These final four Angelhaunt books are at once philosophy and works of art. Ratcliff has created in these four books both poetry and religion, both blasphemy and a completely original cosmology. Ratcliff has looked into himself, found both treasures and terrors, and made works only a madman could create.

“A novelistic mosaic that simultaneously reads like a thriller and like a strange, dreamlike excursion into the subconscious.” —The New York Times Years ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth -- musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies -- the book eventually made its way into the hands of older generations, who not only found themselves in those strangely arranged pages but also discovered a way back into the lives of their estranged children. Now this astonishing novel is made available in book form, complete with the original colored words, vertical footnotes, and second and third appendices. The story remains unchanged, focusing on a young family that moves into a small home on Ash Tree Lane where they discover something is terribly wrong: their house is bigger on the inside than it is on the outside. Of course, neither Pulitzer Prize-winning photojournalist Will Navidson nor his companion Karen Green was prepared to face the consequences of that impossibility, until the day their two little children wandered off and their voices eerily began to return another story -- of creature darkness, of an ever-growing abyss behind a closet door, and of that unholy growl which soon enough would tear through their walls and consume all their dreams.

Ghosts and other supernatural phenomena are widely represented throughout modern culture. They can be found in any number of entertainment, commercial, and other contexts, but popular media or commodified representations of ghosts can be quite different from the beliefs people hold about them, based on tradition or direct experience. Personal belief and cultural tradition on the one hand, and popular and commercial representation on the other, nevertheless continually feed each other. They frequently share space in how people think about the supernatural. In Haunting Experiences, three well-known folklorists seek to broaden the discussion of ghost lore by examining it from a variety of angles in various modern contexts. Diane E. Goldstein, Sylvia Ann Grider, and Jeannie Banks Thomas take ghosts seriously, as they draw on contemporary scholarship that emphasizes both the basis of belief in experience (rather than mere fantasy) and the usefulness of ghost stories. They look closely at the narrative role of such lore in matters such as socialization and gender. And they unravel the complex mix of mass media, commodification, and popular culture that today puts old spirits into new contexts.

"This volume reprints Haunt issues 13-18"--P. [4] of cover.

Vol. for include list of members.

With a name like Heartbreak Falls, one didn't expect to find love at the new town I had moved to courtesy of my new stepfamily aka Mom's new husband and his sons. Something was up with my new rich stepfather, his sons, and what happened to their last stepmother. Something was up with the entire town, which my stepfamily seem to run. Along with the school where my stepbrothers reigned as cruel princes. All 3 of them were known as The Heartbreakers. Two were twins and my age, and then there was Tristan, the oldest. Gorgeous but god-awful hateful to me. What was up? I was about to find out...if I lived long enough. **Heartbreak Falls is a RH Dark Bully Romance and mystery for 18 and up. It is YA/NA and has themes of bullying and sex. If that's fine with you, then dig in! Bully Me Not is book 1 of 5 and contains a cliffhanger.

Leading critics, scholars, and theater practictioners consider the most talked-about play of the 1990s