An absorbing account of the record industry's worst nightmare. In the summer of 1969, Great White Wonder, a collection of unreleased Bob Dylan recordings appeared in Los Angeles. It was the first rock bootleg and it spawned an entire industry dedicated to making unofficial recordings available to true fans. Bootleg! tells the whole fascinating saga, from its underground infancy through the CD 'protection gap' era, when its legal status threatened the major labels' monopoly, to the explosion of trading via Napster and Gnutella on MP-3 files. Clinton Heylin provides a highly readable account of the busts, the defeats and victories in court; the personalities – many interviewed for the first time for this book. This classic history has now been updated and revised to include today's digital era and the emergence of a whole new bootleg culture.

The Bootleg Guide is the ultimate in reference works for the 1960s and the 1970s bootleg recordings. Within these pages lies a history of rock at its best, as performed on stage or in the studio. Each entry is catalogued by title, date, featured tracks, and contains a quality rating and comments on the nature and origin of the recording. Cross-references are provided to other titles and extensive information is available on alternate titles of bootlegs. In many cases, quirky facts about a particular title are given-something that in itself may make a title a highly desirable and sought-after 'rarity' amongst collectors. Limited editions are listed to help the reader and collector develop a clearer picture of just how obtainable a bootleg may be. Bootlegs are unofficial 'live' and studio recordings of artists and bands that are released onto vinyl, tape or CD. By definition, most are so rare that they change hands only for vastly inflated sums or are traded by networks of dedicated collectors worldwide. Serious fans and collectors have been known to spend as much as $225 for an original, scratchy vinyl recording of bands like Deep Purple and the Grateful Dead dating back to the early seventies. The rarest of all are akin to valuable paintings as far as collectors and traders are concerned.

"This book features the amazing artwork of more than 2000 disco record cover designs from the 1970s up to the mid-1980s that together create a unique visual history of disco music and culture."--Page 4 of cover.

It began with the best of intentions. Worried about the effects of alcohol on American families, mothers and civic leaders started a movement to outlaw drinking in public places. Over time, their protests, petitions, and activism paid off—when a Constitional Amendment banning the sale and consumption of alcohol was ratified, it was hailed as the end of public drunkenness, alcoholism, and a host of other social ills related to booze. Instead, it began a decade of lawlessness, when children smuggled (and drank) illegal alcohol, the most upright citizens casually broke the law, and a host of notorious gangsters entered the public eye. Filled with period art and photographs, anecdotes, and portraits of unique characters from the era, this fascinating book looks at the rise and fall of the disastrous social experiment known as Prohibition. Bootleg is a 2011 Kirkus Best Teen Books of the Year title. One of School Library Journal's Best Nonfiction Books of 2011. YALSA Excellence in Nonfiction Finalist in 2012.

A tribute to the world's greatest rock band through a kaleidoscopic collection of vinyl, from obscure international records to handmade albums of historic performances Led Zeppelin released only eight studio albums and no singles over the course of their 12-year career, but to date there are more than 1,000 official singles and 2,000 LPs in the market. This epic and authoritative volume illustrates in full color some of the rarest and most interesting vinyl releases, including one-of-a-kind rarities, bizarre regional variations, official albums and bootleg recordings of legendary concerts, sometimes featuring handmade artwork or colored vinyl. All the vinyl, labels and covers have been documented by photographer Ross Halfin in superb detail, and are annotated with details of their release. A genuine labor of love, Led Zeppelin Vinylis a must-have for fans of the group as well as for any vinyl enthusiast.

The Good for You Party is improving the health of the nation. Fruit and vegetables are compulsory and chocolates are banned. When best friends Smudger and Huntly discover an overlooked stock of cocoa and sugar, their secret chocolate-making business takes off fast. Can they stay ahead of the law?

From Machiavellian city officials to big-time mobsters, corrupt beat cops, and overzealous G-men, Boardwalk Empire is replete with philosophically compelling characters who find themselves in philosophically interesting situations. This book is directed at thoughtful fans of the show. Here, readers discover parallels between the events in Boardwalk Empire and contemporary political events. Twenty philosophers address issues in political philosophy, ethics, aesthetics, feminism, and metaphysics. Is Nucky Thomson a Machiavellian prince or a Nietzschean superman? Is Jimmy's resentment towards Nucky justified, given that Jimmy would never have come into existence had his parents not met? What can be said about the ethics of lying in the seedy world of bootlegging? Agent Van Alden’s unique religious attitudes bring a warped sense of morality to the Boardwalk universe. One chapter brings to light the moral character of Van Alden’s God. Other chapters explores the roles that storytelling, deception, and gender play in the show.

The story of graffiti writer Robert Morrissey, aka Desa, including life with his crew, MTA (Most Talked About) and his legal problems due to graffiti.

In an age of digital technology and renewed anxiety about media piracy, Inherent Vice revisits the recent analog past with an eye-opening exploration of the aesthetic and legal innovations of home video. Analog videotape was introduced to consumers as a blank format, essentially as a bootleg technology, for recording television without permission. The studios initially resisted VCRs and began legal action to oppose their marketing. In turn, U.S. courts controversially reinterpreted copyright law to protect users’ right to record, while content owners eventually developed ways to exploit the video market. Lucas Hilderbrand shows how videotape and fair use offer essential lessons relevant to contemporary progressive media policy. Videotape not only radically changed how audiences accessed the content they wanted and loved but also altered how they watched it. Hilderbrand develops an aesthetic theory of analog video, an “aesthetics of access” most boldly embodied by bootleg videos. He contends that the medium specificity of videotape becomes most apparent through repeated duplication, wear, and technical failure; video’s visible and audible degeneration signals its uses for legal transgressions and illicit pleasures. Bringing formal and cultural analysis into dialogue with industrial history and case law, Hilderbrand examines four decades of often overlooked histories of video recording, including the first network news archive, the underground circulation of Superstar: The Karen Carpenter Story, a feminist tape-sharing network, and the phenomenally popular website YouTube. This book reveals the creative uses of videotape that have made essential content more accessible and expanded our understanding of copyright law. It is a politically provocative, unabashedly nostalgic ode to analog.

In that hot summer of '69 two longhaired music freaks created an underground LP record album of unreleased tracks by one of their music gods and put it out on the streets of Los Angeles. No one had ever been crazy enough to do such an audacious thing before. The god's official record label was not amused but the music fans were thrilled. Were these guys pirates or heroes? It was so much fun the first time, they soon pressed up even more records of forbidden musical fruit. They were on a roll. The following year, in 1970, one of the culprits put The Pig image in a circular logo with the name, "Trade Mark of Quality." TMQ and Pigman were born!With a cast of outrageous characters, here is the story of Trade Mark of Quality aka TMQ aka The Pig, the first bootleg record label of it's kind, spawning many later imitators. From the end of the 60's to the mid 70's, TMQ and Pigman lead the way, trotting down a muddy trail, feeding the habits and needs of music addicts around the world. Who were these fellow travelers? Carl? The Greek? Merlin? Hans? Rob Snout? Casper? Sheldon? The Blue Hasslebeast? and Ol' Fred? (Not to mention, The Brooklyn Boys, The Record Suits and The Feds!) What was the connection between TMQ and the Viet Nam war, revolutionaries, guns, pot and the moon landing? It's all here!Included in A Pig's Tale is not only the Trade Mark of Quality and Pigman saga, but reproductions of all the rubber stamped and illustrated album jackets from every genuine TMQ record release, including the earliest releases from '69 right up to the last titles in 1976. Everything you ever wanted to know about the real TMQ label is here: A complete discography of artists and track listings, sources of recordings, catalogue numbers, master tape and record matrix info, colored vinyl pressings, record labels, graphics, photos, vintage news clippings, articles and more, all collected together, at last, in one volume.