Excerpt from The Boy Apprenticed to an Enchanter As for the youth who had tried to steal the white horse that the King owned, he was bound hand and foot and taken into the castle of the King. There he was thrown down beside the trestles of the great table, and the hot wax from the candles that lighted the supper board dripped down upon him. And it was told to him that at the morrow's sunrise he would be slain with the sword. Then the King called upon one to finish the story that was being told when the neigh of the white horse was heard in the stable. The story could not be finished for him, however, because the one who had been telling it was now outside, guarding the iron door of the stable with a sword in his hand. And King Manus, sitting at the supper board, could not eat nor refresh himself because there was no one at hand to finish the story for him. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

In Padraic Colum's captivating tale 'The Boy Apprenticed to an Enchanter', readers are transported to a world filled with magic and enchantment. Written in a vivid and evocative style, Colum weaves a compelling narrative that immerses the reader in the adventures of a young boy who becomes an apprentice to a powerful sorcerer. The book is rich in fantastical imagery and fantastical creatures, drawing on Celtic folklore and mythology to create a mystical atmosphere that will enchant readers of all ages. Padraic Colum, a renowned Irish poet and writer, drew on his deep knowledge of Celtic mythology and folklore to create this enchanting tale. His background in Irish literature is evident in the lyrical prose and rich storytelling that make 'The Boy Apprenticed to an Enchanter' a classic of children's literature. Colum's own fascination with magic and myth shines through in the intricate world-building and spellbinding narrative. I highly recommend 'The Boy Apprenticed to an Enchanter' to anyone who enjoys fantasy literature and tales of magic and adventure. Padraic Colum's masterful storytelling and deep connection to Irish folklore make this book a must-read for those who appreciate the power of imagination and the enchantment of a well-crafted story.

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Once upon a time all literature was fantasy, set in a mythical past when magic existed, animals talked, and the gods took an active hand in earthly affairs. As the mythical past was displaced in Western estimation by the historical past and novelists became increasingly preoccupied with the present, fantasy was temporarily marginalized until the late 20th century, when it enjoyed a spectacular resurgence in every stratum of the literary marketplace. Stableford provides an invaluable guide to this sequence of events and to the current state of the field. The chronology tracks the evolution of fantasy from the origins of literature to the 21st century. The introduction explains the nature of the impulses creating and shaping fantasy literature, the problems of its definition and the reasons for its changing historical fortunes. The dictionary includes cross-referenced entries on more than 700 authors, ranging across the entire historical spectrum, while more than 200 other entries describe the fantasy subgenres, key images in fantasy literature, technical terms used in fantasy criticism, and the intimately convoluted relationship between literary fantasies, scholarly fantasies, and lifestyle fantasies. The book concludes with an extensive bibliography that ranges from general textbooks and specialized accounts of the history and scholarship of fantasy literature, through bibliographies and accounts of the fantasy literature of different nations, to individual author studies and useful websites.

Fantasy is a genre in motion, gradually expanding its reach and historical sources to embrace a global identity Historical Dictionary of Fantasy Literature, Second Edition is a snapshot of the genre in this moment, identifying new themes and sources that are emerging to inspire, enhance and invigorate the published works of fantasy writers.

Chronicles the adventures of the King of Ireland's eldest and wildest son, describing how he encounters an enchanter's daughter, the king of the cats, Gilly of the goat-skin, and numerous others.

Cindy Mediavilla annotates over 200 Arthurian novels, specifically focusing upon literature appropriate for young adults. Each entry is assigned an appropriate reading level and contains a detailed description of the book's plot. An index of titles, authors, characters, and specific themes is appended. The intended audience is young adult readers, grades six through high school, and the youth services professionals who serve them.