THE BOOK OF TURKISH POETRY Anthology of Sufi, Dervish, Divan, Court & Folk Poetry from the 12th - 20th Century Translations, Introductions, Paul Smith Introduction includes chapters on...The Turkish Language, Turkish Poetry, The Gazel in Turkish Poetry, The Roba'i in Turkish Poetry, The Mesnevi in Turkish Poetry, The Qasida in Turkish Poetry and a Glossary. Included with each selection of a particular poet is a brief biography plus a list of further reading. The correct rhyme-structure has been kept as well as the beauty and meaning of these beautiful, often mystical poems. THE POETS: Ahmed Yesevi, Sultan Valad, Yunus Emre, Kadi Burhan-ud-din, Nesimi, Ahmedi, Suleyman Chelebi, Sheykhi, Ahmed Pasha, Mihri, Zeyneb, Jem, Necati, Zati, Pir Sultan, Khayali, Fuzuli, Baqi, Huda'i, Nef'i, Yahya, Haleti, Na'ili, Niyazi, Nabi, Nedim, Fitnet, Galib, Esrar Dede, Leyla Khanim and Veysel. Large Format Paperback 7" x 10" Pages 341. COMMENTS ON PAUL SMITH'S TRANSLATION OF HAFIZ'S 'DIVAN'. "It is not a joke... the English version of ALL the ghazals of Hafiz is a great feat and of paramount importance. I am astonished. If he comes to Iran I will kiss the fingertips that wrote such a masterpiece inspired by the Creator of all." Dr. Mir Mohammad Taghavi (Dr. of Literature) Tehran. "Superb translations. 99% Hafiz 1% Paul Smith." Ali Akbar Shapurzman, translator in English into Persian and knower of Hafiz's Divan off by heart. "I was very impressed with the beauty of these books." Dr. R.K. Barz. Faculty of Asian Studies, Australian National University. "Smith has probably put together the greatest collection of literary facts and history concerning Hafiz." Daniel Ladinsky (Penguin Books author). Paul Smith is a poet, author and translator of many books of Sufi poets from the Persian, Arabic, Urdu, Turkish and other languages... including Hafiz, Sadi, Nizami, Rumi, 'Attar, Sana'i, Obeyd Zakani, Nesimi, Kabir, Anvari, Ansari, Jami, Khayyam, Rudaki, Yunus Emre, Baba Farid, Mu'in, Lalla Ded, Mahsati, Iraqi, Ghalib and others and his own poetry, fiction, plays, biographies, children's books and screenplays. www.newhumanitybooksbookheaven.com

The earliest turkish verses, dating from the sixth century A.D., were love lyrics. Since then, love has dominated the Turks’ poetic modes and moods—pre-Islamic, Ottoman, classical, folk, modern. This collection covers love lyrics from all periods of Turkish poetry. It is the first anthology of its kind in English. The translations, faithful to the originals, possess a special freshness in style and sensibility. Here are lyrics from pre-Islamic Central Asia, passages from epics, mystical ecstasies of such eminent thirteenth-century figures as Rumi and Yunus Emre, classical poems of the Ottoman Empire (including Süleyman the Magnificent and women court poets), lilting folk poems, and the work of the legendary communist Nazim Hikmet (who is arguably Turkey’s most famous poet internationally), and the greatest living Turkish poet, Fazil Hüsnü Daglarca. The verses in this collection are true to the Turkish spirit as well as universal in their appeal. They show how Turks praise and satirize love, how they see it as a poetic experience. Poetry was for many centuries the premier Turkish genre and love its predominant theme. Some of the best expressions produced by Turkish poets over a period of fifteen centuries can be found in this volume.

This anthology features a wide variety of poems about social justice, love, evocations of history, humanitarian concerns, and other themes. It contains stirring examples of the revolutionary romanticism of Nazi m Hikmet; the passionate wisdom of Fazil Hüsnü Daglarca; the wry and captivating humor of Orhan Veli Kanik; the intellectual complexity of Oktay Rifat and Melih Cevdet Anday; the modern mythology of Ilhan Berk; the subtle brilliance of Behçet Necatigil; the rebellious spirit of the socialist realists; the lyric flow of the neoromantics; and the diverse explorations of younger poets. These poems are infused with their own unique flavors while speaking in an unmistakably universal style.

From Orhon inscriptions to Orhan Pamuk, the story of Turkish literature from the eighth century A.D. to the present day is rich and complex, full of firm traditions and daring transformations. Spanning a wide geographic range from Outer Mongolia and the environs of China through the Middle East all the way to Europe, the history of Turkish literature embraces a multitude of traditions and influences. All have left their imprint on the distinctive amalgam that is uniquely Turkish. Always receptive to the nurturing values, aesthetic tastes, and literary penchants of diverse civilizations, Turkish culture succeeded in evolving a sui generis personality. It clung to its own established traits, yet it was flexible enough to welcome innovations—and even revolutionary change. A Millennium of Turkish Literature tells the story of how literature evolved and grew in stature on the Turkish mainland over the course of a thousand years. The book features numerous poems and extracts in fluid translations by Halman and others. This volume provides a concise and captivating introduction to Turkish literature and, with selections from its extensive “Suggested Reading” section, serves as an invaluable guide to Turkish literature for course adoption.

The articles contained in this volume collectively provide a critical overview of Turkish literature from its earliest phases in the sixth century well into the Republican period, including pieces detailing the literature of the Ottoman as well as those dealing with Europeanization. In so doing, the author illustrates the evolution of Turkish culture as reflected in the literary experience. Exploring specific genres and themes, several articles detail the development of drama from Karagoz and Orta oyunu to contemporary Western theatre, the propaganda functions of poetry, and the important place of folk literature. In addition, the volume focuses on some of the leading figures of Turkish literature, ranging from Mevlana Celaleddin Rumi, Yunus Emre, and Süleyman the Magnificent, to Sait Faik and modern poets such as Nazim Hikmet, Orhan Veli Kanik, and Melih Cevdet Anday. Whether read as a whole or as individual articles, the book gives Western readers a broad and long overdue entry into the rich landscape of traditional and contemporary Turkish literature and culture. For scholars, it is an invaluable resource for courses on Turkish literature and culture.

The Ottoman Empire was one of the most significant forces in world history and yet little attention is paid to its rich cultural life. For the people of the Ottoman Empire, lyrical poetry was the most prized literary activity. People from all walks of life aspired to be poets. Ottoman poetry was highly complex and sophisticated and was used to express all manner of things, from feelings of love to a plea for employment. This collection offers free verse translations of 75 lyric poems from the mid-fourteenth to the early twentieth centuries, along with the Ottoman Turkish texts and, new to this expanded edition, photographs of printed, lithographed, and hand-written Ottoman script versions of several of the texts--a bonus for those studying Ottoman Turkish. Biographies of the poets and background information on Ottoman history and literature complete the volume.

The twenty two essays collected in Turkish Language, Literature and History offer insights into Turkish culture in the widest sense. Written by leaders in their fields from North America, Europe and Turkey, these essays cover a broad range of topics, focusing on various aspects of Turkish language, literature and history between the eighth century and the present. The chapters move between ancient and contemporary literature, exploring Sultan Selim’s interest in dream interpretation, translating newly uncovered poetry and exploring the works of Orhan Pamuk. Linguistic complexities of the Turkish language and dialects are analysed, while new translations of 16th century decrees offer insight into Ottoman justice and power. This is a festschrift volume published for the leading scholar Bob Dankoff, and the diverse topics covered in these essays reflect Dankoff’s valuable contributions to the study of Turkish language and literature. This cross-disciplinary book offers contributions from academics specialising in linguistics, history, literature and sociology, amongst others. As such, it is of key interest to scholars working in a variety of disciplines, with a focus on Turkish Studies.