The Art of the Eurasian Steppe is a contextual analysis which traces the stylistic transformation of artefacts depicting animals from various cultures of the Eurasian steppe, and investigates its possible influence on Central and Northern European art. A wide range of individual cultures are "visited" and their historic, cultural, and geographic specifics are explored. The survey in this book is based on a chronological structure, including an East-West geographic direction. This accommodates to position described artefacts of certain styles within time periods, cultures, and locations. Most of the existing literature related to cultures of the Eurasian steppe is specialised on one particular culture or one archaeological excavation. The book is written as a hypothetical journey through time and space, structured in an east to west direction. It provides a wide-reaching overview by placing the discussed artefacts into a cultural, geographic, and chronologic frame, particularly the thousand years between 500 BC and 500 AD. Artistic expression and style are a central theme to explore possible relationships between civilisations of the Eurasian steppe and their influence on medieval Central and Northern European creation of artefacts. Academics in the fields of art history, archaeology, history, and fine arts will find this book compelling/useful.

This catalogue accompanies an exhibition which presents artefacts from burial mounds of the Saka people of East Kazakhstan, who, over 2,500 years ago, lived lives rich in complexity. The Saka people occupied a landscape of seemingly endless steppe to the west, bounded by mountains to the east and south. Known to be fierce warriors, they were also skilled craftspeople, producing intricate gold and other metalwork. Their artistic expression indicates a deep respect for the animals around them - both real and imagined. They dominated their landscapes with huge burial mounds of sophisticated construction, burying their horses with elite members of their society. Recent excavations and analyses, led by archaeologists from Kazakhstan, have demonstrated that by looking through a scientific and social lens at what the Saka left behind we can paint a picture of a complex society. We can start to understand how it affected the way people lived, how they travelled, the things they made and what they believed in.00Exhibition: The Fitzwilliam Museum, Cambridge, UK (October 2021-January 2022).

This fascinating book examines the artistic exchange between the nomadic peoples of what is now Inner Mongolia and their settled Chinese neighbors during the first millennium B.C.

In this wide-ranging study, Hyung Il Pai examines how archaeological finds from throughout Northeast Asia have been used in Korea to construct a myth of state formation. This myth emphasizes the ancient development of a pure Korean race that created a civilization rivaling those of China and Japan and a unified state controlling a wide area in Asia. Through a new analysis of the archaeological data, Pai shows that the Korean state was in fact formed much later and that it reflected diverse influences from throughout Northern Asia, particularly the material culture of Han China.

This book presents 45 papers presented at a major international conference held at the British Museum during the 2017 BP exhibition 'Scythians: warriors of ancient Siberia'. Papers include new archaeological discoveries, results of scientific research and studies of museum collections, most presented in English for the first time.

From an intercultural perspective, this book focuses on aesthetic strategies and forms of representation in premodern Christian and Islamic sepulchral art. Seeing the tomb as an interface for eschatological, political, and artistic debate, the contributions analyze the diversity of memorial space configurations. The subjects range from the complex interaction between architecture and tomb topography through to questions relating to the funereal expression of power and identity, and to practices of ritual realization in the context of individual and collective memory.