Sources include narrative histories, travelers' accounts and diaries; urban descriptions and analyses; letters, newspaper and magazine articles; interviews and surveys; oral histories; official narrative, statistical reports and legislation; political oratory; fiction, poetry, music, urban planning, architecture, and the visual arts."--BOOK JACKET.

The forgotten crime of England's greatest hero, Nelson, in the midst of his affair with Lady Hamilton.

Fighting to reclaim the French crown for the Bourbons, the duchesse de Berry faces betrayal at the hands of one of her closest advisors in this dramatic history of power and revolution. The year was 1832, a cholera pandemic raged, and the French royal family was in exile, driven out by yet another revolution. From a drafty Scottish castle, the duchesse de Berry -- the mother of the eleven-year-old heir to the throne -- hatched a plot to restore the Bourbon dynasty. For months, she commanded a guerilla army and evaded capture by disguising herself as a man. But soon she was betrayed by her trusted advisor, Simon Deutz, the son of France's Chief Rabbi. The betrayal became a cause célèbre for Bourbon loyalists and ignited a firestorm of hate against France's Jews. By blaming an entire people for the actions of a single man, the duchess's supporters set the terms for the century of antisemitism that followed. Brimming with intrigue and lush detail, The Betrayal of the Duchess is the riveting story of a high-spirited woman, the charming but volatile young man who double-crossed her, and the birth of one of the modern world's most deadly forms of hatred. !--EndFragment--

In Ancient Marbles in Naples in the Eighteenth Century Eloisa Dodero aims at documenting the history of numerous private collections formed in Naples during the 18th century, with particular concern for the “Neapolitan marbles” and the circumstances of their dispersal. Research has thus made it possible to formulate a synthesis of the collecting dynamics of Naples in the 18th century, to define the interest of the great European collectors, especially British, in the antiquities of the city and its territory and to draw up a catalogue which for the first time brings together the nucleus of sculptures reported in the Neapolitan collections or coming from irregular excavations, most of which shared the destiny of dispersal, in some cases here traced in definitive fashion.

It is a city of seemingly irreconcilable opposites, simultaneously glorious and ghastly. And it is Ben Taylor’s remarkable ability to meld these contradictions into a whole that makes this the exciting and original book it is. He takes his stroll around the bay with the acute sensitivity of a lover, the good humor of a friend, and the wisdom of a seeker who has immersed himself in all aspects of this contrapuntal culture. His curiosity leads him to many byways, both real and metaphoric, and his passion for this ancient city and its people becomes, in his graceful prose and amusing anecdotes, irresistibly contagious.