THE BOOK OF BIDEL DEHLAVI Translation & Introduction Paul Smith Mirza Abdul-Qader Bidel (1644-1721) is one of the most respected poets from Afghanistan. In the early 17th century, his family moved from Balkh to India, to live under the Mughul dynasty. He was born and educated near Patna but spent most of his life in Dehli. In his later life he spent time travelling and visiting ancestral lands. His writings in Persian are extensive, being one of the creators of the 'Indian style'. Bidel's 16 books of poetry contain nearly 147,000 couplets. With Ghalib he is considered a master of the 'Indian Style' of the ghazal. He had complicated views on the nature of God, heavily influenced by the Sufis. The correct rhyme-structure has been kept as well as the beauty and meaning of these often mystical poems including ghazals, ruba'is, qit'as, bino rhymes, masnavis, mukhammas. Introduction on The Life and Times and Poetry of Bidel, Some of the Many Forms of Poems in Persian in which Bedil composed poems, Sufis & Dervishes: Their Art & Use of Poetry, and a Selected Bibliography. Large Format Paperback, 7" x 10" Pages... 241. COMMENTS ON PAUL SMITH'S TRANSLATION OF HAFIZ'S 'DIVAN'. "It is not a joke... the English version of ALL the ghazals of Hafiz is a great feat and of paramount importance. I am astonished. If he comes to Iran I will kiss the fingertips that wrote such a masterpiece inspired by the Creator of all." Dr. Mir Mohammad Taghavi (Dr. of Literature) Tehran. "Superb translations. 99% Hafiz 1% Paul Smith." Ali Akbar Shapurzman, translator of mystical works in English into Persian and knower of Hafiz's Divan off by heart. "Smith has probably put together the greatest collection of literary facts and history concerning Hafiz." Daniel Ladinsky (Penguin Books author of his own poems inspired by Hafiz). Paul Smith is a poet, author and translator of many books of Sufi poets from the Persian, Arabic, Urdu, Turkish, Pashtu and other languages including Hafiz, Sadi, Nizami, Rumi, 'Attar, Sana'i, Jahan Khatun, Obeyd Zakani, Mu'in, Amir Khusrau, Nesimi, Kabir, Anvari, Ansari, Jami, Khayyam, Rudaki, Yunus Emre. Lalla Ded, Mahsati and others, and his own poetry, fiction, plays, biographies, children's books and 12 screenplays. www.newhumanitybooks.com

The Persianate World: Rethinking a Shared Sphere is among the first books to explore the pre-modern and early modern historical ties among such diverse regions as Anatolia, the Iranian plateau, Central Asia, Western Xinjiang, the Indian subcontinent, and southeast Asia, as well as the circumstances that reoriented these regions and helped break up the Persianate ecumene in modern times. Essays explore the modalities of Persianate culture, the defining features of the Persianate cosmopolis, religious practice and networks, the diffusion of literature across space, subaltern social groups, and the impact of technological advances on language. Taken together, the essays reflect the current scholarship in Persianate studies, and offer pathways for future research.

The nature and leading exponents of the structuralist movement are considered as well as the structural poetics of fiction and drama

Reprint of a classic text, this volume gives an insight into the rebirth of national literature in the national language and traces the course of its development and full maturity from the beginning of the ninth to the end of the fifteenth century.

Writing in the eighteenth century, the Persian-language litterateurs of late Mughal Delhi were aware that they could no longer take for granted the relations of Persian with Islamic imperial power, relations that had enabled Persian literary life to flourish in India since the tenth century C.E. Persian Authorship and Canonicity in Late Mughal Delhi situates the diverse textual projects of ‘Abd al-Qādir “Bīdil” and his students within the context of politically threatened but poetically prestigious Delhi, exploring the writers’ use of the Perso-Arabic and Hindavi literary canons to fashion their authorship. Breaking with the tendency to categorize and characterize Persian literature according to the dynasty in power, this book argues for the indirectness and complexity of the relations between poetics and politics. Among its original contributions is an interpretation of Bīdil’s Sufi adaptation of a Braj-Avadhi tale of utopian Hindu kingship, a novel hypothesis on the historicism of Sirāj al-Din ‘Alī Khān “Ārzū”s oeuvre and a study of how Bindrāban Dās “Khvushgū" entwined the contrasting models of authorship in Bīdil and Ārzū to formulate his voice as a Sufi historian of the Persian poetic tradition. The first book-length work in English on ‘Abd al-Qādir “Bīdil” and his circle of Persian literati, this is a valuable resource for students and scholars of both South Asian and Iranian studies, as well as Persian literature and Sufism.

Ardā Wirāz Nāmag or the Book of the Righteous Wirāz is an outstanding example of Iranian apocalyptic literature. It is in the Middle Persian (Pahlavi) language and was written probably during the later period of the Sasanian dynasty (AD 226-650). The Zoroastrian priests chose a man called Wirāz, the most righteous among them, to go to the spiritual realm to discover the truth of the religion. This book, first published in 1986, contains the observations of Wirāz’ divine journey and his description of heaven and hell. The basic MS. is K20 (Royal Library of Copenhagen) which is carefully compared with other MSS. The MS. is printed in facsimile, followed by transliteration and transcription following the MS. closely line by line. A full translation is given, and a commentary is included together with a glossary, bibliography and index.