According to the law of attraction, women and men can't be friends. Contrary to this myth, my friendship with Coriander Phillips does not rest on unrequited love or un-actualized lust. We've been inseparable since the day I pulled one of her pigtails and she punched me in the gut. She's hilarious, fun to hang out with. Together, we're like peanut butter and jelly, spaghetti and meatballs, wings and beer. A match made in heaven. She's the bomb. Did I mention she's smokin' hot? I've checked her out...maybe once or twice. Hey, I'm a guy. Seriously, no awkwardness, no secret yearning for our relationship to escalate beyond the purely platonic. I'm the boy friend-the loyal shoulder she cries on, the dispenser of coffee, sympathy, hugs, advice, and affection with no expectations. Until the invisible line between friends and lovers became blurry. Now I want more. I want her. All I have to do is convince her we can be more than friends. Right? If only it were that easy.

From E. Lockhart, author of the highly acclaimed, New York Times bestseller We Were Liars, which John Green called "utterly unforgettable," comes The Boyfriend List, the first book in the uproarious and heartwarming Ruby Oliver novels. Ruby Oliver is 15 and has a shrink. She knows it’s unusual, but give her a break—she’s had a rough 10 days. In the past 10 days she: lost her boyfriend (#13 on the list), lost her best friend (Kim), lost all her other friends (Nora, Cricket), did something suspicious with a boy (#10), did something advanced with a boy (#15), had an argument with a boy (#14), drank her first beer (someone handed it to her), got caught by her mom (ag!), had a panic attack (scary), lost a lacrosse game (she’s the goalie), failed a math test (she’ll make it up), hurt Meghan’s feelings (even though they aren’t really friends), became a social outcast (no one to sit with at lunch) and had graffiti written about her in the girls’ bathroom (who knows what was in the boys’!?!). But don’t worry—Ruby lives to tell the tale. And make more lists.

When her crush graduates, Stella sets out to have every typical high school experience, starting with finding a boyfriend by Christmas.

He's too hot for words.MiaAlex Lawson might as well be the hottest book boyfriend imaginable. A fun, romantic, possessive, panty-melting man. And the best part? He's real. For a girl like me-a slightly awkward book addict-Alex is a dream come true, straight off the pages of my favorite romance novels. But our story is turning into a whirlwind romance-the kind that only exists in books. Are we heading toward our own happily ever after? Or is he too good to be true?AlexHere's the thing: I'm not a bad guy. Lying to Mia wasn't part of the plan. Finding success as a romance author using a female pen name wasn't part of the plan either. But sometimes life takes unexpected turns.Like realizing the woman you're falling for is your alter-ego's online best friend.Online, she thinks I'm a woman named Lexi. In person, she knows I'm all man. I want to worship her body and claim every inch of her. But if she discovers my secret, I could lose everything.***Book Boyfriend is a stand alone romance with a guaranteed to make you swoon HEA. It contains mature language and content and is intended for a mature audience. Fair warning, ladies-Alex will melt your panties off, so have an extra pair on hand before you one click.***

To All the Boys I’ve Loved Before meets The Farewell in this incisive romantic comedy about a college student who hires a fake boyfriend to appease her traditional Taiwanese parents, to disastrous results, from the acclaimed author of American Panda. Chloe Wang is nervous to introduce her parents to her boyfriend, because the truth is, she hasn’t met him yet either. She hired him from Rent for Your ’Rents, a company specializing in providing fake boyfriends trained to impress even the most traditional Asian parents. Drew Chan’s passion is art, but after his parents cut him off for dropping out of college to pursue his dreams, he became a Rent for Your ’Rents employee to keep a roof over his head. Luckily, learning protocols like “Type C parents prefer quiet, kind, zero-PDA gestures” comes naturally to him. When Chloe rents Drew, the mission is simple: convince her parents fake Drew is worthy of their approval so they’ll stop pressuring her to accept a proposal from Hongbo, the wealthiest (and slimiest) young bachelor in their tight-knit Asian American community. But when Chloe starts to fall for the real Drew—who, unlike his fake persona, is definitely not ’rent-worthy—her carefully curated life begins to unravel. Can she figure out what she wants before she loses everything?

From E. Lockhart, author of the highly acclaimed, New York Times bestseller We Were Liars, which John Green called "utterly unforgettable," comes The Boy Book, the second book in the uproarious and heartwarming Ruby Oliver novels. Here is how things stand at the beginning of newly-licensed driver Ruby Oliver's junior year at Tate Prep: • Kim: Not speaking. But far away in Tokyo. • Cricket: Not speaking. • Nora: Speaking--sort of. Chatted a couple times this summer when they bumped into each other outside of school--once shopping in the U District, and once in the Elliot Bay Bookstore. But she hadn't called Ruby, or anything. • Noel: Didn't care what anyone thinks. • Meghan: Didn't have any other friends. • Dr. Z: Speaking. • And Jackson. The big one. Not speaking. But, by Winter Break, a new job, an unlikely but satisfying friend combo, additional entries to The Boy Book and many difficult decisions help Ruby to see that there is, indeed, life outside the Tate Universe.

A sexy new brother's best friend romance from New York Times bestselling author Kendall Ryan. I’m not boyfriend material. If a trail of broken hearts and a piss-poor record of failed relationships have taught me anything, it’s this. My buddies are happy to give me shit about my latest breakup from here to next Sunday. Thanks, but I’d rather have a root canal. And a vasectomy. At the same time. Relief comes in an unlikely package—the gorgeous and feisty Maren. She just so happens to be my best friend’s sister, so that’s not awkward at all. But I’m a man on a mission, and Maren is down to teach me all the ways I’ve been failing as a boyfriend. Apparently, there are many. And it’s all very informative—until I start to catch feelings. Now it’s not just my reputation on the line, but my heart too. Q&A about the Frisky Business Series: Q: Are these new characters? A:Yes! Hayes and Maren are brand new characters you’ve never met and I can’t wait to introduce you. Q:Is this part of a series? A: This is book 1 in a new series about a group of male best friends who own an adult toy company. Get ready for lots of shenanigans, feels, and a swoonworthy bromance. Each book can be read as a standalone.

Winner of the 2022 Lambda Literary Award in Gay Fiction. A New York Times Book Review Editors' Choice. Longlisted for the 2022 Mark Twain American Voice in Literature Award and the 2021 Brooklyn Public Library Literary Prize. One of Buzzfeed's Best LGBTQ+ Books of 2021, NBC's 10 Most Notable LGBTQ Books of 2021, and Pink News' Best LGBTQ Books of 2021. "This hurricane of delirious, lonely, lewd tales is a taxonomy and grand unified theory of the boyfriend, in every tense." —Parul Sehgal, The New York Times "I loved this book—raunchy, irreverent, deliberate, sexy, angry, and tender, in its own way." —Roxane Gay An irrerverent, sensitive, and inimitable look at gay dysfunction through the eyes of a cult hero Transgressive, foulmouthed, and brutally funny, Brontez Purnell’s 100 Boyfriends is a revelatory spiral into the imperfect lives of queer men desperately fighting the urge to self-sabotage. As they tiptoe through minefields of romantic, substance-fueled misadventure—from dirty warehouses and gentrified bars in Oakland to desolate farm towns in Alabama—Purnell’s characters strive for belonging in a world that dismisses them for being Black, broke, and queer. In spite of it—or perhaps because of it—they shine. Armed with a deadpan wit, Purnell finds humor in even the darkest of nadirs with the peerless zeal, insight, and horniness of a gay punk messiah. Together, the slice-of-life tales that writhe within 100 Boyfriends are an inimitable tour of an unexposed queer underbelly. Holding them together is the vision of an iconoclastic storyteller, as fearless as he is human.

This book situates the production of The Boy Friend and the Players' Theatre in the context of a post-war London and reads The Boy Friend, and Wilson's later work, as exercises in contemporary camp. It argues for Wilson as a significant and transitional figure both for musical theatre and for modes of homosexuality in the context of the pre-Wolfenden 1950s. Sandy Wilson's The Boy Friend is one of the most successful British musicals ever written. First produced at the Players' Theatre Club in London in 1953 it transferred to the West End and Broadway, making a star out of Julie Andrews and gave Twiggy a leading role in Ken Russell's 1971 film adaptation. Despite this success, little is known about Wilson, a gay writer working in Britain in the 1950s at a time when homosexuality was illegal. Drawing on original research assembled from the Wilson archives at the Harry Ransom Center, this is the first critical study of Wilson as a key figure of 1950s British theatre. Beginning with the often overlooked context of the Players' Theatre Club through to Wilson's relationship to industry figures such as Binkie Beaumont, Noël Coward and Ivor Novello, this study explores the work in the broader history of Soho gay culture. As well as a critical perspective on The Boy Friend, later works such as Divorce Me, Darling!, The Buccaneer and Valmouth are examined as well as uncompleted musical versions of Pygmalion and Goodbye to Berlin to give a comprehensive and original perspective on one of British theatre's most celebrated yet overlooked talents.