This is the first major attempt to view the break-up of Britain as a global phenomenon, incorporating peoples and cultures of all races and creeds that became embroiled in the liquidation of the British Empire in the decades after the Second World War. A team of leading historians are assembled here to view a familiar problem through an unfamiliar lens, ranging from India, to China, Southern Africa, Australia, New Zealand, the Falklands, Gibraltar and the United Kingdom itself. At a time when trace-elements of Greater Britain have resurfaced in British politics, animating the febrile polemics of Brexit, these essays offer a sober historical perspective. More than perhaps at any other time since the empire’s precipitate demise, it is imperative to gain a fresh purchase on the global challenges to British identities in the twentieth century.

Turning the conventional Break-Up of Britain narrative inside-out, this book scans the horizon of overseas projections of British identities that unravelled during the decades of global decolonisation

In this classic text, first published in 1977, Tom Nairn memorably depicts the 'slow foundering' of the United Kingdom on the rocks of imperial decline, constitutional anachronism and the gathering force of civic nationalism. Rich in comparisons between the nationalisms of the British Isles and those of the wider world, thoughtful in its treatment of the interaction between nationality and social class, The Break-Up of Britain concludes with a bravura essay on the Janus-faced nature of national identity. Postscripts from the Thatcher and Blair years trace the political strategies whose upshot accelerated the demise of a British state they were intended to serve. As a second Scottish independence referendum beckons, a new Introduction by Anthony Barnett underlines the book's enduring relevance.

A novel in essays that locates a “romance” within the mesh of electronic communication. So I didn't call you: instead I posted a new avatar of myself without my habitual dark glasses. I have learned: an image, any image, is a blind. All avatars give different information, illusions of contact called Telepresence, none of them the real thing. You texted me, 3 am, from some station … As though it made any difference. But it did. —from Break.up In this “novel in essays,” Joanna Walsh simultaneously flees and pursues an ambiguous partner in an affair conducted mostly online. Traversing Europe, she awaits emails and texts and PMs, awash in her dreams, offering succinct meditations on connection and communication. If Marguerite Duras situated the telephone as the twentieth century's preferred hopeless form of connection, Walsh pinpoints the nodal points of a “romance” within today's mesh of electronic communication. As Deborah Levy observed recently, “Joanna Walsh is fast becoming one of our most important writers.” Her 2015 book Hotel, an investigation of transience conducted through hotel reviews, was described by The Paris Review as “a slim, sharp meditation on hotels and desires. [Walsh is] funny throughout, even as she documents the dissolution of her marriage and the peculiar brand of alienation on offer in lavish places.” Praise for Joanna Walsh “Walsh's writing has intellectual rigor and bags of formal bravery.” —The Financial Times “Hotel feels like something you want to endlessly quote: sharp, knowing, casually erudite … there is power and an affecting gravitas in what Walsh does with detail.” —Sydney Review of Books “Walsh is a sublimely elegant writer … artful and intelligent.” —The New Statesman

A history of the relationship between Great Britain and the United States ranges from the establishment of the first English colony in the New World to the present day, examining both nations in terms of what connected them and what drove them apart.

We're used to hearing that we live in an age of unprecedented division, that the great storms that have engulfed British politics over the past ten years have driven us further apart than ever, with no hope of finding common ground. Penny Mordaunt and Chris Lewis disagree. In this lively and insightful book, they argue that although differences of opinion are a natural part of healthy political debate, some of our current division is caused by a need for political reform. A wave of scandals has corroded public confidence in leadership in all walks of life, fuelled by a hyper-individualistic social media landscape – but by rebuilding public trust we can restore national pride and positive, competent politics. Greater lays out a plan for post-Brexit Britain. Delving into our history, our institutions and our culture, it explains how we arrived at this point and how the British character points the way towards practical national missions. It explores Britain's role in the world and how to balance global and local priorities; makes the case for the United Kingdom based on the mutuality that binds us; and calls for modernising reform in politics, government and markets. It describes the role of social media in culture wars and calls for a relentless focus on aspiration and a social enterprise revolution. Above all, it reminds us of the many reasons we have to be optimistic.

'An eloquent, forensic examination of resurgent English nationalism as the force that has driven Brexit and may now break up the United Kingdom' Jonathan Coe 'A fascinating book that draws on poetry, literature and on-the-ground reporting' The Times 'A wonderful book which will be quoted in years to come' New European In the past, it was possible to live with delightful confusion: one could be English or British, Scottish or Irish, and a citizen/subject of the United Kingdom (or Great Britain). Now this archaic state is coming under terrible strain. The English revolt against Europe is also a revolt against the Scottish and Irish, and the pressures to declare Scottish independence and to push for a border poll that would unite Ireland may become irresistible. Can England and Wales find a way of dealing with the state's new place in the world? What constitutional, federal arrangements might prevent the disintegration of the British state? How Britain Ends is a book about history, but also about the strange, complicated identity of Britishness.

This new edition extends and brings up to date the story of political, economic, and social change among the British. An entirely new chapter covers the Thatcher years, discussing such events as the Falkland Island crisis and the General Election of 1983. Other sections have been revised to reflect information only recently available. Throughout, Havighurst has incorporated material from official documents, monographs, biographies, articles, and the press. His fascinating narrative fully captures the ongoing importance of change itself in shaping the character of Britain.

This book is the first major attempt to examine the cultural manifestations of the demise of imperialism as a social and political ideology in post-war Britain. Far from being a matter of indifference or resigned acceptance as is often suggested, the fall of the British Empire came as a profound shock to the British national imagination, and resonated widely in British popular culture. The sheer range of subjects discussed, from the satire boom of the 1960s to the worlds of sport and the arts, demonstrates how profoundly decolonisation was absorbed into the popular consciousness. Offers an extremely novel and provocative interpretation of post-war British cultural history, and opens up a whole new field of enquiry in the history of decolonisation.

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