This fascinating book takes a different look at Australia's all-time sporting hero, Sir Donald Bradman.

"Sport is such an important part of our national identity that is hardly possible that a sportsperson can come along and transcend the sport they play. But it does happen, every generation or so, someone comes along with skills so finely tuned, that they change the game they play and forever become synonymous with that sport. More than that, their skills and attitudes come to symbolise that sport. For millions of people in Australia and around the world The Don was Australian cricket. Sir Donald Bradman was, beyond any argument, the greatest batsman who ever lived and the greatest cricketer of the 20th century. In that time, his reputation not merely as a player but as an administrator, selector, sage and cricketing statesman only increased."--Provided by publisher.

Neville Cardus described how one majestic stroke-maker 'made music' and 'spread beauty' with his bat. Between two world wars, he became the laureate of cricket by doing the same with words. In The Great Romantic, award-winning author Duncan Hamilton demonstrates how Cardus changed sports journalism for ever. While popularising cricket - while appealing, in Cardus' words to people who 'didn't know a leg-break from the pavilion cat at Lord's'- he became a star in his own right with exquisite phrase-making, disdain for statistics and a penchant for literary and musical allusions. Among those who venerated Cardus were PG Wodehouse, John Arlott, Harold Pinter, JB Priestley and Don Bradman. However, behind the rhapsody in blue skies, green grass and colourful characters, this richly evocative biography finds that Cardus' mother was a prostitute, he never knew his father and he received negligible education. Infatuations with younger women ran parallel to a decidedly unromantic marriage. And, astonishingly, the supreme stylist's aversion to factual accuracy led to his reporting on matches he never attended. Yet Cardus also belied his impoverished origins to prosper in a second class-conscious profession, becoming a music critic of international renown. The Great Romantic uncovers the dark enigma within a golden age.

Since he died there have been many books about Sir Don Bradman, easily the greatest batsman there has ever been.He finished with a Test batting average of 99.94 more than 30 runs per innings ahead of the rest as Australia dominated world cricket in the ’30s and ’40s.But this Bradman book is different from all the others. There are 240 pages of the paintings of him by Brian Clinton that hang in Bradman’s official museum at Bowral, his home ground.The text is by Museum Director Richard Mulvaney with a foreword by Richie Benaud, the former Australian captain and master commentator.Handsomely bound in green leather with gold lettering this Bradman book will be treasured as a work of art in itself.

A classic reprint which no young cricketer should be without. Also a release for those who are cricket memorabilia fanatics.Here is the art of cricket by one of the greatest in the game, the acknowledged master. In this reprint of a classic, all of The Don?s essential instruction is provided in clear and concise detail in his delightful writing style. It includes the original stop-motion photographs which show the strokes and positions of Bradman?s own game. With his passion for the game, Don Bradman was keen to pass on his knowledge of cricket to the younger generation. How to Play Cricket includes instruction on batting, grip and the different strokes, bowling, fielding and running between wickets. This book is a look at classic cricket technique which includes the ?newly introduced? lbw rule.

This Compendium gives an outline of the historical, philosophical and ethical aspects of the return of cultural objects (e.g. cultural objects displaced during war or in colonial contexts), cites past and present cases (Maya Temple Facade, Nigerian Bronzes, United States of America v. Schultz, Parthenon Marbles and many more) and analyses legal issues (bona fide, relevant UNESCO and UNIDROIT Conventions, Supreme Court Decisions, procedure for requests etc.). It is a landmark publication that bears testament to the ways in which peoples have lost their entire cultural heritage and analyses the issue of its return and restitution by providing a wide range of perspectives on this subject. Essential reading for students, specialists, scholars and decision-makers as well as those interested in these topics.

This book explores how cricket in South Africa was shaped by society and society by cricket. It demonstrates the centrality of cricket in the evolving relationship between culture, sport and politics starting with South Africa as the beating heart of the imperial project and ending with the country as an international pariah. The contributors explore the tensions between fragmentation and unity, on and off the pitch, in the context of the racist ideology of empire, its ‘arrested development’ and the reliance of South Africa on a racially based exploitative labour system. This edited collection uncovers the hidden history of cricket, society, and empire in defining a multiplicity of South African identities, and recognises the achievements of forgotten players and their impact.