Joachim of Fiore was an Italian mystic, theologian, biblical commentator, philosopher of history, and founder of the monastic order of San Giovanni in Fiore. He created a philosophy that history develops in three ages of increasing spirituality: the ages of the Father, the Son, and the Holy Spirit. Fiore is considered to be the most important apocalyptic thinker of themedieval period, and after the prophet John, perhaps the most important apocalyptic thinker in the history of Christianity.McGinn looks at Joachim's place in Western thought, inspecting his complex system of ideas.

Joachim of Fiore proclaimed a philosophy of history which exercised a powerful influence in succeeding centuries. This book traces the influence of his prophecies concerning a Third Age of the Spirit to come, as later expressed in the themes of New Spiritual Men, Last World Emperor, Angelic Pope, and Renovatio Mundi. It shows that these ideas were not only the mainspring of various heterodox groups, but also engaged the attention of certain church leaders, university scholars, Renaissance thinkers, Protestant theologians, and political rulers down to the seventeenth century.

Joachim of Fiore (c.1135-1202) remains one of the most fascinating and enigmatic figures of medieval Christianity. In his own time, he was an influential advisor to the mighty and powerful, widely respected for his prophetic exegesis and decoding of the apocalypse. In modern times, many thinkers, from Thomas Müntzer to Friedrich Engels, have hailed him as a prophet of progress and revolution. Even present-day theologians, philosophers and novelists were inspired by Joachim’s vision of a Third Age of the Holy Spirit. However, at no time was Joachim an uncontroversial figure. Soon after his death, the church authorities became suspicious about the explosive potential of his theology, while more recently historians held him accountable for the fateful progressivism of Western Civilization. Contributors are: Frances Andrews, Valeria De Fraja, Alfredo Gatto, Peter Gemeinhardt, Sven Grosse, Massimo Iiritano, Bernard McGinn, Matthias Riedl, and Brett Edward Whalen.

Joachim of Fiore has been described as the most singular and fascinating figure of mediaeval Christendom. This title explores his unique understanding of history and looks at the powerful influence of his ideas.

Recently angels have made a remarkable comeback in the popular imagination; their real heyday, however, was the Middle Ages. From the great shrines dedicated to Michael the Archangel at Mont-St-Michel and Monte Garano to the elaborate metaphysical speculations of the great thirteenth-century scholastics, angels dominated the physical, temporal, and intellectual landscape of the medieval West. This book offers a full-scale study of angels and angelology in the Middle Ages. Seeking to discover how and why angels became so important in medieval society, David Keck considers a wide range of fascinating questions such as: Why do angels appear on baptismal fonts? How and why did angels become normative for certain members of the church? How did they become a required course of study? Did popular beliefs about angels diverge from the angelologies of the theologians? Why did some heretics claim to derive their authority from heavenly spirits? Keck spreads his net wide in the attempt to catch traces of angels and angelic beliefs in as many portions of the medieval world as possible. Metaphysics and mystery plays, prayers and pilgrimages, Cathars and cathedrals-all these and many more disparate sources taken together reveal a society deeply engaged with angels on all its levels and in some unlikely ways.

Our imagination reveals our experience of ourselves and our world. The late philosopher of science and poetry Gaston Bachelard introduced the notion that each image that comes to mind spontaneously is a visual representation of the cognitive and affective pattern that is moving us at the time - often unconsciously. When such a mental image inspires a picture or text, it evokes in the mind of the reader or beholder a replication of the internal pattern that originally inspired the artist or writer. Thus mental images are rarely empty phantasies. Whereas intellectual concepts are conscious constructions of abstracted relations, mental images evoked by texts and pictures often point - like dreams - to pre-verbal experience that patterns itself through multiplying associations and analogies. These mental images can also manifest their own limits, pointing indirectly to experiences beyond what can be expressed and communicated. The six essays in this volume seek to uncover the dynamic patterns in verbal and pictorial images and to evaluate their potentialities and limitations. Thematically ordered according to their specific focus, the essays begin with material images and move on to increasing degrees of immateriality. The subjects treated are: verbal descriptions of an icon and of a statue; imaginative visions and auditions evoked by material depictions; verbal imagery describing imagined sculptures and scenes as compared with drawings of a moving historical pageant; drawings of symbolic figures representing subtle relationships between verbal expositions that cannot be syntactically represented; dream images that precipitate actual healing; and aural patterns in a sounded text that are experienced as 'images' of affective dynamisms.

From millenarists to Antichrist hunters, from the Sibyls to the Hussites, Visions of the End is a monumental compendium spanning the literature of the Christian apocalyptic tradition from the period A.D. 400 to 1500, masterfully selected and complete with a comprehensive introduction and new preface.

This volume presents an introduction to the thought of the great Franciscan theologian, St Bonaventure. It focuses on the relation between philosophy and theology in the work of this thinker, presenting Bonaventure as a great synthesizer.