The Bronze God of Rhodes is written as the memoirs of Chares of Lindos. **** Chares of Lindos was a Greek sculptor born on the island of Rhodes. A pupil of Lysippos, Chares eventually built the Colossus of Rhodes, now considered to be one of the Seven Won

For the general public and specialists alike, the Hellenistic period (323–31 BC) and its diverse artistic legacy remain underexplored and not well understood. Yet it was a time when artists throughout the Mediterranean developed new forms, dynamic compositions, and graphic realism to meet new expressive goals, particularly in the realm of portraiture. Rare survivors from antiquity, large bronze statues are today often displayed in isolation, decontextualized as masterpieces of ancient art. Power and Pathos gathers together significant examples of bronze sculpture in order to highlight their varying styles, techniques, contexts, functions, and histories. As the first comprehensive volume on large-scale Hellenistic bronze statuary, this book includes groundbreaking archaeological, art-historical, and scientific essays offering new approaches to understanding ancient production and correctly identifying these remarkable pieces. Designed to become the standard reference for decades to come, the book emphasizes the unique role of bronze both as a medium of prestige and artistic innovation and as a material exceptionally suited for reproduction. Power and Pathos is published on the occasion of an exhibition on view at Palazzo Strozzi in Florence from March 14 to June 21, 2015; at the J. Paul Getty Museum from July 20 through November 1, 2015; and at the National Gallery of Art in Washington, DC, from December 6, 2015, through March 20, 2016.

An artistic analysis examining the appearance, the method of construction, and the location of the giant bronze statue of the sun god Helios on the island of Rhodes. Identified as one of the Seven Wonders of the Ancient World, the Colossus, of which nothing remains, is the Wonder about which the least is known. In a concise account, the author discusses the various theories put forward concerning the giant statue, and advances his own alternate theories so as to create a new picture of the Colossus. Soft-Cover. 6X9 inch Size. 100 Pages. 34,000 Words. 2 Sketch Maps. 21 Illustrations. Bibliography. First Edition. Copyright 2022.

An artistic analysis examining the appearance, the method of construction, and the location of the giant bronze statue of the sun god Helios on the island of Rhodes. Identified as one of the Seven Wonders of the Ancient World, the Colossus, of which nothing remains, is the Wonder about which the least is known. In a concise account, the various theories put forward concerning the giant statue are examined, and new theories are advanced to create an original vision of the Colossus. Hard-Cover. 6X9 Inch Size. 100 Pages. 34,000 Words. 2 Sketch Maps. 21 Illustrations. Bibliography. First Edition. Copyright 2022.

The book leads the reader through these vibrant stories, from the origins of the gods through to the homecomings of the Trojan heroes. All the familiar narratives are here, along with some less familiar characters and motifs. In addition to the tales, the book explains key issues arising from the narratives, and discusses the myths and their wider relevance. This long-overdue book crystallises three key areas of interest: the nature of the tales; the stories themselves; and how they have and might be interpreted. For the first time, it brings together aspects of Greek mythology only usually available in disparate forms - namely children's books and academic works. There will be much here that is interesting, surprising, and strange as well as familiar. Experts and non-experts, adults, students and schoolchildren alike will gain entertainment and insight from this fascinating and important volume.

The Macedonian Empire lasted only 36 years, beginning with Philip II's assumption of the throne in 359 B.C. and ending with the death of his son Alexander the Great in 323 B.C. In that span, the two leaders changed the map in the known world. Philip established new tactics that forever ended the highly stylized mode that had characterized Classic Greek warfare, and Alexander's superb leadership made the army an unstoppable force. This work first examines the 11 great armies and three great navies of the era, along with their operations and logistics. The primary focus is then on each campaign and significant battle fought by Philip or Alexander, detailing how the battles were fought, the tactics of the opposing armies, and how the Macedonians were able to triumph.

This book presents the first full length study in English of monumental bronzes in the Middle Ages. Taking as its point of departure the common medieval reception of bronze sculpture as living or animated, the study closely analyzes the practice of lost wax casting (cire perdue) in western Europe and explores the cultural responses to large scale bronzes in the Middle Ages. Starting with mining, smelting, and the production of alloys, and ending with automata, water clocks and fountains, the book uncovers networks of meaning around which bronze sculptures were produced and consumed. The book is a path-breaking contribution to the study of metalwork in the Middle Ages and to the re-evaluation of medieval art more broadly, presenting an understudied body of work to reconsider what the materials and techniques embodied in public monuments meant to the medieval spectator.