In a story where the text appears in white letters on a black background, as well as in braille, and the illustrations are also raised on a black surface, Thomas describes how he recognizes different colors using various senses.

An easy-to-read book about color, inspired by Dr. Seuss and illustrated with artwork from his books! This simple rhymed riff about color is illustrated with art from some of the most beloved—and colorful—works by Dr. Seuss, including The Cat in the Hat, Green Eggs and Ham, and One Fish Two Fish Red Fish Blue Fish. Great for the earliest reader, it is a perfect companion to Dr. Seuss concept books like Mr. Brown Can Moo! Can You?, The Shape of Me and Other Stuff, and Dr. Seuss's ABC. Nurture a love of reading—and of the many colorful characters created by Dr. Seuss—with this great new concept book for beginning readers! Bright and Early Books are perfect for beginning beginner readers! Launched by Dr. Seuss in 1968 with The Foot Book, Bright and Early Books use fewer and easier words than Beginner Books. Readers just starting to recognize words and sound out letters will love these short books with colorful illustrations.

Explore all the colors of the rainbow in this stunning and graphic first concept board book. From red lobsters, yellow baby chicks, to brown puppy-dog tails, this book is filled with bright pops of color that jump off the page. An engaging way to introduce first colors, this highly designed board book is perfect for little ones to read with their parents.

Learning colours is fun in this entertaining book from the creators of the #1 New York Times Bestsellers, The Day the Crayons Quit and The Day the Crayons Came Home.

How can a 19-year-old, mixed-race girl who grew up in a crack house and is now pregnant be so innocent? Yslea is full of contradictions, though, seeming both young and old, innocent and wise. Her spirit is surprising, given all the pain she has endured, and that's the counterpoint this story offers—while she sees pain and suffering all around her, Yslea overcomes in her own quiet way. What Yslea struggles with is expressing her thoughts. And she wonders if she will have something of substance to say to her baby. It's the baby growing inside her that begins to wake her up, that causes her to start thinking about things in a different way. Yslea drifts into the lives of four people who occupy three dilapidated row houses along the train tracks outside of Memphis: "The way their three little row houses sort of leaned in toward each other and the way the paint peeled and some of the windows were covered with cardboard, the row might as easily have been empty."

The Book of Federal Colors is a fun look at the broad universe of federal agency color palettes, we've cataloged the colors of 411 agencies, in a design that reveals both the incredible diversity of color, and the variety of government agencies.

Numbering with colors is tutorial in nature, with many practical examples given throughout the presentation. It is heavily illustrated with gray-scale images, but also included is an 8-page signature of 4-color illustrations to support the presentation. While the organization is somewhat similar to that found in "The Data Handbook," there is little overlap with the content material in that publication. The first section in the book discusses Color Physics, Physiology and Psychology, talking about the details of the eye, the visual pathway, and how the brain converts colors into perceptions of hues. This is followed by the second section, in which Color Technologies are explained, i.e. how we describe colors using the CIE diagram, and how colors can be reproduced using various technologies such as offset printing and video screens. The third section of the book, Using Colors, relates how scientists and engineers can use color to help gain insight into their data sets through true color, false color, and pseudocolor imaging.

The Science of Color focuses on the principles and observations that are foundations of modern color science. Written for a general scientific audience, the book broadly covers essential topics in the interdisciplinary field of color, drawing from physics, physiology and psychology. This book comprises eight chapters and begins by tracing scientific thinking about color since the seventeenth century. This historical perspective provides an introduction to the fundamental questions in color science, by following advances as well as misconceptions over more than 300 years. The next chapters then discuss the relationship between light, the retinal image, and photoreceptors, followed by a focus on concepts such as color matching and color discrimination; color appearance and color difference specification; the physiology of color vision; the 15 mechanisms of the physics and chemistry of color; and digital color reproduction. Each chapter begins with a short outline that summarizes the organization and breadth of its material. The outlines are valuable guides to chapter structure, and worth scanning even by readers who may not care to go through a chapter from start to finish. This book will be of interest to scientists, artists, manufacturers, and students.