A skeleton discovered. A murder to be solved . . . On a stormy night in December, a tree is blown down on an isolated Devon farm. When the fallen tree is dragged away, a rucksack is found caught amongst the roots - and next to it is a human skeleton. The discovery of the body and the rucksack revives memories for DI Wesley Peterson. A young hitchhiker who went missing twelve years ago was last seen carrying a similar backpack. Suddenly a half-forgotten cold case has turned into a murder investigation. Meanwhile, in the nearby village of Petherham, a man is found dead in suspicious circumstances whilst staying at a local guesthouse. Wesley's friend, archaeologist Neil Watson, is studying Petherham's ancient mill and uncovering the village's sinister history. Could the string of mysterious deaths in Petherham over a hundred years ago be connected to the recent killings? As Wesley digs deeper into the case, it seems that the dark whisperings of a Burial Circle in the village might not be merely legend after all . . . Whether you've read the whole series, or are discovering Kate Ellis's DI Wesley Peterson novels for the first time, this is the perfect, gripping mystery if you love reading Elly Griffiths and Ann Cleeves. PRAISE FOR KATE ELLIS: 'A beguiling author who interweaves past and present' The Times 'I loved this novel' Ann Cleeves 'Haunting' Independent 'Unputdownable' Bookseller 'The chilling plot will keep you spooked and thrilled to the end' Closer 'A fine storyteller, weaving the past and present in a way that makes you want to read on' Peterborough Evening Telegraph

This original and enlightening book casts fresh light on Shakespeare by examining the lives of his relatives, friends, fellow-actors, collaborators and patrons both in their own right and in relation to his life. Well-known figures such as Richard Burbage, Ben Jonson and Thomas Middleton are freshly considered; little-known but relevant lives are brought to the fore, and revisionist views are expressed on such matters as Shakespeare's wealth, his family and personal relationships, and his social status. Written by a distinguished team, including some of the foremost biographers, writers and Shakespeare scholars of today, this enthralling volume forms an original contribution to Shakespearian biography and Elizabethan and Jacobean social history. It will interest anyone looking to learn something new about the dramatist and the times in which he lived. A supplementary website offers imagined first-person audio accounts from the featured subjects.

Papers in this volume cover all shores of the Black Sea and address, alongside many other topics, the establishment dates of some Greek Colonies; East Greek transport amphorae; the history of Tekkeköy; the pre-Roman economy of Myrmekion; Byzantine finds at Komana; glass bracelets from Samsun Museum; dating the Kavak Bekdemir Mosque in Samsun.

Of all prehistoric monuments, few are more emotive than the great stone circles that were built throughout Britain and Ireland. From the tall, elegant, pointed monoliths of the Stones of Stenness to the grandeur of Stonehenge and the sarsen blocks at Avebury, circles of stone exert a magnetic fascination to those who venture into their sphere. In Britain today, more people visit these structures than any other form of prehistoric monument and visitors stand in awe at their scale and question how and why they were erected. Building the Great Stone Circles of the North looks at the enigmatic stone structures of Scotland and investigates the background of their construction and their cultural significance.

The Grasp That Reaches beyond the Grave investigates the treatment of the ancestor figure in Toni Cade Bambara's The Salt Eaters, Paule Marshall's Praisesong for the Widow, Phyllis Alesia Perry's Stigmata and A Sunday in June, Toni Morrison's Beloved, Tananarive Due's The Between, and Julie Dash's film, Daughters of the Dust in order to understand how they draw on African cosmology and the interrelationship of ancestors, elders, and children to promote healing within the African American community. Venetria K. Patton suggests that the experience of slavery with its concomitant view of black women as "natally dead" has impacted African American women writers' emphasis on elders and ancestors as they seek means to counteract notions of black women as somehow disconnected from the progeny of their wombs. This misperception is in part addressed via a rich kinship system, which includes the living and the dead. Patton notes an uncanny connection between depictions of elder, ancestor, and child figures in these texts and Kongo cosmology. These references suggest that these works are examples of Africanisms or African retentions, which continue to impact African American culture.