In one of NPR's 100 Best Thrillers Ever, FBI agent Pendergast discovers thirty-six murdered bodies in a New York City charnel house . . . and now, more than a century later, a killer strikes again. In an ancient tunnel underneath New York City a charnel house is discovered. Inside are thirty-six bodies--all murdered and mutilated more than a century ago. While FBI agent Pendergast investigates the old crimes, identical killings start to terrorize the city. The nightmare has begun. Again.

A collection of thirty-six forty eerie, mysterious, intriguing, and very short stories by the acclaimed authors Stefan Bachmann, Katherine Catmull, Claire LeGrand, and Emma Trevayne. The Cabinet of Curiosities is perfect for fans of Alvin Schwartz's Scary Stories to Tell in the Dark and anyone who relishes a good creepy tale. Great for reading alone or reading aloud at camp or school! The book features an introduction and commentary by the authors and black-and-white illustrations throughout.

“A cross between The Hot Zone and ’Salem’s Lot.” —Entertainment Weekly “I cannot wait to see where Del Toro and Hogan take us next.” —James Rollins, New York Times bestselling author of Bloodline The wait is over! Guillermo del Toro, one of Hollywood’s most popular and imaginative storytellers (Pan’s Labyrinth, Hellboy) and Hammett Award-winning thriller writer Chuck Hogan (Prince of Thieves) return with The Fall—the second blood-chilling volume in their critically acclaimed, New York Times bestselling Strain Trilogy. The Fall picks up where The Strain left off—with a vampiric infection spreading like wildfire across America as a small band of heroes struggles to save the dwindling human race from the vampire plague. Horror fiction and dark fantasy fans will be swept up in this epic story that bestselling author Nelson DeMille describes as “Bram Stoker meets Stephen King meets Michael Crichton.”

The nail-biting vampire thriller from the world-famous director of Pan’s Labyrinth and Hellboy.

When Lukas Declercq is orphaned, his uncle summons him to Prague, a refuge for Europe's greatest alchemists and natural philosophers, offering to take him on as an apprentice. Uncle Anselmus is court physician to Rudolph II, the reclusive and unstable Emperor. He is also curator of Rudolph's bizarre Cabinet of Curiosities, a series of vast rooms stuffed with wonders and scientific marvels such as a nail from Noah's Ark, phoenix feathers and monstrous freaks of nature, which fascinate Lukas. As Rudolph retreats further into his fantasy world, the threat of rebellion hangs in the air. Dorantes, a diplomat from Spain, comes with his daughter, Celestina, on a mission from Philip II to persuade Rudolph to give up his heretical ways. But he discovers the court is full of diplomats who have been waiting months or years for an audience with the Emperor. Dorantes notices how some had wormed their way into the Emperor's favour by presenting him with fantastic gifts for his Cabinet, and sets about creating a device that he says will stop time. But it works only in the presence of the Emperor. Lukas knows the terrible truth behind Dorantes's mission. But sinister forces have plans for Lukas too, and before he can thwart the plot against the Emperor, Lukas must gamble on Celestina's loyalty in order to save his own life.

This handsome gift volume celebrates a world-famous temple to taxidermy and the natural world, where extraordinary curiosities highlight the intersection of science and art. With an abundance of preserved flora and fauna, taxidermy, and otherworldly creations, the Deyrolle boutique is dedicated to showcasing the beauty of nature. A family venture founded in the spirit of discovery, Deyrolle has a 185-year history that is a Pandora’s box of scientific and aesthetic discoveries. Deyrolle flourished under the nineteenth-century passion for natural history, garnering celebrity devotees from Dalí to Nabokov, and quickly established itself as a center for education and research. A vocal advocate of sustainability and responsible business practices in the fields of taxidermy and entomology, Deyrolle works only with creatures that have expired from natural causes. Raising awareness for causes such as World Rhino Day, Deyrolle combines science and art, lightheartedness and engagement. This book provides fascinating insight into the history and day-to-day workings of this unique Parisian institution.

For the first time, the pioneering book that launched the study of art and curiosity cabinets is available in English. Julius von Schlosser’s Die Kunst- und Wunderkammern der Spätrenaissance (Art and Curiosity Cabinets of the Late Renaissance) is a seminal work in the history of art and collecting. Originally published in German in 1908, it was the first study to interpret sixteenth- and seventeenth-century cabinets of wonder as precursors to the modern museum, situating them within a history of collecting going back to Greco-Roman antiquity. In its comparative approach and broad geographical scope, Schlosser’s book introduced an interdisciplinary and global perspective to the study of art and material culture, laying the foundation for museum studies and the history of collections. Schlosser was an Austrian professor, curator, museum director, and leading figure of the Vienna School of art history whose work has not achieved the prominence of his contemporaries until now. This eloquent and informed translation is preceded by Thomas DaCosta Kaufmann’s substantial introduction. Tracing Schlosser’s biography and intellectual formation in Vienna at the turn of the twentieth century, it contextualizes his work among that of his contemporaries, offering a wealth of insights along the way.

Long ago, curiosities were arranged in cabinets for display: a dried mermaid might be next to a giant's shinbone, the skeletons of conjoined twins beside an Egyptian mummy. In ten essays, Jan Bondeson brings a physician's diagnostic skills to various unexpected, gruesome, and extraordinary aspects of the history of medicine: spontaneous human combustion, colonies of snakes and frogs living in a person's stomach, kings and emperors devoured by lice, vicious tribes of tailed men, and the Two-Headed Boy of Bengal. Bondeson tells the story of Mary Toft, who gained notoriety in 1726 when she allegedly gave birth to seventeen rabbits. King George I, the Prince of Wales, and the court physicians attributed these monstrous births to a "maternal impression" because Mary had longed for a meal of rabbit while pregnant. Bondeson explains that the fallacy of maternal impressions, conspicuous in the novels of Goethe, Sir Walter Scott, and Charles Dickens, has ancient roots in Chinese and Babylonian manuscripts. Bondeson also presents the tragic case of Julia Pastrana, a Mexican Indian woman with thick hair growing over her body and a massive overgrowth of the gums that gave her a simian or ape-like appearance. Called the Ape Woman, she was exhibited all over the world. After her death in 1860, Julia's husband, who had also been her impresario, had her body mummified and continued to exhibit it throughout Europe. Bondeson tracked the mummy down and managed to diagnose Julia Pastrana's condition as the result of a rare genetic syndrome.

A cabinet of intricately drawn curiosities behind which are hiding further illustrations that reveal the objects' true nature.