After a series of complex heists, the Molder attracts the attention of Batman, who begins a manhunt to find the sculpting villain. The Molder gains the upper hand when he traps Batman in front of an oncoming train, however the Caped Crusader is saved by Plastic Man. The two heroes team up, and in spite of the fact that the Molder's weapons work against Plastic Man's abilities, the two heroes manage to trip up the crook enough for Batman to defeat him and turn him over to the police.

"THE AUTOBIOGRAPHY OF BRUCE WAYNE!" Travel back to 1955 and see the Batman of Earth-Two marry Catwoman!

Written by Marv Wolfman and David Hine Art by Phil Winslade and Doug Braithwaite Cover by Doug Braithwaite Don't miss the latest round of DCU team-ups from THE BRAVE AND THE BOLD #17-22! Green Lantern's in a tough situation as he finds himself teaming with the Phantom Stranger to aid a far-off world. Plus: Supergirl and Raven band together to save San Francisco from a new Super-Villain with deep roots in the DC Universe! Advance-solicited; on sale July 1 - 144 pg, FC, $17.99 US

When a train full of priceless artwork is replaced with forgeries by the Cannoner, Batman goes on a quest to find out who stole the priceless works, and enlists the aid of the Atom. The Cannoner, meanwhile, has tricked circus midget Lilli De La Pooche into taking a shrinking pill that shrinks her down to three inches and blackmails her into helping him stash the artwork until the heroes are thrown off.

"Originally published in The Brave and the Bold 1-5, 7-24 and Our Army at War 162-163"--T.p. verso.

The late ’60s marked the height of Batmania, when fans of the Batman television series and the comic books couldn’t get enough of the Caped Crusader. His appearances on covers meant higher sales, so it was decreed Batman would take up permanent residence in THE BRAVE AND THE BOLD. His courage was never questioned, and he fearlessly teamed up with the most daring partners from across the DC Universe at a time when such crossovers were rare. These groundbreaking stories featured some of Batman’s greatest team-ups with such legendary characters as Wonder Woman, the Flash, Deadman, Green Arrow, Green Lantern, the Teen Titans and others, all by some of the foremost comics talent of the Bronze Age—Neal Adams, Jim Aparo, Bob Haney, Dick Giordano and Dennis O’Neil, to name a few. BATMAN: THE BRAVE AND THE BOLD: THE BRONZE AGE OMNIBUS VOL. 1 collects the first stories of Batman’s epic run on the series—THE BRAVE AND THE BOLD #74-109—and includes a foreword by comics editor Robert Greenberger.

"A fiftieth anniversary celebration of The Greatest Batman Stories Ever Told, as written and drawn by many of the greatest writers and artists ever to grace the comic art medium!"--Page 4 of cover.

The exciting origins of the original Suicide Squad are revealed in this Silver Age comics tale SUICIDE SQUAD: THE SILVER AGE. When a large wave appears carrying an object capable of destroying anything in its path, the authorities try everything they can to stop it from making landfall. With all other options exhausted, the U.S. calls in their new team, Task Force X, led by Rick Flag! But what’s this? An island in the South Pacific inhabited entirely by giant dinosaurs? A line of brave soldiers is all that stands between civilization and their giant deadly claws. Can the Suicide Squad save humanity from these oversize monsters? Collects THE BRAVE AND THE BOLD #25-27 and #37-39 and STAR SPANGLED WAR STORIES #110-111, #116-121, #125 and #127-128.

JUNGLE COMICS #100The main character associated with the title is Kaanga. He appeared in every issue of Jungle Comics. When Kaanga was a child his parents died in the jungle and he was raised by apes. The reader never gets to know his real name or his ancestry, but the jungle is where Kaanga feels most at home. In the first issue Kaanga meets his mate Ann, who is a Jane clone, after he rescues her from a white slave trader named Bill Blackton. Ann then joins Kaanga in his jungle existence. After nearly ten years Kaanga was given his own title in Spring, 1949. This ran for 20 issues until the Summer of 1954. One of the reasons for the series demise was the formation of The Comics Code Authority, a self-regulatory body that was formed because of moral concerns about the contents of many of the comics of the time. As much of Fiction House's material involved images of scantily clad women they withdrew from the market. You can enjoy again - or for the first time - JUNGLE COMICS #100 with this public domain reprint from GOLDEN AGE REPRINTS. Check out the full line - new titles every week! The classic comic reprints from GOLDEN AGE REPRINTS and UP History and Hobby are reproduced from actual comics, and sometimes reflect the imperfection of books that are decades old. These books are constantly updated with the best version available - if you are EVER unhappy with the experience or quality of a book, return the book to us to exchange for another title or the upgrade as new files become available. For our complete classic comics library catalog contact [email protected] OR VISIT OUR WEB STORE AT www.goldenagereprints.com

What is War Comics After the end of World War II, the genre of comic books known as "war comics" began to acquire popularity in countries where English is the primary language. How you will benefit (I) Insights, and validations about the following topics: Chapter 1: War comics Chapter 2: Nick Fury Chapter 3: Joe Kubert Chapter 4: 1960s in comics Chapter 5: Sgt. Fury and his Howling Commandos Chapter 6: 1965 in comics Chapter 7: The Losers (comics) Chapter 8: Dick Ayers Chapter 9: Robert Kanigher Chapter 10: Gary Friedrich (II) Answering the public top questions about war comics. Who this book is for Professionals, undergraduate and graduate students, enthusiasts, hobbyists, and those who want to go beyond basic knowledge or information for any kind of War Comics.