Sir James MacMillan first burst into prominence in 1990 with The Confessions of Isobel Gowdie. A steady stream of works has followed, with commissions from many of the world's major orchestras. A prominent part of his work is his religious composition, which includes settings of both the John and Luke passions, Tu Es Petrus (for the 2010 papal visit to Britain) and numerous smaller choral pieces. His works are heard all around the world – Seven Last Words from the Cross has been performed in 24 countries since its premiere in 1994, and his Stabat Mater received a private performance at the Sistine Chapel in 2018. He is a trenchant commentator on a wide range of political, social and theological issues, many of which spring from his commitment to the cultural life of Scotland. He is a passionate advocacy of community involvement in music and set up the burgeoning music festival The Cumnock Tryst in 2013. Much of his music reflects his strong Scottish roots and interest in all aspects of musical tradition.

A small format gift book which is a reproduction of the popular book ‘101 Scottish Songs’ published by Collins in 1962. Popularized as ‘the wee red songbook’ in Scottish folk circles, this publication was in print for 26 years.

Sunset Song is widely regarded as one of the most important Scottish novels of the 20th century. Chris Guthrie, the female protagonist, is a strong character who grows up in a dysfunctional farming family. Life is hard after her dad's death and she must take some tough decisions to save her farms under the inevitable threat of World War I . . . Lewis Grassic Gibbon was the pseudonym of James Leslie Mitchell (1901-1935), a Scottish writer famous for his contribution to the Scottish Renaissance and portrayal of strong female characters.

Gaelic Scotland is one of the world's great treasure-houses of song. This work is an anthology of music and lyrics from the Gaelic-speaking Highlands and Islands. It provides an introduction to Gaelic tradition, musical transcriptions, and English translations. It portrays the social and historical background of the songs.

Reprint of the original, first published in 1843.