A young boy from a nomadic tribe follows the gazelle that has been his nurse, and together they join a gazelle herd in the desert.

As mesmerizing as a tale from the lips of Sheherazade, Gazelle traces the story of Elizabeth, a thirteen-year-old American girl whose adolescent passion is awakened in the exotic climate of 1950s Cairo. While her mother–whose beauty and sexual prowess both frighten and fascinate Elizabeth–moves into a hotel to pursue a string of lovers, her father, a historian, loses himself in a world of chess and toy soldiers. Elizabeth’s imagination, primed by an explicit edition of The Arabian Nights, leads her to fantasies about her father’s friend, a gentle, older man named Ramses Ragab, a perfume maker who visits their house regularly to play games of war and who opens her up to the mystery of hieroglyphics and the art of exotic scents.

Gilbert Tuhabonye is a survivor. More than ten years ago, he lay buried under a pile of burning bodies. The centuries–old battle between Hutu and Tutsi tribes had come to Gilbert's school. Fueled by hatred, the Hutus forced more than a hundred Tutsi children and teachers into a small room and used machetes to beat most of them to death. The unfortunate ones who survived the beating were doused with gasoline and set on fire. After hiding under burning bodies for over eight hours, Gilbert heard a voice inside saying, "You will be all right; you will survive." He knows it was God speaking to him. Gilbert was the lone survivor of the genocide, and thanks his enduring faith in God for his survival. Today, having forgiven his enemies and moved forward with his life, he is a world–class athlete, running coach and celebrity in his new hometown of Austin, Texas. The road to this point has been a tough one, but Gilbert uses his survival instincts to spur him on to the goal of qualifying for the 2008 Olympic Summer Games. THIS VOICE IN MY HEART will portray not only the horrific event itself, but will be a catalyst for people to understand real forgiveness and the gift of faith in God.

Reema runs to remember the life she left behind in Syria. Caylin runs to find what she's lost. Under the grey Glasgow skies, twelve-year-old refugee Reema is struggling to find her place in a new country, with a new language and without her brother. But she isn't the only one feeling lost. Her Glasgwegian neighbour Caylin is lonely and lashing out. When they discover an injured fox and her cubs hiding on their estate, the girls form a wary friendship. And they are more alike than they could have imagined: they both love to run. As Reema and Caylin learn to believe again, in themselves and in others, they find friendship, freedom and the discovery that home isn’t a place, it’s the people you love. Heartfelt and full of hope, The Fox Girl and the White Gazelle is an uplifting story about the power of friendship and belonging. Inspired by her work with young asylum seekers, debut novelist Victoria Williamson's stunning story of displacement and discovery will speak to anyone who has ever asked 'where do I belong?'

Extraterrestrial Altruism examines a basic assumption of the Search for Extraterrestrial Intelligence (SETI): that extraterrestrials will be transmitting messages to us for our benefit. This question of whether extraterrestrials will be altruistic has become increasingly important in recent years as SETI scientists have begun contemplating transmissions from Earth to make contact. Technological civilizations that transmit signals for the benefit of others, but with no immediate gain for themselves, certainly seem to be altruistic. But does this make biological sense? Should we expect altruism to evolve throughout the cosmos, or is this only wishful thinking? Is it dangerous to send messages to other worlds, as Stephen Hawking has suggested, or might humankind benefit from an exchange with intelligence elsewhere in the galaxy? Would extraterrestrial societies be based on different ethical principles, or would we see commonalities with Earthly notions of morality? Extraterrestrial Altruism explores these and related questions about the motivations of civilizations beyond Earth, providing new insights that are critical for SETI. Chapters are authored by leading scholars from diverse disciplines—anthropology, astronomy, biology, chemistry, computer science, cosmology, engineering, history of science, law, philosophy, psychology, public policy, and sociology. The book is carefully edited by Douglas Vakoch, Director of Interstellar Message Composition at the SETI Institute and professor of clinical psychology at the California Institute of Integral Studies. The Foreword is by Frank Drake. This interdisciplinary book will benefit everybody trying to understand whether evolution and ethics are unique to Earth, or whether they are built into the fabric of the universe.

There is evil in the swamp-the place where spirits dwell. Everyone in Titicut Township knew Carl Jenkins suffered from paranoid delusions, but what truly haunted him was far darker in nature. Whatever the small-town talk, only Carl and the shadow force of keepers (headed by Chief of Police, Elias Hicks) knew the truth. When outsider and city reporter, Don Williams, arrives to investigate a 1973 cold case involving Carl Jenkins and the disappearance of three men, Hicks knew time was running out. The secret order he swore to protect was under threat of exposure. As chief of police and head of The Keepers, his charge was two-fold: appease the warring spirits in the realm of the dead and protect the faithful against God's adversary. Hicks ordered Titicut locked down and called a meeting beneath the old meeting house, but something went wrong. It was the first time in the order's dark history a member would violate their oath of secrecy placing all within the township at risk. What only Hicks and the order knew is there were some secrets so grave, that if ever unearthed, not even God himself could save them.

Each of the twenty-two tales in this enchanting collection is a surprise and a delight, melding the poignant and the possible with the outrageous, the magical, and, sometimes, the eerily haunting. Wolf men, dolphin women, defiant old ladies, and middle-aged manufacturers of erotic leatherwear -- in Jigs & Reels the miraculous goes hand in hand with the mundane, the sour with the sweet, and the beautiful, the grotesque, the seductive, and the disturbing are never more than one step away. Whether she's exploring the myth of beauty, the pain of infidelity, or the wonder of late-life romance, Joanne Harris once again proves herself a master of the storyteller's trade.