Christine de Pizan (ca. 1364–ca. 1431) has long been recognized as France’s first professional woman of letters, and interest in her voluminous and wide-ranging corpus has been steadily rising for decades. During the tumultuous later years of the Hundred Years’ War, Christine’s lone but strong feminine voice could be heard defending women, expounding the highest ideals for good governance, and lamenting France’s troubled times alongside her own personal trials. In The Mutability of Fortune, Christine fuses world history with autobiography to demonstrate mankind’s subjugation to the ceaselessly changing, and often cruel, whims of Fortune. Now, for the first time, this poem is accessible to an English-speaking audience, further expanding our appreciation of this ground-breaking woman author and her extraordinary body of work.

This innovative cultural history of financial risk-taking explores how a new concept of the future emerged in Renaissance Italy - and its consequences.

Christine de Pizan, France's first woman of letters, is widely known for her classic Book of the City of Ladies (Persea, 1982), but very few of her many other distinguished works have been translated into English. The Writings of Christine de Pizan offers lengthy excerpts of nearly all of Christine's works, in authoritative and gracious translations. Among the writings are Christine's autobiography; lyric and allegorical poetry; the official biography of King Charles V; writings on women, warfare, politics, love, and the human condition; writings from the famous Quarrel of the Rose; The Book of the City of Ladies; The Treasury of the City of Ladies; The Book of the Duke of True Lovers; and Christine's triumphant poem on Joan of Arc. Edited and with an introduction by the foremost authority on Christine's work, Charity Cannon Willard, who sets the writings in historical, biographical, and literary context.

Reading Russian Fortunes examines the huge popularity and cultural impact of fortune-telling among urban and literate Russians from the eighteenth century to the present. Based partly on a study of the numerous editions of little fortune-telling books, especially those devoted to dream interpretation, it documents and analyses the social history of fortune-telling in terms of class and gender, at the same time considering the function of both amateur and professional fortune-telling in a literate modernizing society. Chapters are devoted to professional fortune-tellers and their clients, and to the publishers of the books. An analysis of the relationship between urban fortune-telling and traditional oral culture, where divination played a very significant role, leads on to a discussion of the underlying reasons for the persistence of fortune-telling in modern Russian society.

This innovative cultural history of financial risk-taking in Renaissance Italy argues that a new concept of the future as unknown and unknowable emerged in Italian society between the mid-fifteenth and mid-sixteenth centuries. Exploring the rich interchanges between mercantile and intellectual cultures underpinning this development in four major cities - Florence, Genoa, Venice, and Milan - Nicholas Scott Baker examines how merchants and gamblers, the futurologists of the pre-modern world, understood and experienced their own risk taking and that of others. Drawing on extensive archival research, this study demonstrates that while the Renaissance did not create the modern sense of time, it constructed the foundations on which it could develop. The new conceptions of the past and the future that developed in the Renaissance provided the pattern for the later construction a single narrative beginning in classical antiquity stretching to the now. This book thus makes an important contribution toward laying bare the historical contingency of a sense of time that continues to structure our world in profound ways.

"Fresh, accurate, and engaging, this new translation of the Book of the City of Ladies helps us to understand what made Christine de Pizan so popular with her fifteenth-century contemporaries. The editors provide a rich historical and philosophical context that will be very useful to both students and scholars of the history of political ideas. The translations themselves gracefully navigate the fine line between accuracy and readability with considerable charm. Rounding out this portrait of the turmoil of fifteenth-century France, the volume is enriched by excerpts from other works, Christine's Vision, the Book of the Body Politic, and the Lamentation on France’s Ills." —Kate Forhan, Emeritus, Siena College CONTENTS:IntroductionA Note on Translating the Book of the City of LadiesChristine de Pizan: Her works, Her TimesSuggestions for Further ReadingFrom Christine's Vision (1405)The Book of the City of Ladies (1404–1405)From The Book of the Body Politic (1404–1407)From Lamentation on France's Ills (1410)Index

This collection of essays presents new insights into what shaped and constituted the Renaissance and early modern views of fate and fortune. It argues that these ideas were emblematic of a more fundamental argument about the self, society, and the universe and shows that their influence was more widespread, both geographically and thematically, than hitherto assumed.

"In the course of fund-raising for civilian victims of World War I, Edith Wharton assembled this monumental benefit volume by drawing upon her connections to the era's leading authors and artists. The unique compilation forms a 'Who's Who' of early 20th century culture, featuring poetry, stories, illustrations, music and other contributions from scores of luminaries. ... Much of the text is presented in both English and French. Includes an Introduction by former U. S. President Theodore Roosevelt."--

"Long forgotten, the Smithsonian Institution's first curator of birds, Robert Ridgway, is one of America's most important scientists. This book centers itself around a biographical treatment of Ridgway, but even more important considers what it meant to be a professional and an amateur in biology in the last quarter of the nineteenth century, and shows how the field of ornithology was professionalized as evolutionary theory made its mark on the study of birds"--Provided by publisher.