Poetry mapping the labyrinthine terrain of a Soul's journey. Mystical. Ecstatic. Dirty. Dark. Uncompromising.

Bone Gatherers is a Beacon Press publication.

For fans of epic fantasy with adventure and romance, Curse of Shadows reveals a world of unique magic, breathtaking action, and unforgettable love. Amassia teeters on the brink of the next Great Dying. The second sun has returned as our Bone Throwers foresaw--casting the nine realms into war. My name is Ash, and I fell in the battle for Baiseen. But I’m awake now, slowly putting the pieces back together. My Heir has lost his throne. My sailor is gone. And there is an emptiness inside me I can’t explain. Amid the chaos, someone must collect the original twelve whistle bones from all corners of the world. Marcus is named to lead the cause, but with his volatile phantom, he’ll need diplomacy as much as his sword. And we are not the only ones to seek the bones. Yet succeed we must. Because if we don’t, it will be death to all... The Amassia series is best enjoyed in order. Reading Order: Book #1 Crown of Bones Book #2 Curse of Shadows

"Report of Pennsylvania Forestry Commission", published in 1896: 1895, pt. 2.

Many leading American thinkers in the nineteenth century, who accepted the premises of Emersonian transcendentalism, valued the basic concept of pantheism: that God inheres in nature and in all things, and that a person could achieve a sense of belonging she or he lacked in society by seeking a oneness with all of nature. As Richard Hardack shows, however, writers such as Ralph Waldo Emerson, Nathaniel Hawthorne, and Herman Melville conceived of nature as everything "Other"--other than the white male Protestant culture of which they were a part. This conception of nature, then, became racialized, and the divine became associated with African American and Native American identities, as well as with femininity. In "Not Altogether Human," Hardack reevaluates transcendentalism in the context of nineteenth-century concerns about individual and national racial identity. Elucidating the influence of pantheism, Hardack draws on an array of canonical and unfamiliar materials to remap the boundaries of what has long been viewed as white male transcendental discourse. This book significantly revises notions of what transcendentalism and pantheism mean and how they relate to each other. Hardack's close analysis of pantheism and its influence on major works and lesser known writing of the nineteenth century opens up a new perspective on American culture during this key moment in the country's history.

Our fascination with what we eat, its provenance, and its preparation just keeps growing—and food writing has continued to explode. Once again, editor Holly Hughes plumbs magazines, newspapers, newsletters, books, and websites for the year's finest culinary prose—“stories for connoisseurs, celebrations of the specialized, the odd, or simply the excellent” (Entertainment Weekly). Featuring essays and articles from established food writers and rising stars, as well as some literary surprises, Best Food Writing 2012 captures the trends, big stories, and new voices. From going hunting to going vegan, from soup-to-nuts or farm-to-table, there's something for every foodie in the newest edition of this acclaimed series. Previous contributors include: Brett Anderson, Dan Barber, Frank Bruni, John T. Edge, Jonathan Gold, Gabrielle Hamilton, Jessica B. Harris, Madhur Jaffrey, Francis Lam, David Leite, J. Kenji Lopez-Alt, Molly O'Neill, Kevin Pang, Ruth Reichl, Alan Richman, Kim Severson, Jason Sheehan, Sam Sifton, John Thorne, and Calvin Trillin.