There are many identities within the LGBTQI community. Among these are butch and femme. Both of these identities date back to the beginning of the 20th century and are a part of the lesbian and bisexual subculture. Both have taken on many definitions. In this collection of photographs, people from across the United States and Canada who claim these identities today share their own definitions and describe how they express themselves uniquely.

Lambda Literary Award finalist American Library Association Stonewall Honor Book In the summer of 2009, butch writer and storyteller Ivan Coyote and gender researcher and femme dynamo Zena Sharman wrote down a wish-list of their favourite queer authors; they wanted to continue and expand the butch-femme conversation. The result is Persistence: All Ways Butch and Femme. The stories in these pages resist simple definitions. The people in these stories defy reductive stereotypes and inflexible categories. The pages in this book describe the lives of an incredible diversity of people whose hearts also pounded for some reason the first time they read or heard the words "butch" or "femme." Contributors such as Jewelle Gomez (The Gilda Stories), Thea Hillman (Intersex), S. Bear Bergman (Butch is a Noun), Chandra Mayor (All the Pretty Girls), Amber Dawn (Sub Rosa), Anna Camilleri (Brazen Femme), Debra Anderson (Code White), Anne Fleming (Anomaly), Michael V. Smith (Cumberland), and Zoe Whittall (Bottle Rocket Hearts) explore the parameters, history, and power of a multitude of butch and femme realities. It's a raucous, insightful, sexy, and sometimes dangerous look at what the words butch and femme can mean in today’s ever-shifting gender landscape, with one eye on the past and the other on what is to come. Includes a foreword by Joan Nestle, renowned femme author and editor of The Persistent Desire: A Femme-Butch Reader, a landmark anthology originally published in 1992. Ivan E. Coyote is the author of seven books (including the novel Bow Grip, an American Library Association Stonewall Honor Book) and a long-time muser on the trappings of the two-party gender system. Zena Sharman is the assistant director of Canada's national Institute of Gender and Health.

Butch: Not Like the Other Girls is a photographic exploration of the liminal spaces occupied by female masculinity in contemporary communities. Its first incarnation exhibited as a public art project in transit shelters around Vancouver in March-April 2013, with a simultaneous gallery show at the Vancouver East Cultural Centre (the Cultch). According to Cultch administrators, the opening night (which attracted over 500 attendees and spilled out into the street for half a block) was the largest visual art opening in their 35-year history. The project caused an internet sensation, generating thousands of posts and shares on social media, blog posts as far away as Germany and Denmark, and interest for further exhibitions across Canada and the United States. This project delineates Butch as an inclusive site of resistance to limitations on the way women, gender, and sexuality are still defined. The images honour the beauty, power, and diversity of women who transgress the gender binary, interspersed with text written by the photographic subjects themselves. The transversal dialectic of female masculinity is celebrated here -- unapologetic and undiluted. The author positions Butch as intrinsically queer. They explore the complex and contradictory natures of butch, "glorying in our mercurial and perhaps sometimes confusing natures." Butch not only forces a reassessment of the body and the queer subject, it dismantles socialized, role-defined, gender appropriate behaviour. The queer cultures in which Butch is situated are constantly changing, and the author captures a diverse range of portrayals that celebrate and reflect butch identities. In the context of transgender movements, intersex activism, and genderqueer dialogues, a project like Butch on picturing and mirroring butch finds an important place.

Baby, You Are My Religion argues that American butch-femme bar culture of the mid-20th Century should be interpreted as a sacred space for its community. Before Stonewall—when homosexuals were still deemed mentally ill—these bars were the only place where many could have any community at all. Baby, You are My Religion explores this community as a site of a lived corporeal theology and political space. It reveals that religious institutions such as the Metropolitan Community Church were founded in such bars, that traditional and non-traditional religious activities took place there, and that religious ceremonies such as marriage were often conducted within the bars by staff. Baby, You are My Religion examines how these bars became not only ecclesiastical sites but also provided the fertile ground for the birth of the struggle for gay and lesbian civil rights before Stonewall.

A lesbian romance filled with intrigue and sizzling sexual tension as enemies discover that the other side of hatred...is desire. Agnes Noble is private, mysterious, and untouchable. She rules House of Agnes, the most exclusive escort agency on the East Coast, with a diamond fist. Crossing her is a mistake no one makes twice. Investigative reporter Lola Osbourne is not afraid. She's gunning for the House and its so-called queen. She'll make sure no other innocent gets dragged into Agnes's alluring web, to be used and discarded the way Lola's sister was. But her plan to get close to the elusive madam shatters the moment her eyes meet the Queen's. One look and everything's different. More complicated. Dangerous. Now, Lola's not just fighting to topple a queen from her throne, she's also scrambling to escape their explosive collision with her suddenly vulnerable heart intact.

Essays on the butch-femme designations, respecting the power that these categories have in the lesbian community while at the same time avoiding the cliched romanticism often inherent in their representation.

What are the meanings behind constructed lesbian identities? This unique collection brings together writing, photography, artwork, and poetry about lesbian butch and femme gender. Femme/Butch: New Considerations of the Way We Want to Go distinguishes itself by celebrating a wide span of intellectual engagement, from reflection to traditional academic work, including both disciplinary and interdisciplinary approaches. In addition to more “serious” writing, lesbian comediennes offer their irreverent takes on femme/butch in this book. Their perspectives are almost never found in academic publications, but what Lea DeLaria, Vickie Shaw, Karen Williams, and other edgy comics have to say about femme/butch sexuality deserves to be heard. You’ll also find that Femme/Butch is essential for the global perspective it brings to lesbian gender. With chapters focused on lesbians in Chinese cultures and on the emerging lesbian community in Bulgaria, this book explores the role of femme/butch identification in cultures without recognizable lesbian institutions. Here are a few of the questions the contributors to Femme/Butch examine in this remarkable book: Can theory about femme/butch exist in the electric realm of sex and sexuality, or does theory necessarily neutralize sexuality? What role does popular culture play in helping us to theorize about lesbian gender? What are the relationships between history and femme/butch lesbian gender? Does lesbian identity development come in individual stages or is it more of a free-flowing process? How does social class relate to how we think about femme/butch race, ethnicity, and butch-femme? Femme/Butch is an ideal guide to understanding: the similarities between stone-butch and transgender identities—using Leslie Feinberg’s Stone Butch Blues as a reference point the erotically resignified roles of Mommy, Daddy, girl, and boy in butch-femme femme/butch issues of power, trust, love, and loss the “female husbands” of the 18th century and their “wives” the meanings of cross-dressing for lesbians the variety of lesbian-queer genders—butch, femme, androgynous, and “other” and much more!

Features the work of five contemporary lesbian photographers, together with a selection of historical photographs from the Lesbian Herstory Archives (some of which date back to 1910). Accompanying the photographs is an essay on being butch by Judy Grahn and one on being femme by Nisa Donnelly. A beautifully produced collection celebrating the gender roles, erotic desires, and self-perceptions of lesbian life. Illustrated throughout with duotone photographs. 6 X 4''

Bodies of Evidence: The Practice of Queer Oral History is the first book to provide serious scholarly insight into the methodological practices that shape lesbian, gay, bisexual, transgender, and queer oral histories. Each chapter pairs an oral history excerpt with an essay in which the oral historian addresses his or her methods and practices. With an afterword by John D'Emilio, this collection enables readers to examine the role memory, desire, sexuality, and gender play in documenting LGBTQ communities and cultures. The historical themes addressed include 1950s and '60s lesbian bar culture; social life after the Cuban revolution; the organization of transvestite social clubs in the U.S. midwest in the 1960s; Australian gay liberation activism in the 1970s; San Francisco electoral politics and the career of Harvey Milk; Asian American community organizing in pre-AIDS Los Angeles; lesbian feminist "sex war" cultural politics; 1980s and '90s Latina/o transgender community memory and activism in San Francisco; and the war in Iraq and Afghanistan. The methodological themes include questions of silence, sexual self-disclosure and voyeurism, the intimacy between researcher and narrator, and the social and political commitments negotiated through multiple oral history interviews. The book also examines the production of comparative racial and sexual identities and the relative strengths of same-sexuality, cross-sexuality, and cross-ideology interviewing.