The riveting story of a museum director caught in a web of local and international intrigue while secretly pursuing a forgotten Renaissance painting-the Boston Raphael. On the eve of its centennial celebrations in 1969, the Boston MFA announced the acquisition of an unknown and uncatalogued painting attributed to Raphael. Boston's coup made headlines around the world. Soon, an Italian art sleuth began investigating the painting's export from Italy, challenging the museum's ownership. Simultaneously, experts on both sides of the Atlantic lined up to debate its very authenticity. The museums charismatic director, Perry T. Rathbone, faced the most challenging crossroads of his career. The Boston Raphael was a media sensation in its time, but the full story of the forces that converged on the museum and how they intersected with the challenges of the Sixties is now revealed in full detail by the director's daughter.

How ordinary people went from resistance to revolution: “[A] concise, lively narrative . . . the authors expertly build tension.” —Publishers Weekly Americans know about the Boston Tea Party and “the shot heard ’round the world,” but sixteen months divided these two iconic events, a period that has nearly been lost to history. The Spirit of ’74 fills in this gap in our nation’s founding narrative, showing how in these mislaid months, step by step, real people made a revolution. After the Tea Party, Parliament not only shut down a port but also revoked the sacred Massachusetts charter. Completely disenfranchised, citizens rose up as a body and cast off British rule everywhere except in Boston, where British forces were stationed. A “Spirit of ’74” initiated the American Revolution, much as the better-known “Spirit of ’76” sparked independence. Redcoats marched on Lexington and Concord to take back a lost province, but they encountered Massachusetts militiamen who had trained for months to protect the revolution they had already made. The Spirit of ’74 places our founding moment in a rich new historical context, both changing and deepening its meaning for all Americans.

First published ten years ago, award-winning historian Ray Raphael’s Founding Myths has since established itself as a landmark of historical myth-busting. With the author’s trademark wit and flair, Founding Myths exposes the errors and inventions in America’s most cherished tales, from Paul Revere’s famous ride to Patrick Henry’s “Liberty or Death” speech. For the seventy thousand readers who have been captivated by Raphael’s eye-opening accounts, history has never been the same. In this revised tenth-anniversary edition, Raphael revisits the original myths and explores their further evolution over the past decade, uncovering new stories and peeling back additional layers of misinformation. This new edition also examines the highly politicized debates over America’s past, as well as how school textbooks and popular histories often reinforce rather than correct historical mistakes. A book that “explores the truth behind the stories of the making of our nation” (National Public Radio), this revised edition of Founding Myths will be a welcome resource for anyone seeking to separate historical fact from fiction.

Delightful reproductions of antique paper dolls. 7 figures, 26 costumes, including outfits for such fairy tale favorites as Cinderella, Prince Charming, Little Bo Peep, others.

Another Fabulous Art History Thriller by the Bestselling Author of Oil and Marble, Featuring the Master of Renaissance Perfection: Raphael! Michelangelo’s Sistine Chapel ceiling is one of the most iconic masterpieces of the Renaissance. Here, in Raphael, Painter in Rome, Storey tells of its creation as never before: through the eyes of Michelangelo’s fiercest rival—the young, beautiful, brilliant painter of perfection, Raphael. Orphaned at age eleven, Raphael is determined to keep the deathbed promise he made to his father: become the greatest artist in history. But to be the best, he must beat the best, the legendary sculptor of the David, Michelangelo Buonarroti. When Pope Julius II calls both artists down to Rome, they are pitted against each other: Michelangelo painting the Sistine Ceiling, while Raphael decorates the pope's private apartments. As Raphael strives toward perfection in paint, he battles internal demons: his desperate ambition, crippling fear of imperfection, and unshakable loneliness. Along the way, he conspires with cardinals, scrambles through the ruins of ancient Rome, and falls in love with a baker’s-daughter-turned-prostitute who becomes his muse. With its gorgeous writing, rich settings, endearing characters, and riveting plot, Raphael, Painter in Rome brings to vivid life these two Renaissance masters going head to head in the deadly halls of the Vatican.

In an eye-opening look at the history of America's revolutionary struggle, the author of A People's History of the American Revolution describes how, in the years prior to the Battle of Lexington and Concord, local people took the British authority to declare themselves free from colonial oppression. 10,000 first printing.

Walker Evans's haunting images of Southern sharecroppers in Let Us Now Praise Famous Men were as revolutionary in their time as James Agee's text, and are now deeply ingrained in the American consciousness. In the first full biography of this intriguing and enigmatic artist, a leading authority on Evans looks beyond the anonymity of his work to reveal the obsessions behind it.

The dramatic and penetrating story of the political maneuverings and personalities behind the creation of the office of the president, with ramifications that continue to this day. For the first time, by focusing closely on the dynamic give-and-take at the Constitutional Convention, Ray Raphael reveals how politics and personalities cobbled together a lasting, but flawed, executive office. Remarkably, the hero of this saga is Gouverneur Morris, a flamboyant, peg-legged delegate who pushed through his agenda with amazing political savvy, and not a little deceit. Without Morris’s perseverance, a much weaker American president would be appointed by Congress, serve for seven years, could not be reelected, and have his powers tightly constrained. Charting the presidency as it evolved during the administrations of Washington, Adams, and Jefferson, Raphael shows how, given the Constitution’s broad outlines, the president’s powers could easily be augmented but rarely diminished. Today we see the result—an office that has become more sweeping, more powerful, and more inherently partisan than the framers ever intended. And the issues of 1787—whether the Electoral College, the president’s war powers, or the extent of executive authority—continue to stir our political debates.

In this border-hopping anthology of travel memoir and fiction, every trip is a big one, as an advance guard of adventurous writers--both seasoned names and fresh voices--scatter across the globe, face the pure euphoria and sheer anxiety of travel, and survive a lot of very fast living.