the representational, expressive, and formal dimensions of art, and he argues that works of art present their subject matter in ways that are of enduring cognitive, moral, and social interest. His accessible study will be invaluable to students and to all readers who are interested in the relation between thought and art.

This book examines all facets of the High Renaissance painter Raphael.

A survey of Renaissance painting, sculpture, and architecture considers the major artists, trends, influences, and social changes of the age

The Cambridge Art Book contains a unique collection of contemporary images of this most beautiful city, from the grand architecture of its historic university to its more intimate corners. Cambridge is a unique place with a very special atmosphere. It combines an internationally-renowned university town with a vibrant street-life amongst stunning medieval architecture. This is an anthology of prints from 50 artists inspired by the beauty and vitality of the city, working in a broad range of contemporary media. In this book, you will find: - Quirky hidden gems such as the dog, officially labelled as a 'cat' to subvert college rules and reality checkpoint (the lamppost that marks the divide between the university and the real world) - Innovative representations of classic tourist sites: King's College, St. John's College, the Corpus Clock and the Backs (including Ely and Grantchester) - Cambridge's train station and old Addenbrooke's hospital transformed into artworks This book will renew memories and inspire visits and revisits to all its haunts.

The twentieth century has seen great and rapid changes in society and in art. Artists have challenged all the traditional ways of seeing and depicting the world. They have grouped together in a bewildering series of movements, or followed individual and sometimes baffling preoccupations. In Rosemary Lambert's The Twentieth Century, the art lover is helped through the maze. Key works from Cubism and Fauvism to Pop Art and Photo Realism, from Picasso and Braque to the Bauhaus and beyond, are explored in non-technical language. The reader is conveyed by the author's own enthusiasm towards the discovery of many fascinating parallels in the painting, sculpture and architecture of this century.