Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

"The chapters of this volume were almost all spoken addresses."- Pref. CONTENTS.- "The book of delight."- A visit to Hebron.- The solace of books.- Medieval wayfaring.- The fox's heart.- "Marriages are made in heaven."- Hebrew love songs.- A handful of curiosities.- Notes.- Index.

Fables in Jewish Culture catalogues almost 400 Jewish scrolls and books from the collection of Jon A. Lindseth that contain animal stories with moral connections. Spanning six centuries, the books are in several languages, including Hebrew, Yiddish, Aramaic, Ladino (Judeo-Spanish) and Judeo-Persian. They were printed all over the world and include animal stories from the Hebrew Bible and other religious texts as well as translations of secular stories, such as Aesop's fables in Hebrew. The catalogue is divided into four sections—Biblical works, rabbinic works, medieval works, and postmedieval works—and each entry is illustrated with a page or more from the work, a detailed description of the characteristics and publishing history of the work, and description of the fables contained therein, along with a discussion of their literary and/or cultural-historical significance. This volume includes a foreword by Jon A. Lindseth, describing how he assembled this collection of Jewish books containing fables, as well as essays on the role of fables in Jewish culture, their use in Biblical and rabbinical literature, and their appearance in Jewish and Yiddish literature. Fables in Jewish Culture concludes with a bibliography of fables in Jewish literature and multiple indexes that allow readers to locate works by a number of criteria, including fable, author, title (in English, Hebrew, and Latin), and printer. Contributors: Marion Aptroot, David Daube, Simona Gronemann, Jon A. Lindseth, Raphael Loewe, Lies Meiboom, Emile Schrijver, David Stern, Heide Warncke, Irene Zwiep.

Tales from the Sephardic Dispersion begins the most important collection of Jewish folktales ever published. It is the first volume in Folktales of the Jews, the five-volume series to be released over the next several years, in the tradition of Louis Ginzberg's classic, Legends of the Jews. The 71 tales here and the others in this series have been selected from the Israel Folktale Archives, Named in Honor of Dov Noy, The University of Haifa (IFA), a treasure house of Jewish lore that has remained largely unavailable to the entire world until now. Since the creation of the State of Israel, the IFA has collected more than 20,000 tales from newly arrived immigrants, long-lost stories shared by their families from around the world. The tales come from the major ethno-linguistic communities of the Jewish world and are representative of a wide variety of subjects and motifs, especially rich in Jewish content and context. Each of the tales is accompanied by in-depth commentary that explains the tale's cultural, historical, and literary background and its similarity to other tales in the IFA collection, and extensive scholarly notes. There is also an introduction that describes the Sephardic culture and its folk narrative tradition, a world map of the areas covered, illustrations, biographies of the collectors and narrators, tale type and motif indexes, a subject index, and a comprehensive bibliography. Until the establishment of the IFA, we had had only limited access to the wide range of Jewish folk narratives. Even in Israel, the gathering place of the most wide-ranging cross-section of world Jewry, these folktales have remained largely unknown. Many of the communities no longer exist as cohesive societies in their representative lands; the Holocaust, migration, and changes in living styles have made the continuation of these tales impossible. This volume and the others to come will be monuments to a rich but vanishing oral tradition.

Published to mark the 100th anniversary of The Jewish Publication Society, Jonathan Sarna’s engaging blend of anecdote and analysis presents the personalities and the controversies, the struggles and the achievements behind a century of publishing by the oldest English-language publisher of Jewish books in the world. Includes black and white photographs and extensive listings of JPS officers and editors, governing boards, and authors, translators, and illustrators, up to 1988.

The intense fervor of a Mississippi Methodist preacher, the meticulous reasoning of an Oxford logician, the dogged persistence of a head longshoreman, the unflagging humor of a Rabelaisian satirist. To have met Paul Ramsey at a lecture in a medical university; a heady conference at Hastings-on Hudson; a congressional hearing; deliberations at a church assembly; or a bull session in some coffee shop was to be confronted with a gentleman of unforgettable energy, insight, and delight. In many roles--as a young instructor in religious studies at Princeton University, a concerned moral theologian commenting on the ethics of the "sit-ins" and nuclear issues, an observer and dialogue partner with physicians at Georgetown and other medical centers, a faithful editor and analyst of Jonathan Edwards' ethical writings, a trustee of the Hastings center, a voluminous correspondent with others who would join to disciplined pursuit of values--Paul Ramsey in all roles was indefatigable in zeal, rigorous in demand and gracious in coadventuring (to use one of his wonderful metaphors). This volume captures a unique exchange between Paul Ramsey and his most prominent colleagues. In one sense it remains a Festschrift in his honor, characterized, at times, by a markedly informal tone.

Medieval Midrash: The House for Inspired Innovation is the first book-length study of this under-examined genre of Jewish Literature. Mehlman and Limmer cover the history of scholarship of these curious texts and evaluate the origins, dating, and authors of Medieval Midrash. In addition to addressing such scholarly questions, Medieval Midrash illustrates its themes and judgments through the annotated translation of the six extant texts that revolve around the key figure of King Solomon. This book, whose underlying tropes speak to the continuing need for creative religious expression, will be of interest to scholars and non-academics alike.