In this delightful, funny, and moving first novel, a librarian and a young boy obsessed with reading take to the road. Lucy Hull, a young children's librarian in Hannibal, Missouri, finds herself both a kidnapper and kidnapped when her favorite patron, ten- year-old Ian Drake, runs away from home. The precocious Ian is addicted to reading, but needs Lucy's help to smuggle books past his overbearing mother, who has enrolled Ian in weekly antigay classes with celebrity Pastor Bob. Lucy stumbles into a moral dilemma when she finds Ian camped out in the library after hours with a knapsack of provisions and an escape plan. Desperate to save him from Pastor Bob and the Drakes, Lucy allows herself to be hijacked by Ian. The odd pair embarks on a crazy road trip from Missouri to Vermont, with ferrets, an inconvenient boyfriend, and upsetting family history thrown in their path. But is it just Ian who is running away? Who is the man who seems to be on their tail? And should Lucy be trying to save a boy from his own parents?

The story of a family of miniature people who live in a quiet, out-of-the-way country house and who tried never to be seen by human beings.

On the day they first meet in a city playground, Deborah Laidlaw lends Toby Ruben a book called Trolley Girl, the memoir of a forgotten trolley strike in the 1920s, written by the sister of a fiery Jewish revolutionary who played an important, ultimately tragic role in the events. Young mothers with babies, Toby and Deborah become instant friends. It is a relationship that will endure for decades—through the vagaries of marriage, career, and child-rearing, through heated discussions of politics, ethics, and life—until an insurmountable argument takes the two women down divergent paths. But in the aftermath of crisis and sorrow, it is a borrowed book, long set aside and forgotten, that will unite Toby and Deborah once again.

What the loans and defaults of a sixteenth-century Spanish king can tell us about sovereign debt today Why do lenders time and again loan money to sovereign borrowers who promptly go bankrupt? When can this type of lending work? As the United States and many European nations struggle with mountains of debt, historical precedents can offer valuable insights. Lending to the Borrower from Hell looks at one famous case—the debts and defaults of Philip II of Spain. Ruling over one of the largest and most powerful empires in history, King Philip defaulted four times. Yet he never lost access to capital markets and could borrow again within a year or two of each default. Exploring the shrewd reasoning of the lenders who continued to offer money, Mauricio Drelichman and Hans-Joachim Voth analyze the lessons from this important historical example. Using detailed new evidence collected from sixteenth-century archives, Drelichman and Voth examine the incentives and returns of lenders. They provide powerful evidence that in the right situations, lenders not only survive despite defaults—they thrive. Drelichman and Voth also demonstrate that debt markets cope well, despite massive fluctuations in expenditure and revenue, when lending functions like insurance. The authors unearth unique sixteenth-century loan contracts that offered highly effective risk sharing between the king and his lenders, with payment obligations reduced in bad times. A fascinating story of finance and empire, Lending to the Borrower from Hell offers an intelligent model for keeping economies safe in times of sovereign debt crises and defaults.

Escaping from an attic where they had been held captive over the long, dark winter, a family of tiny people sets up house in an old rectory. Copyright © Libri GmbH. All rights reserved.

A new heroine from the creator of the internationally bestselling Amelia Peabody series A missing masterwork in wood, the last creation of a master carver who died in the violent tumult of sixteenth century Germany, may be hidden in the medieval castle in the town of Rothenburg. The prize has called to Vicky Bliss, drawing her and an arrogant male colleague into the forbidding citadel and its dark secrets. But the treasure hunt soon turns deadly. Here, where the blood of the long forgotten stains ancient stones, Vicky must face two perilous possibilities: either a powerful supernatural evil inhabits the place... or someone frighteningly real is willing to kill for what Vicky is determined to find.

Imprisoned in an attic by a greedy couple who want to use them as performers, the Borrowers escape by balloon.

“The Borrowers Afield is beautifully written and engrossing, even suspenseful . . . like the best of children’s books, this is really a book for all ages.” —Tor.com Driven out of their cozy house by the rat catcher, the Borrowers find themselves homeless. Worse, they are lost and alone in a frightening new world: the outdoors. Nearly everything outside—cows, moths, field mice, cold weather—is a life-threatening danger for the tiny Borrowers. But as they bravely journey across country in search of a new home and learn how to survive in the wild, Pod, Homily, and their daughter, Arrietty, discover that the world beyond their old home has more joy, drama, and people than they’d ever imagined. An ALA Notable Book “Readers who found Mary Norton’s The Borrowers just about perfect may approach this one with the nervous premonition that it couldn’t possibly be as good. It is, though—and in some ways even better.” —The New York Times Book Review “This book, like its predecessor, is a lovely thing . . . The Borrowers are fascinating not just because they are tiny creatures in a large world, but because they are people.” —The Horn Book “Mary Norton is a genius.” —Mademoiselle

The acclaimed author of The Borrower returns with a dazzlingly original, mordantly witty novel about the secrets of an old-money family and their turn-of-the-century estate, Laurelfield. “Rebecca Makkai is a writer to watch, as sneakily ambitious as she is unpretentious." –Richard Russo Meet the Devohrs: Zee, a Marxist literary scholar who detests her parents’ wealth but nevertheless finds herself living in their carriage house; Gracie, her mother, who claims she can tell your lot in life by looking at your teeth; and Bruce, her step-father, stockpiling supplies for the Y2K apocalypse and perpetually late for his tee time. Then there’s Violet Devohr, Zee’s great-grandmother, who they say took her own life somewhere in the vast house, and whose massive oil portrait still hangs in the dining room. Violet’s portrait was known to terrify the artists who resided at the house from the 1920s to the 1950s, when it served as the Laurelfield Arts Colony—and this is exactly the period Zee’s husband, Doug, is interested in. An out-of-work academic whose only hope of a future position is securing a book deal, Doug is stalled on his biography of the poet Edwin Parfitt, once in residence at the colony. All he needs to get the book back on track—besides some motivation and self-esteem—is access to the colony records, rotting away in the attic for decades. But when Doug begins to poke around where he shouldn’t, he finds Gracie guards the files with a strange ferocity, raising questions about what she might be hiding. The secrets of the hundred-year house would turn everything Doug and Zee think they know about her family on its head—that is, if they were to ever uncover them. In this brilliantly conceived, ambitious, and deeply rewarding novel, Rebecca Makkai unfolds a generational saga in reverse, leading the reader back in time on a literary scavenger hunt as we seek to uncover the truth about these strange people and this mysterious house. With intelligence and humor, a daring narrative approach, and a lovingly satirical voice, Rebecca Makkai has crafted an unforgettable novel about family, fate and the incredible surprises life can offer. For readers of Dodie Smith's I Capture the Castle

Together in one volume, here are complete versions of Mary Norton’s five beloved bestselling books about the tiny, stouthearted Borrowers. Put this volume into the hands of little readers—or of any reader who delights in classic adventure. Includes complete editions of The Borrowers, The Borrowers Afield, The Borrowers Afloat, The Borrowers Aloft, and The Borrowers Avenged. These editions include the original charming black-and-white illustrations by Beth and Joe Krush. A enchanting and enduring children's classic, The Borrowers is the award-winning tale of three tiny people who are big heroes. The Clock family—Homily, Pod, and their fourteen-year-old daughter, Arrietty—are tiny people who live underneath the kitchen floor of an English manor. All their minuscule home furnishings, from postage stamp paintings to champagne cork chairs, are “borrowed” from the “human beans” who tromp around loudly above them. All is well until Pod is spotted upstairs by a human boy! Can the Clocks stay nested safely in their beloved hidden home, or will they be forced to flee? The four subsequent books are equally charming and appealing, perfect for independent readers as well as shared reading with younger children. The Borrowers Afield: Driven from their home in the big house, Pod, Homily, and Arrietty take up life in a boot. The Borrowers Afloat: Uprooted once again, the little people journey down a drain, live briefly in a teakettle, and are swept away in a flood. “As irresistible as its predecessors.”—Booklist The Borrowers Aloft: Imprisoned in an attic by a greedy couple who want to use them as performers, the Borrowers escape by balloon. The Borrowers Avenged: Pod, Homily, and Arrietty escape from the Platters’ attic and set off to an old rectory to begin life anew.