Traces the growth of the posters from nineteenth-century circus and music-hall bills to the present day, considering the influences of various art movements.

From David Lynch's cult classic "Eraserhead" to Sofia Coppola's recent sensation "Lost in Translation," this visually stunning volume is devoted exclusively to independent films, showcasing some of the most provocative and original movie posters ever created.

The splendour, savagery and spectacle of the screen epics that staggered the world! Mighty Movies chronicles the age of the classic Hollywood blockbuster (1932--1970) by presenting and evaluating 200 authentic movie posters, lobby cards, and related memorabilia items from 100 film examples. A special appendix features an additional movie poster retrospective of the muscleman-driven 'sword and sandal' costume spectacles produced in Europe from 1957 to 1965. Originally displayed in movie theatres, these rare, ravishing, and valuable movie posters and lobby cards also illustrate the in-house movie poster styles and printing processes utilised by the major Hollywood studios of the day.

Critically authoritative, visually stunning, and physically massive, Art of the Modern Movie Poster is the first and last word on post-WWII film poster design. Showcasing fascinating examples from 15 nations, this collection of more than 1,500 exemplary designs is a must-have for film buffs, design and poster aficionados alike. The posters are organized by country of origin, offering an intriguing glimpse into each region's unique visual sensibility and sometimes unexpected takes on familiar films. Gathered from the renowned collection of the Posteritati Gallery in New Yorkone of the largest holdings of international film posters in the worldthis volume is the definitive survey of both film and popular graphic art in the modern era.

Film buffs, graphic designers, and art students will relish this beautifully produced and strikingly illustrated volume. Arranged in roughly chronological order, it brings together movie posters from around the world, starting with Charlie Chaplin film ads and the Russian Revolutionary movie posters of the 1910s, then spanning the century to show posters publicizing hits of the 1990s, including The Silence of the Lambs, Spike Lee films, and many more. The bookï¿1/2s sections focus on renowned individual designers, directors, movies, and genres. Important poster designers such as Saul Bass, Jan Lenica, and Juan Gatti receive particular attention, as do great directors who had strong opinions about how their films should be represented. Among the latter are Alfred Hitchcock, Jean-Luc Godard, and Otto Preminger. All major film genres are representedï¿1/2musicals, Kung Fu movies, films noir, westerns (including so-called ï¿1/2spaghetti westernsï¿1/2 filmed in Italy), science fiction classics, and others. Readers are treated to examples of movie posters not only from the United States, Britain, and France, but also to previously unpublished examples from countries as diverse as Poland, China, and Cuba. For instance, fans of Orson Welles might be surprised to see the previously unpublished Italian poster advertising Citizen Kane under its Italian title, Quarto Potere (The Fourth Estate). This handsome volume will be valued by graphic designers, poster collectors, and anyone sharing the popular passion for cinema.

The guns, the girls, the gadgets, all the key ingredients of Bond--James Bond--are captured in this one-of-a-kind collection of movie posters. These images have become some of the most memorable visual teasers in cinematic history and are now one of the hottest items of memorabilia among both Bond aficionados and movie collectors. This collection features over 200 original posters, including posters that were never released, limited edition festival posters, and rare advance posters. They are all meticulously reproduced in this oversized.

Contributions by Vlad Dima, Laura Hatry, Alicia Kozma, Lynette Kuliyeva, Madhuja Mukherjee, Frank Percaccio, Gary D. Rhodes, Courtney Ruffner Grieneisen, Marlisa Santos, Michael L. Shuman, and Robert Singer Movie posters, regardless of their country of origin, have become indelibly linked with the films they represent, often assuming a status as visual encapsulations of films within collective memory. Long after their initial role in promotion is complete, these posters endure as iconic images, etched into film history and cultural consciousness. One can hardly hear mention of Steven Spielberg’s landmark production Jaws, for example, without immediately picturing the evocative poster art of Roger Kastel. Film by Design: The Art of the Movie Poster is a groundbreaking and comprehensive exploration of the international and Hollywood movie poster as a dynamic artistic and cultural formation. Drawing inspiration from such prominent genres as horror, science fiction, and noir, the twelve essays in this collection provide insightful analyses of the movie poster as a vital component of the cinematic landscape from the silent era to the contemporary period. Crucially, this anthology rejects the notion of movie posters as mere historical artifacts or advertising tools and instead examines them as integral parts of a broader aesthetic framework interwoven into their respective film narratives. Each chapter, whether focusing on controversies, close-ups, or Cuba, is accessible to scholars, students, and fans alike. Through its intervention in film studies, Film by Design reveals the movie poster to be an ever-evolving medium, firmly grounded in both theory and practice, while serving as an essential and enduring element within the realm of film art.

Over the years the motion picture industry has (sadly) gravitated to generating poorly cropped and heavily airbrushed posters that rely far too often on celebrity head shots. Thankfully, an underground network of graphic designers and artists has reinvigorated the art of the movie poster, crafting stunning pieces for classic and cult films. Here is the first comprehensive look at the movement, presenting this eclectic and dynamic medium through more than 200 eye-popping posters from over 100 cutting-edge artists, coupled with fascinating commentary and behind-the-scenes information. These new, underground posters have quickly become the most coveted by ardent moviegoers; they are typically produced in very limited runs, sell out within minutes, and command upwards of several hundred dollars each. With a smart, fresh visual perspective, alternative movie posters celebrate classics like Star Wars, A Clockwork Orange, and The Shining as well as cult favorites: The Big Lebowski, Blade Runner, and Pink Flamingos.