Enter the magical realm of fairy tales with "The Brown Owl: A Fairy Story" by Ford H. Madox Hueffer. Prepare to be transported to a world of enchantment and wonder as you follow the captivating journey of The Brown Owl and her companions. But what if there's more to The Brown Owl's story than meets the eye? Join Hueffer as he unravels the mysteries of this magical creature and the fantastical realm she inhabits, weaving a tale that will capture the hearts and imaginations of readers young and old. Follow along as The Brown Owl embarks on a quest filled with peril and adventure, encountering friends and foes alike in her quest for truth and redemption. Hueffer's lyrical prose and vivid imagination bring to life a world where anything is possible and magic is just a whisper away. Yet, amidst the whimsy and wonder, a deeper message emerges: What lessons can we learn from The Brown Owl's journey? Prepare to reflect on themes of courage, friendship, and the power of belief as you delve into this timeless fairy story. Are you ready to embark on an unforgettable adventure with The Brown Owl? Prepare to be enchanted by the magic and mystery that awaits within the pages of Hueffer's captivating tale. Immerse yourself in the enchanting world of fairy tales as you journey through the pages of "The Brown Owl: A Fairy Story." This is more than just a book; it's a portal to a realm where dreams come true and anything is possible. Don't miss your chance to discover the wonders of The Brown Owl's world. Order your copy of "The Brown Owl: A Fairy Story" today and let your imagination take flight. Prepare to be spellbound by the charm and whimsy of "The Brown Owl: A Fairy Story" by Ford H. Madox Hueffer. Are you ready to spread your wings and soar into a world of magic and adventure?

ONCE upon a time, a long while ago—in fact long before Egypt had risen to power and before Rome or Greece had ever been heard of—and that was some time before you were born, you know—there was a king who reigned over a very large and powerful kingdom. Now this king was rather old, he had founded his kingdom himself, and he had reigned over it nine hundred and ninety-nine and a half years already. As I have said before, it was a very large kingdom, for it contained, among other things, the whole of the western half of the world. The rest of the world was divided into smaller kingdoms, and each kingdom was ruled over by separate princes, who, however, were none of them so old as Intafernes, as he was called.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This early work by Ford Madox Ford was originally published in 1892 and we are now republishing it with a brand new introduction. Ford Madox Ford was born Ford Madox Hueffer in Merton, Surrey, England on 17th December 1873. The creative arts ran in his family - Hueffer's grandfather, Ford Madox Brown, was a well-known painter, and his German emigre father was music critic of The Times - and after a brief dalliance with music composition, the young Hueffer began to write. Although Hueffer never attended university, during his early twenties he moved through many intellectual circles, and would later talk of the influence that the "Middle Victorian, tumultuously bearded Great" - men such as John Ruskin and Thomas Carlyle - exerted on him. In 1908, Hueffer founded the English Review, and over the next 15 months published Thomas Hardy, H. G. Wells, Joseph Conrad, Henry James, John Galsworthy and W. B. Yeats, and gave debuts to many authors, including D. H. Lawrence and Norman Douglas. Hueffer's editorship consolidated the classic canon of early modernist literature, and saw him earn a reputation as of one of the century's greatest literary editors. Ford's most famous work was his Parade's End tetralogy, which he completed in the 1920's and have now been adapted into a BBC television drama. Ford continued to write through the thirties, producing fiction, non-fiction, and two volumes of autobiography: Return to Yesterday (1931) and It was the Nightingale (1933). In his last years, he taught literature at the Olivet College in Michigan. Ford died on 26th June 1939 in Deauville, France, at the age of 65."

Owl can’t get to sleep in this Classic Board Book edition of Pat Hutchins’s beloved Good-Night, Owl! How is Owl supposed to sleep the day away with the bees buzzing, the woodpecker pecking, the doves cooing, and the squirrels crunching? But when night falls and everything is finally quiet, suddenly there’s a new sound—and it’s coming from Owl! From author-illustrator Pat Hutchins, this bedtime story with a surprise ending will send little ones off to sleep with a smile.

This critical evaluation of Ford Madox Ford's "novels of war, which are also novels about peace," is made in a most delightful manner. Based on a thorough knowledge of the novelist, it is enriched by keen perception and delicate taste and is couched in an informal, highly readable style. Ambrose Gordon, Jr., here analyzes seven novels by Ford that in Gordon's opinion constitute Ford's masterpieces: Parade's End (a tetralogy consisting of Some Do Not, No More Parades, A Man Could Stand Up, and The Last Post), The Marsden Case, No Enemy, and The Good Soldier. Interested in what these novels have to say, Gordon is equally interested in how they make their comment, and so approaches them through analysis of the fictional methods that Ford employed. Yet he skillfully avoids a common error of critics who become absorbed in technique—loss of contact with the book itself—by providing numerous quotations of sufficient length to indicate the novels' quality. These passages, examined in detail for content and technique, give the reader an understanding of the novel that, though not a substitute for one's own reading of the narratives, is enhanced by the interpretation of a brilliant critic. Gordon traces the development of the novelist's art in various phases: the characteristic moods and general patterns of his novels, his borrowings from the French, the effects of his association with Conrad, his concept of the novel as fairy tale, his use of scene exteriors and interiors. Gordon's discussion cuts across the seven novels in many aspects but concentrates on one novel, or a group of novels, when his ideas have less general illustration.

For students and readers new to the work of Ford Madox Ford, this volume provides a comprehensive introduction to one of the most complex, important and fascinating authors. Bringing together leading Ford scholars, the volume places Ford's work in the context of significant literary, artistic and historical events and movements. Individual essays consider Ford's theory of literary Impressionism and the impact of the First World War; illuminate The Good Soldier and Parade's End; engage with topics such as the city, gender, national identity and politics; discuss Ford as an autobiographer, poet, propagandist, sociologist, Edwardian and modernist; and show his importance as founding editor of the groundbreaking English Review and transatlantic review. The volume encourages detailed close reading of Ford's writing and illustrates the importance of engaging with secondary sources.