"The Burgomaster of Stilemonde: A Play in Three Acts" by Maurice Maeterlinck is a dramatic masterpiece that unfolds with profound depth and emotion. Maeterlinck's play explores themes of leadership, sacrifice, and moral dilemmas in the context of war and occupation. With its richly drawn characters and powerful dialogue, this work invites readers to ponder the complexities of human nature and the choices individuals make in times of crisis. It's an excellent choice for those who appreciate thought-provoking and emotionally charged theater.

In January 1966, Alan Napier became a household name on ABC's hit series Batman (1966-1968) as Alfred Pennyworth, loyal butler to the show's title character. This "overnight success" came after 16 years of stage work (and the occasional film) in his native England and 26 years of film and television work (and the occasional play) in the United States. In the early 1970s, Napier wrote an autobiography, detailing his childhood as a "poor relation" of the famous Birmingham political family the Chamberlains (Prime Minister Neville Chamberlain was a cousin), and his collaborations over the years with the likes of John Gielgud, Laurence Olivier, George Bernard Shaw, Noel Coward, Fritz Lang, Otto Preminger and Alfred Hitchcock. Almost 30 years after Napier's death, James Bigwood, who first read the manuscript in 1975 when interviewing the actor for a Films in Review profile, has prepared it for publication. This is Alan Napier's story in his own words, annotated and updated, with dozens of rare photographs.

Theatre in London has celebrated a rich and influential history, and in 1976 the first volume of J. P. Wearing’s reference series provided researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of relevant newspapers and periodicals. This second edition of The London Stage 1910–1919: A Calendar of Productions, Performers, and Personnel provides a chronological calendar of London shows from January 1910 through December 1919. The volume chronicles more than 3,000 productions at 35 major central London theatres during this period. For each entry the following information is provided: Title Author Theatre Performers Personnel Opening and closing dates Number of performances Other details include genre of the production, number of acts, and a list of reviews. A comment section includes other interesting information, such as a plot description, first-night audience reception, noteworthy performances, staging elements, and details of performances in New York either prior to or after the London production. Among the plays staged in London during this decade were Chu Chin Chow, The Gaol Gate, Hindle Wakes, Justice, Kismet, Pygmalion, and Rebecca of Sunnybrook Farm, as well as numerous musical comedies (British and American), foreign works, operas, and revivals of English classics. A definitive resource, this edition revises, corrects, and expands the original calendar. In addition, approximately 20 percent of the material—in particular, information on adaptations and translations, plot sources, and comments—is new. Arranged chronologically, the shows are fully indexed by title, genre, and theatre. A general index includes numerous subject entries on such topics as acting, audiences, censorship, costumes, managers, performers, prompters, staging, and ticket prices. The London Stage 1910–1919 will be of value to scholars, theatrical personnel, librarians, writers, journalists, and historians.