This book offers a highly engaging history of the world's most famous secret society, the Cambridge 'Apostles', based upon the lives, careers and correspondence of the 255 Apostles elected to the Cambridge Conversazione Society between 1820 and 1914. It examines the way in which the Apostles recruited their membership, the Society's discussions and its intellectual preoccupations. From its pages emerge such figures as F. D. Maurice, John Sterling, John Mitchell Kemble, Richard Trench, Fenton Hort, James Clerk Maxwell, Henry Sidgwick, Lytton Strachey, E. M. Forster, and John Maynard Keynes. The careers of these and many other leading Apostles are traced, through parliament, government, letters, and in public school and university reform. The book also makes an important contribution in discussing the role of liberalism, imagination and friendship at the intersection of the life of learning and public life. This is a major contribution to the intellectual and social history of the nineteenth and early twentieth centuries, and to the history of the University of Cambridge. It demonstrates in impressive depth just how and why the Apostles forged original themes in modern intellectual life.

'In the course of these fifty years we have become a nation of public speakers. Everyone speaks now. We are now more than ever a debating, that is, a Parliamentary people' (The Times, 1873). The Art of Eloquence considers how Byron, Dickens, Tennyson, and Joyce responded to this 'Parliamentary people', and examines the ways in which they and their publics conceived the relations between political speech and literary endeavour. Drawing on a wide range of sources - classical rhetoric, Hansard, newspaper reports, elocutionary manuals, treatises on crowd theory - this book argues that oratorical procedures and languages were formative influences on literary culture from Romanticism to Modernism. Matthew Bevis focuses attention on how the four writers negotiated contending political demands in and through their work, and on how they sought to cultivate forms of literary detachment that could gain critical purchase on political arguments. Providing a close reading of the relations between printed words and public voices as well as a broader engagement with debates about the socio-political inflections of the aesthetic realm, this is a major study of how styles of writing can explore and embody forms of responsible political conduct.

The Mohammadan Anglo-Oriental College (MAO), that became the Aligarh Muslim University (AMU) in 1920 drew the Muslim elite into its orbit and was a key site of a distinctively Muslim nationalism. Located in New Dehli, the historic centre of Muslim rule, it was home to many leading intellectuals and reformers in the years leading up to Indian independence. During partition it was a hub of pro-Pakistan activism. The graduates who came of age during the anti-colonial struggle in India settled throughout the subcontinent after the Partition. They carried with them the particular experiences, values and histories that had defined their lives as Aligarh students in a self-consciously Muslim environment, surrounded by a non-Muslim majority. This new archive of oral history narratives from seventy former AMU students reveals histories of partition as yet unheard. In contrast to existing studies, these stories lead across the boundaries of India, Pakistan and Bangladesh. Partition in AMU is not defined by international borders and migrations but by alienation from the safety of familiar places. The book reframes Partition to draw attention to the ways individuals experienced ongoing changes associated with “partitioning”-the process through which familiar spaces and places became strange and sometimes threatening-and they highlight specific, never-before-studied sites of disturbance distant from the borders.

Setting the Stage: The Foundations of Modern Male Beauty -- Physiognomists and Photographers -- Beauty Experts and Hairdressing Entrepreneurs -- Artists, Athletes, and Celebrities -- Poets, Soldiers, and Monuments -- Men on Display in the Twentieth and Twenty-First Centuries -- Brylcreem Men, Cinema Idols, and Uniforms -- Teenagers, Bodybuilders, and Models -- Youthful Rebels, Gender-Benders, and Gay Men -- Insecure Men, Metrosexuals, and Spornosexuals.

This book offers a reassessment of the theology of F. D. Maurice (1805-72), one of the most significant theologians of the modern Church of England. It seeks to place Maurice's theology in the context of nineteenth-century conflicts over the social role of the Church, and over the truth of the Christian revelation. Maurice is known today mostly for his seminal role in the formation of Christian Socialism, and for his dismissal from his chair at King's College, London, over his denial of the doctrine of eternal punishment. Drawing on the whole range of Maurice's extensive published work, this book argues that his theology, and his social and educational activity, were held together above all by his commitment to a renewal of Anglican ecclesiology. At a time when, following the social upheavals of the French Revolution and the Industrial Revolution, many of his contemporaries feared that the authority of the Christian Church - and particularly of the Church of England - was under threat, Maurice sought to reinvigorate his Church's sense of mission by emphasizing its national responsibility, and its theological inclusiveness. In the process, he pioneered a new appreciation of the diversity of Christian traditions that was to be of great importance for the Church of England's ecumenical commitment. He also sought to limit the damage of internal Church division, by promoting a view of the Church's comprehensiveness that acknowledged the complementary truth of convictions fiercely held by competing parties.

"Political intellectuals and public identities in Britain since 1850 will be of interest to scholars and advanced undergraduates in the fields of political thought and British intellectual and cultural history. It will also be of interest to a wider community of writers and commentators on the politics of English and British national identity."--BOOK JACKET.

Examining the rise of the field of imperial history in Britain and wider webs of advocacy, this book demonstrates how intellectuals and politicians promoted settler colonialism, excluded the subject empire, and laid a precarious framework for decolonization. History was politics in late-nineteenth-century Britain. But the means by which influential thinkers sought to steer democracy and state development also consigned vast populations to the margins of imperial debate and policy. From the 1880s onward, politicians, intellectuals, and journalists erected a school of thought based on exclusion and deferral that segregated past and future, backwardness and civilization, validating racial discrimination in empire all while disavowing racism. These efforts, however, engendered powerful anticolonial backlash and cast a long shadow over the closing decades of imperial rule. Bringing to life the forgotten struggles which have, in effect, defined our times, Imperial History and the Global Politics of Exclusion is an important reinterpretation of the intellectual history of the British Empire.

'Amusing, charming, stimulating, urbane' - THE TIMES 'Revelatory' - GUARDIAN 'Restores Clive Bell vividly to life' - Lucasta Miller ______________ Clive Bell is perhaps better known today for being a Bloomsbury socialite and the husband of artist Vanessa Bell, sister to Virginia Woolf. Yet Bell was a highly important figure in his own right: an internationally renowned art critic who defended daring new forms of expression at a time when Britain was closed off to all things foreign. His groundbreaking book Art brazenly subverted the narratives of art history and cemented his status as the great interpreter of modern art. Bell was also an ardent pacifist and a touchstone for the Wildean values of individual freedoms, and his is a story that leads us into an extraordinary world of intertwined lives, loves and sexualities. For decades, Bell has been an obscure figure, refracted through the wealth of writing on Bloomsbury, but here Mark Hussey brings him to the fore, drawing on personal letters, archives and Bell's own extensive writing. Complete with a cast of famous characters, including Lytton Strachey, T. S. Eliot, Katherine Mansfield, Pablo Picasso and Jean Cocteau, Clive Bell and the Making of Modernism is a fascinating portrait of a man who became one of the pioneering voices in art of his era. Reclaiming Bell's stature among the makers of modernism, Hussey has given us a biography to muse and marvel over – a snapshot of a time and of a man who revelled in and encouraged the shock of the new. 'A book of real substance written with style and panache, copious fresh information and many insights' - Julian Bell

The angel can be viewed as a signal reference to modernist attempts to accommodate religious languages to self-consciously modern cultures. This book uses the angel to explore the relations between modernist literature and early twentieth-century debates over the secular and/or religious character of the modern age.

Masculinity is an expanding area of gender history. Man's Estate is the first book to focus on a particular social group, the English landed gentry, and to cover a time span of several hundred years. The authors move beyond the study of printed conduct literature, which dominated earlier accounts, by examining the values expressed in family correspondence in order to get closer to social practices. Letters between parents, children, siblings, and other relatives reveal the ways in which masculine norms were produced through everyday interactions and judgements, and help to reconstruct the subjective experiences of elite masculinity in this period. Man's Estate concentrates on four important periods in the life-course for the reproduction of these masculine values: schooling, university, foreign travel, and marriage and family life. These illustrate that there is only limited evidence of sharp-edged differences in values between generations in these families, and that these changes appear not to correspond to the deep 'hegemonic shifts' so often emphasized in existing accounts. French and Rothery suggest that the fundamental distributions of power and authority within Gentry families remained fairly constant. Conventional ideas of male honour, virtue, reputation, and autonomy were remarkably tenacious, and the continued stress on family heritage, dynastic traditions, and the future security of the family patrimony acted as a brake on changes in the training of young English gentlemen. The research is based on over 4,000 letters drawn from 19 landed families across England between c. 1680 and c. 1900, and is the result of a three-year research project funded by the Arts and Humanities Research Council.