One of the most fabulous treasures of the Renaissance, the Borgia Chalice, carries with it a dark aura - for legend has it that the notorious Rodrigo Borgia, Pope Alexander VI, could use this cup to poison his enemies, yet drink from it himself without harm. Security expert Tim Lacy has no superstitious fear of the chalice's supposed powers, and nor do the six people who drink from it after Lacy buys it for a client. But within the hour, four of those people are dead, all of them art critics who had mercilessly attacked the chalice's late owner, Gregor Santori, as a fraud. Yet Santori's son and daughter, who also drank from the cup, are unaffected. Is it possible that this is revenge from beyond the grave? Lacy sets out to unearth the truth in Rome, where revelations of sordid Vatican politics have remarkable contemporary echoes. Before long Lacy finds himself racing between the art establishments of two continents in pursuit of a criminal more ruthless than he could ever have known...

The Borgia Family: Rumor and Representation explores the historical and cultural structures that underpin the early modern Borgia family, their notoriety, and persistence and reinvention in the popular imagination. The book balances studies focusing on early modern observations of the Borgias and studies deconstructing later incarnations on the stage, on the page, on the street, and on the screen. It reveals how contemporary observers, later authors and artists, and generations of historians reinforced and perpetuated both rumor and reputation, ultimately contributing to the Borgia Black Legend and its representations. Focused on the deeds and posthumous reputations of Pope Alexander VI and his children, Cesare and Lucrezia Borgia, the volume charts the choices made by the family and contextualizes them amid contemporary expectations and reactions. Extending beyond their deaths, it also investigates how the Borgias became emblems of anti-Catholic and anti-Spanish criticism in the later early modern period and their residing reputation as the best and worst of the Renaissance. Exploring a spectrum of traditional and modern media, The Borgia Family contextualizes both Borgia deeds and their modern representations to analyze the family’s continuing history and meaning in the twenty-first century. It will be of great interest to researchers and students working on interdisciplinary aspects of the Renaissance and early modern Italy.

When the Master of St Mary's House, Cambridge, hires Tim Lacy to retrieve a collection of eighteenth-century documents willed to it by a wealthy past member of the college, he omits to mention that these manuscripts have a possible connection with the suicide of the late Dean and that there are those who remain determined to ensure that the documents never reach the College library. Supposedly penned by a scandal-mongering member of the notorious Hellfire Club, these papers, if genuine, could be of enormous historical significance and monetary value. And their significance is not lost on Lacy when an academic friend who has been helping him on the case is murdered. When it emerges that the Hellfire Club has repercussions into the highest circles of the current day, Lacy must fight to reveal a dark, long-kept secret before anyone else pays with their life...

Raymond Chandler called it “The Simple Art of Murder, ” but It never has been simple to write mysteries. This volume explores the crimes in novels that are rooted in the worlds of art, architecture, and antiquities.

A haunting in St. Thomas's College, Cambridge bitterly divides the college, and the Cambridge branch of the Psychic Investigation Unit is invited to carry out an experiment to settle the unrest. But when the main opponent of the plan, Professor Hawkridge, insists on being present for the nocturnal investigation and suddenly drops dead that very night the press has a field day and the college needs answers Sir Joseph Zuylestein, the College Master, asks Dr. Nathaniel Gye if he can make some discreet enquiries with a view to closing the whole sorry business. But when they receive some disturbing anonymous letters that seem to prove the undergraduate, whose unquiet spirit supposedly haunts St.Thomas's, did not commit suicide ten years earlier, but was murdered, the case suddenly becomes altogether more serious...

When the Dresden Text - a treasured fragment of medieval illuminated manuscript - is stolen from a prestigious New York gallery, its loss hits Tim Lacy hard. His firm was responsible for the safety of the exhibits but even more devastatingly, a colleague was killed during the break-in. Within days the police, acting on an anonymous tip-off, have traced the armed robber. There is a shoot-out and the criminal is killed. But the suspiciously swift wrapping-up of the case leaves too many questions unanswered for Tim Lacy. Why was the Dresden Text stolen when other rarer, more valuable exhibits were on display nearby? Why have the police been ordered to close the file? And where is the Dresden Text now? Convinced that only the answers to these questions will lead to those responsible for his colleague's murder, Tim sets out to unravel a dark and complex mystery...

On a sultry summer night in the Cotswolds, Nathaniel and Katherine Gye are guests at a Civil War fancy-dress party. The theme of the occasion is apt because Tripletree, the Jacobean manor house where the event is being held, is steeped in history and enjoys a colourful past. But at the end of a glittering evening tragedy strikes when the body of a woman is dragged from the lake. As he tries to unravel the truth about the woman's death, Nathaniel Gye, paranormal investigator, finds himself drawn back to the 17th century and the time when the hill above Tripletree manor was the place where the gallows once stood...

When paranormal investigator and Cambridge lecturer Dr. Nathaniel Gye is commissioned at a séance to find a dead man's killer, he dismisses the incident as a clumsy fraud by a fake medium. But when Nathaniel's own wife disappears in Italy, an eventuality foretold by the same unquiet spirit, he is forced to look for connections between her predicament and the violent death of a man she never knew. In this dark and fast-paced mystery, the urgent search for answers takes Nathaniel far from his quiet university existence and into a labyrinth of hazardous twists and turns involving a stolen Renaissance painting and the love life of poets Robert and Elizabeth Browning.

Lanner Castle is a forbidding gothic building on an island in tiny Loch Huich. The locals know little about its present owner, the reclusive Mr Robertson, except that he is wealthy, writes antiquarian books and owns most of the comprehensive accumulation of torture instruments in private hands. But there are those who know more about Robertson and his past - and of those people he is terrified. When a sudden series of dark omens strikes at the very heart of Lanner Castle, Robertson calls in security expert Tim Lacy to install a state-of-the-art intruder-proof system and goes into hiding. But Lacy cannot prevent the pride of the gruesome collection, Cumberland's Cradle, from being stolen. Two days later, Robertson is found fatally reunited with his property and Lacy must run head-on towards the greatest danger he has ever faced...