"One hundred years ago... a house was being built in the new Brisbane suburb of Red Hill. The building of the Queensland House follows the day by day construction of this cottage. It describes the detailed carpentry techniques of the time in text and pictures and contains copious advice for owners, restorers and young tradesmen."--Back cover.

Broad verandahs, tall stumps, lattice and ornate sheetmetal roof ventilators combine to give the Queensland house its own special qualities and visual character. Heritage writer, Ian Evans, has unravelled a complex story and traced the origins of some fascinating aspects of the traditional houses of Queensland.

This is the story of how an ordinary bloke from the bush became the key figure in a movement that would change the shape of our cities and bring about lasting political and legal reform. This is the story of the house that Jack Mundey built. Without the green bans movement of the 1970s, Sydney and many other cities would look very different. Pulling together an unlikely alliance of environmentalists and union players earned Jack Mundey a reputation as both the ‘best-known unionist and best-known conservationist in Australia’. Under his leadership, the movement fought against the slash-and-burn philosophy that almost saw The Rocks fitted out with high-rise buildings, a highway through the centre of Glebe and total development of Centennial Park. In this long-awaited book James Colman reflects on Jack’s remarkable life and his ongoing legacy. Mundey overturned the bulldozer mentality of the 1960s and 1970s and helped to persuade Australians everywhere to cherish and protect the hertitage of special buildings, places and sites.

This thematic presentation of the history of modernist architecture of queensland, Australia provides a fascinating case of the interrelation of climatic design and an aspiration for distinct cultural identity for a region. As international modernism swept the world after the Second World War it confronted differing landscapes, climates, and building traditions. The case of queensland is exemplary in this regard. queensland provided the challenge of heat and humidity that the theorists of modernism expected would be a scientific rationale from which regional variations of the movement would grow as Western progressive architecture was taken up in the developing world. But queensland was a relatively wealthy society with a sophisticated architectural culture and a well established discourse on the climatic determination of building form that had already given it a distinct regional identity. Hot Modernism is a thematic history that traces the conflicts and felicities that occurred as international modernism met a strongly developed regional cultural identity. In nine essays written by a group of international scholars and organised into four thematic sections (Foundations: Modernism and its Critique; Influences; People, Firms & Networks and Building Programmes), Hot Modernism highlights the foundation and growth of modern architecture in queensland, as well as issues that are common to post-war architecture internationally, such as urban form and transport, art and education, civic pride and the rediscovery of history. The regional flowerings of mid-twentieth century modernism in Europe and the Americas have in recent years been meticulously dissected and widely published, and Hot Modernism contributes to the emerging understanding that modernism, despite its internationalism, was not a monolit hic cultural movement, nor one that can be understood at a national level. The vastness of the Australian continent, along with its rich climatic, geographic and cultural diversity, necessitates a more nuanced, place-based approach. Hot Modernism zooms into this finer grain as it investigates and expounds the idiosyncratic, regional building practice that emerged in queensland in the decades following the Second World War. Based on substantial oral history and archival research, this publication offers engaging first-hand accounts and vivid illustrations of significant buildings and their under-acknowledged designers.

"The ground we walk on and grow crops in also just happens to be the most widely used building material on the planet. Civilizations throughout time have used it to create stable warm low-impact structures. The world's first skyscrapers were built of mud brick. Paul Revere Chairman Mao and Ronald Reagan all lived in earth houses at various points in their lives and several of the buildings housing Donald Judd's priceless collection at the Chinati Foundation in Marfa Texas are made of mud brick." "While the vast legacy of traditional and vernacular earthen construction has been widely discussed, little attention has been paid to the contemporary tradition of earth architecture. Author Ronald Rael founder of Eartharchitecture.org provides a history of building with earth in the modern era focusing particularly on projects constructed in the last few decades that use rammed earth mud brick compressed earth cob and several other interesting techniques. Earth Architecture presents a selection of more than 40 projects that exemplify new creative uses of the oldest building material on the planet."--BOOK JACKET.

Real Property Law in Queensland gives a clear and concise account of the fundamental principles of real property law as applied in Queensland today. The fifth edition has been revised and updated to deal with developments in real property case law and legislation since the last edition.

Based on the travel and lifestyle website of the same name, Life Unhurried is a fresh and inviting coffee table book featuring 50 of the best slow and sustainable stays hidden across Australia. These covetable properties - found in some of the country's most underrated destinations - are places where you can truly slow down and reconnect with yourself and nature. The pages showcase beautiful photography and inspiring tales of everyday Australians, who have chosen to live a life unhurried. Melding design, sustainability and travel, you'll find everything from off-grid shacks, luxurious glamping spots and rammed earth villas, to architecturally designed cabins of your dreams, water views and dreamy outdoor baths - all sure to stoke wanderlust for your next adventure or offer ideas for your own building or interior design plans. Peppered with tips to help you slow down, travel and live sustainably, this is the perfect gift for an interior design lover, traveller or someone passionate about sustainability and mindfulness.

Frank Lloyd Wright's Palmer house, built in Ann Arbor, Michigan, in the early 1950s, is one of Wright's last residential masterpieces. Working from extensive materials gathered by Ann and Leonard Eaton, and from his own fifty-two-year familiarity with the building, Grant Hildebrand crafts the story of Billy and Mary Palmer's extraordinary home. He presents in detail the events surrounding the Palmers' selection of Wright as architect; Wright's personal creation of the design; the challenges, and the craftsmanship, of its construction; the evolution of its garden and teahouse; the role of the house as a setting for the Palmers' lives; and an analysis of its remarkable formal and spatial qualities. With a rich compendium of personal information and an extensive array of photographs, plans, and diagrams created especially for this book, Frank Lloyd Wright's Palmer House offers a comprehensive exploration of a living work of art and an intimate portrait of the people who, having brought it into being, treasured its presence in their lives for half a century. Citing the particular synergies of architect and client, house and site, Hildebrand situates the heretofore little-known Palmer house within the context of Wright's overall oeuvre and presents a convincing argument for the inclusion of the Palmer house in the canon of the architect's finest residential designs.