Battle Hymns

Outraged by the Vietnam War and racism in America, a group of young American radicals announced their intention to "bring the war home." The Weather Underground waged a low-level war against the U.S. government through much of the 1970s, bombing the Capitol building, breaking Timothy Leary out of prison, and evading one of the largest FBI manhunts in history. Sing a Battle Song brings together the three complete and unedited publications produced by the Weathermen during their most active period underground, 1970 to 1974: The Weather Eye: Communiqués from the Weather Underground; Prairie Fire: The Politics of Revolutionary Anti-Imperialism; and Sing a Battle Song: Poems by Women in the Weather Underground Organization. Sing a Battle Song is introduced and annotated by three of the Weather Underground’s original organizers—Bill Ayers, Bernardine Dohrn, and Jeff Jones—all of whom are all still actively engaged in social justice movement work. Idealistic, inspired, pissed-off, and often way-over-the-top, the writings of the Weather Underground epitomize the sexual, psychedelic, anti-war counterculture of the American 1960s and 1970s.

This is the trade paperback second edition of the popular original title

Now with all new content by John Ringo! WITH FRIENDS LIKE THESE . . . With the Earth in the path of the rapacious Posleen, the peaceful and friendly races of the Galactic Federation offer their resources to help the backward Terrans¾for a price. Humanity now has three worlds to defend. As Earth's armies rush into battle and special operations units scout alien worlds, the humans begin to learn a valuable lesson: You can protect yourself from your enemies, but may the Lord save you from your allies. At the publisher's request, this title is sold without DRM (Digital Rights Management).

One part mixtape, one part disorientation guide, and one part career retrospective, Kyle "Guante" Tran Myhre's debut looks you directly in the eye and doesn't let you flinch. Ranging from justice to love, community action to personal reflection, A Love Song, A Death Rattle, A Battle Cry is a dedication to craft. Clocking in before the rest of us are even awake, the book wastes no time. It does the work and beckons you to follow. A compilation of poems, lyrics and essays from the UN presenter, MC, and two-time National Poetry Slam champion, this book is a love song tucked into a grenade, a necessary call that demands a response.

It was sung at Ronald Reagan's funeral, and adopted with new lyrics by labor radicals. John Updike quoted it in the title of one of his novels, and George W. Bush had it performed at the memorial service in the National Cathedral for victims of September 11, 2001. Perhaps no other song has held such a profoundly significant--and contradictory--place in America's history and cultural memory than the "The Battle Hymn of the Republic." In this sweeping study, John Stauffer and Benjamin Soskis show how this Civil War tune has become an anthem for cause after radically different cause. The song originated in antebellum revivalism, with the melody of the camp-meeting favorite, "Say Brothers, Will You Meet Us." Union soldiers in the Civil War then turned it into "John Brown's Body." Julia Ward Howe, uncomfortable with Brown's violence and militancy, wrote the words we know today. Using intense apocalyptic and millenarian imagery, she captured the popular enthusiasm of the time, the sense of a climactic battle between good and evil; yet she made no reference to a particular time or place, allowing it to be exported or adapted to new conflicts, including Reconstruction, sectional reconciliation, imperialism, progressive reform, labor radicalism, civil rights movements, and social conservatism. And yet the memory of the song's original role in bloody and divisive Civil War scuttled an attempt to make it the national anthem. The Daughters of the Confederacy held a contest for new lyrics, but admitted that none of the entries measured up to the power of the original. "The Battle Hymn" has long helped to express what we mean when we talk about sacrifice, about the importance of fighting--in battles both real and allegorical--for the values America represents. It conjures up and confirms some of our most profound conceptions of national identity and purpose. And yet, as Stauffer and Soskis note, the popularity of the song has not relieved it of the tensions present at its birth--tensions between unity and discord, and between the glories and the perils of righteous enthusiasm. If anything, those tensions became more profound. By following this thread through the tapestry of American history, The Battle Hymn of the Republic illuminates the fractures and contradictions that underlie the story of our nation.

Offers a thrilling account of the first stage of the Peloponnesian War, also known as the Ten Years' War, between the city-states of Athens and Sparta, detailing the pitched battles by land and sea, sieges, sacks, raids and deeds of cruelty—along with courageous acts of mercy, charity and resistance.

*A brand new companion to the Last Kingdom series, Uhtred’s Feast, is available to pre-order now* BBC2 and Netflix TV series THE LAST KINGDOM is based on Bernard Cornwell’s bestselling novels on the making of England and the fate of his great hero, Uhtred of Bebbanburg. SWORD SONG is the fourth book in the series.